Job Recruitment Website - Job information - I like Li Bai, Su Shi and Jia Xuan.

I like Li Bai, Su Shi and Jia Xuan.

Top! ! ! I like the elegance of Li Bai's poems, because his chivalry, Confucianism, Buddhism and Taoism make his poems more convincing. Su Shi's poems are a combination of Confucianism, Taoism and Buddhism. His early works are magnificent and unrestrained, like a flood bursting its banks and spilling thousands of miles. Later works are ethereal and meaningful, simple and light as deep willows, and the flowers in Pak Lei are far away. Xin Qiji, his patriotic poems are inspiring and uninhibited!

Lipper

First, before leaving Shu (70 1-725)

Li Bai was born in Haoshang and grew up in Qinglian Township, Zhangming County, near Jiangyou, Sichuan. After the tour, they all went out of the gorge with Emei. The following Interview with Dai Tianshan shows that he has long been branded as a Taoist.

Second, swim eastward along the Yangtze River until you leave Anlu (725-735).

Li Bai went out to Shu at the age of twenty-five to visit Taoism, make friends and visit mountains and rivers. "History of Shang 'an Peichang" said: "I think that a gentleman will be like a mulberry bow and arrow all his life, shooting at his husband everywhere, so I know that a gentleman must have good thoughts and great ambitions." He left the Three Gorges eastbound, passed Jingmen and Jiangxia, and went to Xunyang to climb Lushan Mountain. Traveling to Jinling and Yangzhou, wandering between Wu and Hui; Back to the boat, from Jiangxia to Hanshui, through Xiangfan, to your vicinity, during which I met Meng Haoran; From Linru to Anlu (AD 727), I married my granddaughter and started the life of "drinking in Anlu for ten years". In the autumn of the 23rd year of Kaiyuan (AD 735), I visited Taiyuan Temple at the invitation of my friend Yuan. Shortly after returning to Anlu in the following spring, he moved to Donglu. The following "Jiangxia Tour" expresses his sympathy for businessmen's wives and other civilians; The book Sleeping in Huainan can find the root of his strategists' thoughts.

3. From East Road to Nanling and then to Chang 'an (736-742)

Li Bai moved from Anlu to Shandong and settled in Rencheng. He also lived in seclusion in Culai Mountain, and from time to time drank with five people, including Kong Chao's father, who was called Zhuxi Liu Yi. In the meantime, I went back to Han and Xiang once each, traveled north and Wan, and soon returned to East Road, and went south to wuyue to meet the Taoist priest of Wujun. In the first year of Tianbao (AD 742), I was called to Chang 'an in Nanling. The next excerpt from "Going East in May, Answering Wen Shang Weng" shows that he is confident to enter the official position from the right path; "Nanling Children Don't Go to Beijing" more vividly shows his arrogance when he was called to Beijing, and also reflects his enthusiasm for fame and fortune.

Fourth, in Chang 'an (742-744).

Li Bai went to Chang 'an with Taoist Wu Yun, and was personally summoned by Emperor Xuanzong of the Tang Dynasty on the recommendation of the princess and some other people. As a sacrifice, he was presented to the Hanlin, with no official position. He pretends to be a scholar in Wang Zuo, but Xuanzong regards him as a literary attendant and is often called to do some so-called "due work". It seems that he was not satisfied with this experience, plus he indulged in drinking and was arrogant, which inevitably offended some villains, such as Gao Lishi, and was finally exiled to Beijing. Spring breeze is just a flash in the pan. Unfortunately, Chang 'an is the political center of the country. He opened his eyes here, increased his knowledge, and had a perceptual understanding of the declining politics at that time. He collected a lot of poetry materials and enriched the content of his works. The following "Twenty-four Ancient Styles"-"Car Flying Dust" openly mocked current politics; Song of the Horse is a metaphor for a horse, lamenting that a wise master has never met before. And "looking at Nanshan to send a hermit a song" shows that Chang 'an's ten-foot world of mortals failed to make him give up his yearning for immortals.

Verb (abbreviation of verb) leaves Chang 'an for Yelang (745-757).

