Where is Shi Zhecun from?

Shi Zhecun (190565438+February 3, 2003-February 3, 2003165438+1October19), formerly known as Shi, pen names Shi Qingping and Anhua, from Hangzhou, Zhejiang. Famous writer, translator, educator and professor of Chinese Department of East China Normal University.

1923 was admitted to Shanghai University and later transferred to Datong University and Aurora University. 1932 Up to now, he has been the editor-in-chief of Modern, a large-scale literary monthly, and engaged in novel creation. He is the earliest representative of "New Sensation School" in China. Since 1937, he has taught in Yunnan University, Xiamen University, Jinan University, Datong University, Guanghua University and Hujiang University. 1952 transferred to East China Normal University as a professor. 1993 won the "Shanghai Outstanding Contribution Award for Literature and Art". In June 2003165438+1October 65438+September, Shi Zhecun died in Shanghai at the age of 99.

Shi Zhecun is well-read and versatile, and has made great achievements in literary creation, classical literature research, inscription research and foreign literature translation.

There are collected works of Shi Zhecun.

Chinese name: Shi Zhecun

Alias: Qing Ping, pen names Anwar, Li Wanhe, etc.

Nationality: China.

Ethnic group: Han nationality

Birthplace: Shuiting Site, Hangzhou City, Zhejiang Province (Shuiting)

Date of birth:190565438+February 3rd.

Date of death: June 2003165438+1October 65438+September.

Occupation: writer, literary translator, scholar

Graduate institutions: Zhijiang University, Shanghai University and Aurora University.

Main achievements: one of the main writers of China's "New Sensation School"

Masterpieces: Don't Poem the Tang Dynasty, Lantern Festival, General's Head, Plum Rain Dusk, Collection under the Lights, Art Notes of Beishan.

outline

Shi Zhecun (1905—2003), formerly known as Shi, commonly used under his pen names Shi Qingping, Anhua, Li Wanhe, She Zhi and Beishan.

Originally from Hangzhou, Zhejiang. When he was 8 years old, he moved to Songjiang, Jiangsu (now Shanghai) with his family; 1922 was admitted to Zhijiang University in Hangzhou, and the following year he entered Shanghai University, where he started his literary activities and creation. 1926 transferred to the French special class of Aurora University, and founded Xunzi of Luohai with his classmates Dai Wangshu and Liu Naou. 1927, he returned to Ren Zhongxue Songjiang as a teacher. After 1928, he served as editor of Shanghai first-line bookstore and ink-wash bookstore, and participated in editing magazines such as Trackless Train and New Literature and Art. From AD 65438 to AD 0929, Shi Zhecun created the novels Kumarajiva and the General's Head by psychoanalysis for the first time in China, and became one of the founders of China's modern novels.

1930, Modern magazine, edited by him, introduced modernism and praised the literary creation of modern consciousness, which had a wide influence at that time. From 65438 to 0932, he edited Modern, a large-scale literary monthly, and became a professional literary and art worker. 1935 At the invitation of Shanghai Magazine, she co-edited China Literature Rare Series with A Ying. 1937 so far, he has served as an associate professor and professor in many universities in Yunnan, Fujian, Jiangsu, Shanghai and other places (he once lived in Hong Kong).

After People's Republic of China (PRC) was founded, he taught in the Chinese Department of East China Normal University (1952) and joined the Chinese Writers Association.

Shi Zhecun, an old Shanghai writer, was labeled as a rightist for his article "Talent and Morality". This paper cites historical allusions to explain that "troubled times" take people with "talent", even those who are truly capable can be appointed; And "prosperous times" can pay attention to "morality". Then, of course, the new China is a "prosperous time", and the staff are virtuous people with "communist morality", which should be very good. But in fact, some cadres have bad morality, which affects the party's image; At the same time, he thinks that "I fought guerrilla warfare" is "merit", not "virtue", and merit can be rewarded, so why take the position? I'm afraid it doesn't matter if you only have virtue and don't understand business. Therefore, the article finally boils down to calling for "using talents in an eclectic way". So he was labeled as a rightist with "gone with the times" and "fallacy of talent and morality". Criticize him, but also dig up his old historical accounts-he was named by Lu Xun as the "third person" who wanted to remain neutral in the struggle of opposites. Now, "history has raised him to a higher level"-"the third person" has become the second person: the second person who opposes * * * and socialism. This is Yao's finishing touch.

In the anti-rightist and Cultural Revolution, Yao's great works were seen by many people. Yao came out when a group of great scholars were afraid to write articles and secretly express their feelings with fables. The article is thunderous, serious and alarmist, mysterious and vivid. You can feel that he must be very enjoyable when he writes. According to some scholars' rough statistics, only within the scope of the anti-rightist movement and Shanghai, the writers criticized by Yao are Wang, Shi Zhecun, Xu Jie, Hu, Liu Shahe and others.

