What does Pan Yuyu do?

Pan Yuyu, national first-class artist, member of China Artists Association, director of China Printmakers Association, representative of the Fifth Congress of China Artists Association, vice chairman of Suzhou Artists Association, president of Suzhou Printmakers Institute, and adjunct professor of Suzhou University Art College.

Chinese name: Pan Yuyu.

Nationality: China.

Place of birth: Jiangsu

Date of birth: 1944.5

Occupation: painter

Graduate school: Central Academy of Arts and Crafts.

Representative works: Pan Yuyu and Chinese painting.

Art chronology

/kloc-0 was born in Suzhou in May, 1944;

1962 graduated from Suzhou Institute of Art & Design;

1968 graduated from Central Academy of Arts and Crafts (now Tsinghua University Academy of Fine Arts);

1972 The watermark print "Green Tree Red" was selected for the national art exhibition that year, and 1979 was collected by China Art Museum. Since then, twelve works have been selected for the National Art Exhibition and the National Print Exhibition.

65438-0973, director of Suzhou Peking Opera Troupe.

1980 Watermark Printmaking "Rise from the Ground" was selected as "Jiangsu Shanghai Chinese Painting Printmaking Exhibition" and exhibited in Shanghai Art Museum and Shenzhen Art Museum. Six China ink paintings "Dramatic Characters" were published by Hong Kong Jilian Bookstore. Pan Yuyu's Opera Character Exhibition was held in Suzhou Dongyuan, Shanghai Xuhui Cultural Center and Nantong Workers' Cultural Palace. Once worked as a creative designer in Suzhou Taohuawu Woodcut New Year Pictures Club.

198 1 year watermark print "Hongqiao Guashi" was selected for the 7th National Print Exhibition. Join China Artists Association. Create watermark prints at the same time.

1983 Watermark print "Small Scenery in the Country" was selected for the Eighth National Print Exhibition, and in the same year it was selected for the "Jiangsu Watermark Woodblock Exhibition" by Hong Kong Sanlian Bookstore, and the exhibition catalogue and invitation cover were made.

1984 independently established Suzhou printmaking art creation research room as deputy director.

1988 Ink painting "Flower Bud of Lake Stone" was selected for the 40th anniversary exhibition of Hong Kong Wen Wei Po and was collected. The National Library of Paris, France has collected eight works, including Diary of a Water Town. A painting of a faint water town seen in China Culture News.

199 1 went to Kanazawa, Japan for artistic exchange with Suzhou Municipal Government's "Cultural Commodities Trade Mission".

Suzhou Prints Painting Academy was founded in 1992, and has been the president ever since.

1993 went to Kobe for artistic exchange at the invitation of the Japanese consortium Sanjiang Hall.

1995 Three ink paintings, such as Morning Dew, were selected for the National Peony Exhibition, and two were collected by the Organizing Committee. Face life and draw with your heart was published in Suzhou Daily. Go to Kuala Lumpur and Penang, Malaysia to hold art exhibitions and have artistic exchanges with Malaysian Art Institute (with Zhou Yiqing, Hao Boyi).

1996 "accumulate wealth and thin hair" was published in Suzhou Daily.

1997 "Preliminary Modernization and Suzhou Fine Arts" was written by Suzhou Cultural Circle (10000 words). Attend the first Singapore Art Fair, visit Malaysia and communicate with Malaysian Watercolor Association. Pan Yuyu's Opera Figure Painting was published on the calendar. On March 26th, "Yu Yu's Sketch Exhibition of Chinese Paintings" was held in Yiyuan Gallery of Suzhou Arts and Crafts Shopping Mall.

1998 The second meeting with Chen Danqing was published in the supplement of Suzhou Daily. Forever Sketch Book —— After Yang Mingyi's Sketch Exhibition was published in Zhejiang Art Newspaper. Attend the 5th Congress of China Artists Association held in Beijing.

The first China Painting Exhibition was held in Suzhou Convention Center from 65438 to 0999, and Pan Yuyu's China Painting Collection was released at the same time.

In 2002, Kunqu Opera was published by Suzhou Guwuxuan Publishing House. Suzhou Federation of Literary and Art Circles held Pan Yuyu's Flower and Bird Sketch Exhibition, and the tickets were sold out.

In 2003, Pan Yuyu's Hundred Plays was published by Shanghai People's Fine Arts Publishing House.

In 2005, Guwuxuan Publishing House published a collection of flowers and birds by Pan Yuyu, a famous contemporary martial artist.

In 2006, China Calligraphy and Painting magazine (No.2, 2006) published Pan Yuyu's flower-and-bird and opera figure paintings, and published Wang Yuanqing's article "Appreciating Guang Yi in Wuzhen Middle School-Reading Pan Yuyu's Chinese Painting Art", "Collector" (No.4, 2006) and "Collection of Works" (No.7, 2006/kloc- The series Pan Yuyu, a contemporary China painter, jointly produced by the Central News Recording Film Studio and CCTV, was completed in July. On July 12, the 6th edition of Suzhou Daily published "Birds Singing, Flowers Blooming and Water Colors Blending-Appreciation of Pan Yuyu's Flower and Bird Paintings".