After Li Bai left Chang 'an, he moved north and south. He lived in seclusion between Song Liang and Qilu, and traveled back and forth between Huiji, Jinling and Yicheng many times. What is worthy of a great book is that in this early period, he forged an immortal friendship with Du Fu, climbed mountains with poets and great calligraphers such as Gao Shi and Li Yi, and returned poems and wine. An Shi Rebellion, he is in Xuancheng. Later, he moved to Liyang and Zhongshan. In the 15th year of Tianbao (AD 756), he took refuge in Lushan Screen, met Wang Yong of Xunyang, and invited him to join the shogunate. The following year, in the second year of Zhide (AD 757), Wang Yong defied the imperial edict of Su Zong and defeated Danyang. He was dragged down to Xunyang prison and sentenced to leave his wife at the age of 57, and went through the sinister wind and waves of the Three Gorges in Dongting alone and embarked on a long road of life and death. At this stage, Li Bai has the richest life experience and the most poems handed down. The following excerpts from "Into the Wine" and "Seeing the Rhododendron in Xuancheng" reflect his concern and dissatisfaction with state affairs, his chagrin that he failed to make progress twice, and his glimpse of his family, friends, landscapes and immortals.

Six, Wushan met with forgiveness and died (758-762)

Li Bai wandered for a long time, arrived in Wushan, met Xie Dong, and then came back. After a short stay in Jiangxia, Baling, Hengyang and Lingling, I returned to Xunyang. Later, I revisited Jinling and traveled to Xuancheng and Liyang. One year before his death, Li Guangbi of Dongzhen Town was allowed to resist Shi Chaoyi. He wanted to serve his country when he heard the news. Unfortunately, he turned back because of illness. In the first year of Baoying (AD 762), Li died in Dangtu at the age of 62. At this stage, Li Bai gradually entered the bleak old disease. However, his poetry and wine are as good as they were then. The following song "Don't Pine Branches in Jiangxia" reflects Li Bai's helplessness to the country in his later years. (The picture on the right shows Li Bai's handwriting. Looking at Li Bai's life and handed down works, we can see that the mainstream of his thoughts is Taoism and strategists, and he is also influenced by Confucianism. He worships Fu Shuo, Lu Shang, Fan Li, Lu Lian, Sean, Xie An and other so-called "national prosperity and security" big shots, as well as Zhuan Xu, Hou Ying, Jing Ke and other assassins and rangers. He had the ambition to help the poor, but he didn't try. Of course, objective social conditions limited him, as did his own subjective personality and feelings. There is no doubt that he loves the people of this country and hates evil and treachery.

Su Shi

His father, Su Xun, was the "Su Laoquan" mentioned in Saint Amethyst at the age of 27. Su Xun got angry late, but he worked hard. In his later years, Su Shi recalled his childhood experience of studying with his father and felt that he was deeply influenced by his father. Of course, if Su Xun didn't study hard, Su Shi couldn't get a good tutor in his childhood, let alone "learn the history of general classics, which belongs to thousands of words every day", and it is even more impossible to achieve literary achievements in the future.

In the first year of Jiayou (1056), 21-year-old Su Shi left Sichuan for Beijing for the first time to take the imperial examination in the imperial court. The following year, he took the examination of the Ministry of Rites and won the appreciation of Ouyang Xiu, the examiner, with an article on "Rewarding Loyalty with Punishment", but he mistakenly won the second place in high school.

In the sixth year of Jiayou (106 1 year), Su Shi took the Chinese secondary school exam, which is usually called the "three-year Beijing Examination", and got the third grade, and was awarded the title of "First in a Hundred Years" by Fengxiangfu Judge. Later, his father died in Bianjing, and Ding returned to his hometown. In the second year of Xining (1069), he returned to the DPRK after his term of office, and he was still appointed. When he entered the DPRK as an official, it was the time when the political crisis in the Northern Song Dynasty began to appear, and the crisis was hidden behind the prosperity. At this time, Zongshen acceded to the throne and appointed Wang Anshi to support the political reform. Many of Su Shi's teachers and friends, including Ouyang Xiu, who admired him at the beginning, were forced to leave Beijing because they disagreed with the new Prime Minister Wang Anshi's implementation of the new law. The old rain in the ruling and opposition parties faded away, and what Su Shi saw in his eyes was no longer the "peaceful and prosperous times" he saw at the age of twenty.