Examples of Yao's essays by Shi Zhecun. First, the beginning swept a large piece: "Since the Rightists launched an attack on the party, they have poured their greatest hatred into * * *. No matter how many words are used, whether it is Chu Anping's Ruling the World with the Party, Ge Peiqi's Killing, Xu Zhongnian's Crying and Shi Zhecun's Virtue, their swords refer to the leadership of the Party. " Secondly, it is vivid and inflammatory: "If Shi Zhecun shoots at * * * with an insidious cold arrow and Xu Zhongnian cuts at * * * with a knife in his hand, it is reckless to crawl around on the ground and pounce on * * * and Democrats close to * * * with rogue means-that is. ("What's the trick of recklessness") I once recalled that Yao wrote a composition when he was a child. His Chinese teacher smiled and commented that writing a composition would kill a person in pursuit of the effect of the article (touching or amazing). Is this like a metaphor or a prophecy? At this time, Yao's demagoguery should not be underestimated. See ShiZheCun son, always respectfully call a "uncle", is Zhang Chunqiao appreciate big. He set the tone for criticizing Shi Zhecun, and future generations may agree with him. For example, translator Wang Daoqian said, "As Comrade Yao said, Shi Zhecun has changed from a" third person "to a" second person "-an anti-socialist person", or as a literary theorist further developed Yao's point of view, saying that Shi Zhecun did not actually "decide" the third person, and "he has been doing so for more than 20 years". At that time, everyone had to express their views, and writers such as Ba Jin also jointly wrote critical articles; Shi Zhecun's colleagues and students exposed all kinds of "crimes" of Shi Zhecun. Therefore, he bid farewell to literary creation and translation and turned to study classical literature and stone tablets.

In 1980s, due to the re-influx of modernism into China, his literary creation was once again concerned.

Published short stories include Shang, Toudi General, Li Shishi, Dusk in Huang Meiyu, Travel of a Good Woman, Xiao Zhenji, essays include Under the Lamp, To Be Recorded, etc. Some academic works and a large number of translations have also been published.

Shi Zhecun is famous for writing psychoanalytic novels, deliberately describing the flow of subjective consciousness and the changes of characters' psychological feelings, pursuing novel feelings, integrating subjective feelings into the description of objects, and expressing morbid urban life at a fast pace, thus becoming one of the main writers of the "New Sensation School" in China.

As early as the 1930s, he was the most influential psychoanalytic novelist in China, and through Modern, one of the largest literary publications in the 1930s, he cultivated the most mature and perfect modernism in China's modern literature, which made modernism enter China's modern literary world and formed a climate, resulting in the tripartite confrontation of realism, romanticism and modernism in China's literary world-Shi Zhecun's position in China's literary world and his contribution to China's literary world cannot be underestimated.

In view of Shi Zhecun's contribution to literary creation and academic research, he was awarded "Shanghai Outstanding Contribution Award for Literature and Art" (1993) and "Appreciation Award for Asian Chinese Writers' Literature and Art Foundation".

At 8: 47 on June165438+1October 19, 2003, Shi Zhecun died of illness in Shanghai East China Hospital at the age of 99.

Shi Zhecun's former residence: Qishan Village. He moved back to Qishan village from 1952 and died of illness in 2003. He has been dormant in Qishan village for nearly half a century.

Character experience

1905 12.3 was born in Shuiting Site, Hangzhou, Zhejiang.

19 13 moved to Songjiang, Jiangsu (now Shanghai) with his family.

1922 was admitted to Zhijiang University in Hangzhou.

/kloc-entered Shanghai university in 0/923, and published the first collection of short stories "Jianggan Collection" at his own expense, and the poem "Pinghua Room" with Shi Zhecun as the first signature.

1926 transferred to the French special class of Aurora University, and founded Xunzi of Luohai with his classmates Dai Wangshu and Liu Naou.

1927 Back to Songjiang, Ren Zhongxue as a teacher. Translate the poems of Irish poet Ye Zhi and the book "Lady Beida Garland" by Austrian writer Chanizler.

After 1928, he was the editor-in-chief of Shanghai first-line bookstore and ink and wash bookstore, co-edited Literature Workshop and Trackless Train with Dai Wangshu, and published novels and new poems such as Ninon and Rain.

1930, Dai Wangshu and others edited the monthly magazine New Literature and Art, and published novels such as Kumarajiva, Fengyang Girl, Axiu and Flowers, and the psychological novel General's Head.