In June, 2007, Guangzhou Southern Channel 2 broadcasted the Cantonese version of Imperial Pen Huasheng (length 10 minutes). 6543810.8 "New Wu Pai Jinjing Exhibition" (China Art Museum), eight works of Pan Yuyu were included in the large-scale album "New Wu Pai". 654381Oct. 27th, his works "Spring", "Chicken" and "Kunqu Collection" were collected by Jingfeng Art Museum.

In May, 2008, "Peony Solitary Painting" was selected as "China Contemporary Flower and Bird Painting Invitational Exhibition". In July, CCTV 9 broadcast the feature film "Contemporary China Painter-Pan Yuyu" (30 minutes long);

In May 2009, the figure painting "A Thousand Miles to Jingniang" and other works were collected by Jingxi Hotel. On June+10, 5438, CCTV-9 broadcast Pan Yuyu-Peony and Pan Yuyu-Dramatic Characters (5 minutes each). 165438+ 10 In October, Hong Kong Ta Kung Pao introduced the artistic world of artist Pan Yuyu with two special topics. 165438+ 10 The work "Drunk Imperial Lady" was collected by the National Peking Opera Theatre.

20 10, Digital Global Channel broadcasts Pan Yuyu (film length 10 minutes). The World Chinese Newspaper published Pan Yuyu's dramatic figure painting (Feng Yuan's The Essence of Drama, Brilliant Pen and Ink) in four pages. In February, foreign languages press published two volumes, Pan Yuyu-Flowers and Birds (written by Feng Yuan) and Pan Yuyu-Dramatic Figures (written by Shao Dazhen). In April, Tianjin People's Fine Arts Publishing House published "Approaching the Painter-Pan Yuyu Volume". On June 24th, China Opera Collection (length 493cm, height 128cm), a huge figure painting of opera, was collected by the Administration of the Great Hall of the People (ID number 155 1). On July 26th, the fan exhibition of Pan Yuyu's opera characters named "Xu Lai in the Breeze" was exhibited at the Beijing National Grand Theatre, and the Chinese opera with wind and thread was published by Wuzhou Communication Press.

20 1 1, "Ink and Wash Play Rhyme-Pan Yuyu's Ink and Wash Art Exhibition of Kunqu Opera Figures" was held in Beijing Aimo Art Museum.

20 13 Chinese Peking Opera Magazine published Pan Yuyu, a Chinese Opera Painter, which included several works by Feng Yuan. Pictures of Pan Yuyu and the characters in the play were published on the back cover.

20 14 and Liu Maoshan and Xu held an exhibition of Chinese paintings in Suzhou Art Museum, showing 30 works.

evaluate

At the end of 2005, Suzhou Guwuxuan Publishing House published a set of works by eight contemporary Wumen masters, including a flower-and-bird album by Pan Yuyu, which is the representative work of Pan Yuyu's flower-and-bird painting, and also his representative work of forming a personal style and jumping out of the previous pattern, reflecting his extraordinary understanding of flowers and birds.

Pan Yuyu's flower-and-bird painting practice is full of mystery of exploration and development. He advocates the natural form of flowers and birds and creates ideal materialization. He interprets and talks with predecessors' works, and slowly creates his own work personality from many characteristic patterns, which is so bright and dazzling.

At present, Pan Yuyu's flower-and-bird paintings have many enthusiastic fans. They feel that the once flower-and-bird paintings have faded in the years, but the new forms and new features of Pan Yuyu's works are so abruptly erected. The first feature of his works is the blue and cross-flow of water. For example, moonlight is the representative of water as the medium. His clever use of watercolor is that the faint water formed on paper naturally shows the vivid image of flowers opening. Composition and hierarchy balance the composition of the picture through alternating block corridors, and the intersection of branches makes the connection and density distribution between color blocks patchy; The picture is full of contradictions, but it appears peaceful in coordination.

Pan Yuyu's flower-and-bird paintings are not only elegant and quiet in color, but also unique, and the dynamics of birds are the focus of his description. When the flowers bloom, the birds will fly vigorously, and the work "Night Walking in Autumn" is just to describe the surviving birds; Like jumping out of a painting, the birds in Pan Yuyu's painting have the correct structure and vivid movements because of raising birds and watching birds, and all these are obtained with a few strokes casually, which can be described as both sound and form, relaxed and relaxed.

Innocence is a more frank work. It is unpretentious, with ink and wash moving on paper, submerged by water and shaped by water. The image of the picture is like a dialogue between flowers and birds, which promotes the emotional sustenance of flower-and-bird painting to a pure and warm realm.

Brush stroke is the trace of brush stroke and the basic unit of image. In the process of painting, it is another feature of Pan Yuyu's flower-and-bird painting to express the texture with brush strokes. If you draw carefully, you can't help but be impressed by the formation of bird wings. Brush strokes are gathered by images and scattered by dynamics. Free combination in constant movement, quick brushwork. If you hesitate, you will be painted as "dull flowers" and "dead birds". The work "Fun" well reflects the role of brush strokes.

Painting is concise and accumulation, and it is all experienced and explored on paper all the year round. The particularity of Xuan paper and pen and ink is the foundation of creating flower-and-bird symbols, and it is also the difference between flower-and-bird painting, figure painting and landscape painting in expression methods. It's comfortable to enjoy flower-and-bird paintings. When we look at Pan Yuyu's paintings, it seems that we are happily drinking nectar, experiencing the rhythm and rhythm, and tasting the faint sweetness.

Pan Yuyu's paintings are always indifferent, just like others.