On his way back to Beijing, Su Shi saw the harm of the new law to ordinary people. He disagreed with Prime Minister Wang Anshi and thought that the new law could not facilitate the people, so he wrote a letter against it. As a result, like his teachers and friends who were forced to leave Beijing, they were not allowed to stay in the court. So Su Shi asked for his release and was transferred to Hangzhou to serve as a general.

Su Shi stayed in Hangzhou for three years. After his term, he was transferred to Mizhou, Xuzhou, Huzhou and other places. Outstanding achievements, won the hearts of the people.

This lasted for about ten years, and Su Shi met the first disaster in his life. At that time, some people (Li Ding and others) deliberately distorted his poems and made a big fuss. In the second year of Yuanfeng (1079), Su Shi arrived in Huzhou for less than three months, and was arrested and imprisoned for writing poems to satirize the new law, which is known as Wutai Poetry Case.

Su Shi was in prison 103 days, almost on the verge of being beheaded. Thanks to the national policy of not killing literati during the Mao period in the Northern Song Dynasty, Su Shi escaped.

After he was released from prison, Su Shi was demoted to Yong Lian of Huangzhou Regiment (equivalent to the vice captain of modern civil self-defense forces). This position is quite humble, and at this time, Su Shi has been disheartened after this prison. In his spare time, he led his family to cultivate a slope in the east of the city and make up for his livelihood by farming. It was at this time that he got the nickname "Dongpo lay man".

In the seventh year of Yuanfeng in Song Shenzong (1084), Su Shi left Huangzhou and went to Ruzhou. Due to the long distance and tiring journey, Su Shi's children died unfortunately. Ruzhou is far away, and all the tolls have been used up. Coupled with the pain of losing his son, Su Shi wrote to the court, requesting not to go to Ruzhou for the time being, and to live in Changzhou first, and then was approved. When he was ready to return to Changzhou, Zongshen passed away.

Zhezong ascended the throne, the high queen mother listened to politics, the new party forces fell, and Sima Guang was re-enabled as prime minister. So Su Shi was recalled to North Korea as a doctor by the Ministry of Rites in 1998. I was promoted to Mr. Sheren in the previous dynasty, Mr. Sheren in Zhongshu three months later, and soon to imperial academy.

As the saying goes, "Beijing officials are not easy to be." Su Shi saw the emerging forces desperately suppressing the figures of Wang Anshi Group and abolishing the new law. He thought that they were just birds of a feather with the so-called "Wang Dang" and once again offered advice and suggestions to the emperor.

So far, Su Shi can neither tolerate the new party nor forgive the old party, so he once again asked for a transfer. As a bachelor of Longtuge, he once again went to Hangzhou after a long absence 16 to serve as the prefect. Su Shi built a major water conservancy project in Hangzhou, dredged the West Lake, and built a dam beside the West Lake with dredged silt, which is the famous "Su Causeway".

Su Shi lived happily in Hangzhou and compared himself to Bai Juyi in the Tang Dynasty. But in the sixth year of Yuan You (109 1), he was recalled to North Korea. But soon, due to political disagreement, Yingzhou was released. In the eighth year of Yuan You (1093), the new party came to power again and was exiled to Huizhou (now Huiyang, Guangdong). After Hui Zong acceded to the throne, he was transferred to Lianzhou for resettlement, Zhou Shuan for permanent resettlement and Yongzhou for resettlement. In the third year (1 10 1), Fu Yuan was pardoned and restored to the classical style. On his way back to the North, he died in Changzhou, posthumous title. At the age of 66.