1932 edited Modern, a large-scale monthly literary magazine, published the Declaration of the Founding of the People's Republic of China, the novel The Moon in the Last Quarter of Last Autumn, and published the Essays of Wuxian Temple. Li Shishi, a collection of short stories, was published.

1935 applied for Shanghai magazine and co-edited China Literature Rare Series with A Ying. Editor-in-chief of six issues of Fan Wen Essays and twenty essays in the late Ming Dynasty, translated German novelist Glaeser's Grade 19 _ 2, and translated American Reed's Art Today for publication.

From 65438 to 0939, he taught in Yunnan University, compiling the history of China literature, the origin of prose and other teaching materials.

From 65438 to 0943, he taught at Xiamen University, offered special courses on Historical Records, and compiled historical records and other teaching materials.

65438-0952, Professor of Chinese Department of East China Normal University, joined the Chinese Writers Association.

1954 The new edition of Under the Chains was published by Beijing Writers Publishing House.

196 1 year compiled Postscript of the Later Han Dynasty and Postscript of People.

1963 compiled Yun Jian Poets' Surnames, The History of the Three Kingdoms, Sui Shu's Inscription, Shu Wei's Inscription and Bei Shan Lou's Inscription.

1964, he compiled Yun Jian Beilu, etc. , continue to write "North Mountain Building North", edited "Jin Shiyi Wen" and "Ten Poems of Song, Jin and Yuan Dynasties".

1974 wrote "miscellaneous poems on floating life" and continued to write "flower thorns in Beishan building".

1978 wrote "Hundred Poems of Tang Poetry" and continued to write "Poems of Beishanlou".

1980 Editor-in-Chief of Baihuazhou Library, translated the prose poems of French symbolist poets Pomville, Dashang, Malme, Meng, and Meng into ten French prose poems.

200 1 east China normal university press published the second and third volumes of Shi zhecun's collected works and literary creation, Beishan's prose collection, 100 Tang poems and a continuation of Beishan's talk about art.

In 2002, The Diary of Shi Zhecun was published by Wen Hui Publishing House.

He died in Shanghai on June165438+1October 65438+September 2003.

Personality assessment

In the literary world of China at the turn of the 1920s and 1930s, novels such as local school and life school have made great achievements. Shi Zhecun gradually avoided the short-distance cultural radiation from China writers, and gradually infiltrated into the western modernist literature in the translation and introduction of foreign literature and art. Guided by Freud's psychoanalysis, Shi Zhecun interpreted the story with rich and magnificent rhetoric, and finally became the "double shadow" of Freud's thought in China literary world. Shi Zhecun and the "Nine Leaves Poetry School" in1940s together constitute a unique cultural landscape in the history of modern literature in China.

Shi Zhecun's novels are like wearing gorgeous China cheongsam and dancing exotic waltzes with the accompaniment of traditional folk music. Shi Zhecun's mind is heroic and detached, and he does not indulge in party struggle and disagreement in literature. When editing, he actively cultivated pioneers; As a writer, he can get away from worldly affairs (he used to be a teacher in Songjiang County Middle School in Shanghai), and he tries to be a model himself. Although he didn't have much to do, most of his works were carefully planned, unlike ordinary Shanghai writers, so he was able to gain a foothold in the Shanghai literary and art circles in the 1930 s. He was not only a master of new literature, but also an ancient book collator, and he made great achievements (Shi edited 20 essays in the late Ming Dynasty and other ancient books).

Shi Zhecun's novel achievements were buried in the novel history of the 20th century. Most of his popularity stems from the pen and ink lawsuit between him and Lu Xun about Zhuangzi and Selected Works in the1930s. Therefore, he was implicated in the Cultural Revolution, but his novel creation related to his lofty literary value was ignored for a long time, and his works were once neglected in the library.

Character works

Collection of short stories

Jiang Ganji (1923), Shang (1929), Li Shishi (193 1), Jiangjuntou (1932), Night of Plum Rain.

attempt

Episode under the lamp (1937), waiting for Dan to record (1947), sleeping on the ge to record (1992), story of selling sugar books (1997), footprints on the beach (65438).

Edit a work

Hungarian Short Story Collection (1936), Polish Short Story Collection (1936), Hero after Robbery (1939), Husband and Lover (1945), Women's Heart Trilogy (2006). Bei Lai the Conqueror (1957, 1958), Three Flavors of Love, Diary of Foreign Scholars (1995).

Academic writing

Hundreds of Tang Poems (1987), Notes and Monuments on Water Mirrors (1987), Collection of Ci, Prefaces and Postscripts of Ci Books in Past Dynasties, Interpretation of Ci Academic Words (1988), Collection of Ancient Books of North Mountain in Song and Yuan Dynasties (.

poetry anthology

Poetics of Beishan Architecture (2000)