Xin Qiji

Xin Qiji (1 140- 1207) was a poet in the Southern Song Dynasty at the age of 67. The original word Tanfu, renamed You 'an and Jia Xuan, was born in Licheng (now Jinan, Shandong), Han nationality. China is a great poet and patriot in history. It has the same name as Su Shi and is also called "Su Xin". In history, it is also called "Jinan Er 'an" with Li Qingzhao. Someone once praised him like this: Jia Xuan is the crown of people and the dragon in words. Liu Chenweng's Preface to Xinjiaxuan said: "The word reaches Dongpo, which is aboveboard, like poetry, prose and wonders of heaven and earth. He has been to Hubei, Jiangxi, Hunan, Fujian and eastern Zhejiang. Before he was born in 13, Shandong was occupied by the nomads. 2 1 year-old joined the anti-Jin army and soon returned to the Southern Song Dynasty. In the thirty-first year of Shaoxing (1 16 1), two thousand people joined the northern anti-Jin army and returned to the Southern Song Dynasty the following year. Throughout his life, he insisted on fighting against nomadic people and recovering lost land. Zeng Jin played "Ten Theories on Meiqin", analyzed the situation of the enemy and ourselves, and put forward specific plans for Qiang Bing's rejuvenation; He also went to the Prime Minister's Ninth Meeting to further elaborate the idea of the Tenth Meeting. Has not been adopted and implemented. When serving in various places, he seriously eliminated the accumulated disadvantages, actively prepared for war, was restrained by capitulationists, and even was dismissed. He once lived in Shangrao, Jiangxi for a long time. The great ambition and talent of recovering the motherland were not displayed, and loyalty and resentment created a generation of great poets in the Southern Song Dynasty. Geng Jing massed troops in Shantung, restrained loyalty, and left the minister in charge. In the thirty-second year of Shaoxing, he ordered Feng Biao to return to the south, and Emperor Gaozong summoned him and awarded him the position of Cheng Wulang. Ning Zongchao was tired of being an official in eastern Zhejiang and added Long Ting and other systems. He entered parliament and was appointed as a pawn. He has lived in Shangrao and Buried Hill in Jiangxi for more than ten years. His writing is full of passion, generosity and tragic. Powerful brushwork, diverse artistic styles and uninhibited. And "Jia He's Short Sentence".

Throughout his life, he was proud of his integrity and made his own achievements, and advocated the war of resistance all his life. He once appeared in "Ten Treatises on Meiqin" and "Nine Discussions", showing outstanding military talent and patriotic enthusiasm, and maintained a deep friendship with Song Zhishi and Neo-Confucianism Zhu, making great efforts to govern. Anti-gold and national rejuvenation are the main themes of his works, among which there are many laments of the lost direction of heroes and the idle resentment of the strong, which have distinct characteristics of the times. It also depicts the pastoral scenery, social customs and folk customs of the four seasons in the rural areas of the south of the Yangtze River with vivid and delicate brushstrokes. His ci has a wide range of subjects, and he also makes good use of predecessors' allusions. The style is heavy and heroic, and there is no lack of delicacy and gentleness. On the basis of Su Shi, he greatly developed the artistic conception of Ci and improved the literary status of Ci. Later generations called it "Su and Xin". His poems are also worthy of praise, especially his "powerful pen, ingenious convergence, correct and balanced theoretical style"

Xin Qiji, a patriotic poet in the Southern Song Dynasty, is a great poet with pronoun style and a national hero who is good at fighting and familiar with military affairs. His words "boring cymbals loudly, whispering, crossing the Liuhe River and sweeping the ages" have become a treasure in the history of China literature; As a court minister in the Southern Song Dynasty, he wrote an article "Discussing and Training the Militia to Defend Huai Shu", which expressed the author's strong patriotic feelings, incisive and profound analysis of the war situation and clear and concrete countermeasures. This applied essay is full of passion, ingenious, well-founded, accurate and concise. The article only uses more than 600 words, from asking questions, analyzing problems to solving problems in one go. The information, analysis, measures, predictions and words are simple and clear. A heroic and broad-minded poet can write such a rigorous and simple practical article according to the needs of different styles. It can be seen that great writing can't be confined to a narrow world. He should master several sets of pen and ink skillfully, not only have his own favorite style, but also write different genres and styles according to different requirements, just like a martial artist with profound kung fu. Although he is good at a weapon, he is right. Xin Qiji used two completely different styles to express his impassioned patriotic feelings from different sides, reflecting his lofty aspirations and lofty ideals of caring for the country and the people, and his lofty ambition of "a man who has tears does not flick, but wants to make up for the sky". (Excerpted from Applied WritingNo. 1, 0998, Master of Ci Poetry-Reading Xin Qiji)

Strong patriotism and fighting spirit are the basic ideological content of Xin ci, which is first manifested in his ci, and he keeps repeating his nostalgia for the north. In addition, in He Xinlang and Fishing, he satirized the small court in the Southern Song Dynasty with words such as "water left and mountains left" and "heartbroken at sunset", expressing his dissatisfaction with being partial to a corner and unwilling to go north. Ambition is useless, and it is expressed in unspeakable words. In his masterpiece Shui Long Yin, he is good at remembering the past and facing picturesque rivers and mountains and heroes. While inspiring his lofty aspirations, he also expresses the feeling that heroes are useless. The fierce conflict between ideal and reality constitutes the tragic tone of his ci. On the basis of Su Shi's Ci, Xin Ci has further expanded the scope of the subject matter, almost to the point where everything has to be unintentionally written.

He was fifteen years younger than Lu You, and when he was born, the north had fallen into the hands of jurchen. Although his grandfather Xin Zan worked in the State of Jin, he always hoped to have the opportunity to "get rid of his anger" and often took Xin Qiji to "climb high and look far, point out the mountains and rivers" ("Ten Theories on Meiqin"). At the same time, Xin Qiji also witnessed the humiliation and pain suffered by the Han people under the rule of Jurchen, which made him make a plan to restore the Central Plains when he was young. On the other hand, because Xin Qiji grew up in the north under the rule of Jin people, there was less traditional culture and education that people blindly followed the rules, and he had a chivalrous spirit.

In the thirty-first year of Shaoxing (1 16 1), Yan Liang, the gold owner, invaded the south on a large scale, and the Han people behind him rose up because they could not bear the harsh oppression of the Jin people. Twenty-two-year-old Xin Qiji also gathered 2,000 people to join the huge rebel army led by Geng Jing and served as secretary. When the internal contradictions among the Jin people broke out, Wan Yanliang was killed by his subordinates at the front line, and the Jin army retreated northward. In the thirty-second year of Shaoxing (1 162), Xin Qiji was ordered to contact the court of the Southern Song Dynasty. On his way back from his mission, he heard that Geng Jing was killed by the traitor Zhang Anguo, and the rebel army was dissolved. He led more than 50 people to attack the enemy camp, took the traitor back to Jiankang and handed it over to the Southern Song Dynasty court for execution. Xin Qiji's amazing courage and decisiveness made him famous for a while. "Cowards rise for it, and the Emperor of Heaven sighs for it" (Hong Mai's Jia). Song Gaozong appointed him to sign a judgment in Jiangyin, and started his career in the Southern Song Dynasty. At this time, he was only 23 years old.

When Xin Qiji first came to the south, he didn't understand the cowardice and cowardice of the imperial court. In addition, Song Gaozong and Zhao Gou both praised his heroic behavior, and Song Xiaozong, who soon acceded to the throne, also showed the spirit of regaining lost ground and avenging. Therefore, in the first period of his tenure in the Southern Song Dynasty, he enthusiastically wrote many suggestions to resist the Northern Expedition of the Jin Dynasty, such as the famous Ten Treatises of Meiqin and Nine Treatises. Although these suggestions were praised and widely circulated at that time, the imperial court, which was unwilling to fight again, was indifferent. It was only interested in Xin Qiji's practical ability in the proposal, so it sent him to Jiangxi, Hubei, Hunan and other places to hold important local offices to control famine and rectify public order. This is obviously quite different from Xin Qiji's ideal. Although he did a good job, he felt more and more depressed and miserable because he deeply felt that time was flying, life was short and his ambition was hard to pay.

However, the reality is harsh for Xin Qiji. Although he has excellent talents, his heroic and stubborn personality and persistent enthusiasm for the Northern Expedition make it difficult for him to stand on the officialdom of being timid, smooth and jealous of talents. He also realized that he was "just clumsy and confident, and he was not accepted by everyone for many years" ("On the Thief Zazi"), so he was ready to retire and built a garden pavilion by the lake in Shangrao, Jiangxi Province, so that he could settle down after leaving his job. Sure enough, in the winter of the eighth year of Xichun (1 18 1), when Xin Qiji was 42 years old, he was dismissed from office because of impeachment and returned to Shangrao. In the next 20 years, he spent most of his time in the countryside except for being appointed as the prison director and Fujian Special Envoy for Peace every two years.

Xin Qiji has always praised the hermit who is arrogant in the mountains, and living in the countryside is not coincidental with his outlook on life; Moreover, because of his past position, he can live a very luxurious life. But as a hot-blooded man and a man of the hour, he was forced to leave politics when he was in his prime, which made him unbearable. Therefore, he often enjoys the pastoral scenery and its quiet interest, while constantly surging inside, sometimes excited by his own life ideal, sometimes angry and depressed by the ruthlessness of reality, and sometimes forced himself to comfort himself and make broad-minded thoughts, and spent the rest of his life in this emotional ups and downs. "It's a pity that it happened in vain to get rid of worldly affairs and win fame for Wang after his death" (Broken Array) and "I exchanged ten thousand words for my master to plant trees" (Partridge Sky), which buried his deep affection. In the third year of Jiatai (1203), Han Biaozhou, who advocated the Northern Expedition, began to use leading figures. At the age of 64, Xin Qiji was appointed as the magistrate of Shaoxing and the messenger of peace in eastern Zhejiang, which inspired the spirit of the older generation of poets. In the second year, he met Song Ningzong, enthusiastically and generously said that Xu Jinguo "will be chaotic and will die" ("Inflammation Miscellaneous Notes since the establishment of the ruling and opposition party B"), and personally went to work in Zhenjiang front.

However, he suffered a heavy blow again, and was forced to leave his job under the blows of some admonishers, and returned to his hometown in the first year of the jubilee (1205). Although he has been called to work in the last two years, he is old and sick and weak. Finally, he died suddenly in the autumn of Kathy's third year.

Although, since the fall of the Central Plains, expressing grief and indignation over national humiliation and expressing enthusiasm for serving the country has become the central theme of literature, Xin Qiji's ci still has unique brilliance in it. This is not only because Xin Qiji grew up in the north ravaged by other nationalities, and his desire to restore his homeland is stronger than that of ordinary literati, but also because he actively seeks the glory of his personal life while undertaking the national mission, and shows an irresistible heroism in his words.

When Xin Qiji's ci expresses his ambition to serve the country, he often shows the heroic and confident state of mind of the soldiers, such as "I want to pull the waves of the Milky Way and wash the sand in the northwest" ("Shuidiao Getou"), "When Marco Polo is buried, I should swear that moths will not sink" ("Manjianghong") and "When people die, their hearts are like iron. See how to try to mend the sky "("He Xinlang ") and so on. Everything is full of pride and anger. For those who have the same courage to serve their country, he sincerely praises and encourages each other with one voice. For example, the impassioned "Shui Long Yin Chen Jiashou Han Nan Jian Shang Shu" is completely different from ordinary vulgar birthday speeches:

How many people really know how to cross the river and come from the south? Chang 'an elders, the scenery of the new pavilion, are as poor as ever. How many times did you look back when you were on land? Do you know that Wan Li's fame and fortune are true Confucianism? There is an article about hitting mountains, all of which are sunny days with children's voices. When I fell to the ground, now I try, and the situation is running.

The wind and smoke in the green fields, the vegetation in Pingquan and the wine singing in Dongshan. I will rectify Kun's work and celebrate her husband's birthday next year.

Xin Qiji has an instinctive aversion to vulgar and smooth bureaucrats who do nothing in the face of national peril. In Millennium Tune, he outlined the ugliness of such characters: "Give people a drink, then pour it first. The most important thing is to make cocoa, and everything is fine. "

However, it is such people who are full of officialdom, hold power and embark on a road of stealing peace. He wrote angrily: "General Lee won herma forever. Cai Li is the next person, but he is a seal. " ("Operator")

When Xin Qiji led a few troops across the battlefield and came to the south, he was full of blood and eager to show his grand plan. Unexpectedly, he fell into a mediocre situation, which made him feel unbearable depression and indignation. In the 12th year of Nangui, when he revisited Nangui's first stop, Jiankang, he wrote the famous "Shui Long Yin Deng Jiankang Happy Pavilion":

In autumn, the south is empty and desolate, the river flows with the sky, and autumn is even more boundless. Seeing the mountains in the distance will only cause me sadness and resentment at the end of the country. These mountains are like a hairpin and a spiral coil on a woman's head. The sun in the west leans against this floor, and geese are barking in the distant sky. I am wandering in the south of the Yangtze River, homesick for a wanderer. I saw Wu Gou and made a column, but no one would attend. Don't say that the bass is ugly. Zephyr and Jiying haven't come back yet? People like Xu Si who only buy land for themselves should be ashamed to see Liu Bei who is brilliant and complete in these two aspects. Unfortunately, time passes like running water. I'm really worried about the country's ups and downs. As Huan Wen said, the trees have grown so much! Who is money, calling for red scarf and green sleeves, calling for heroes.

This is the sorrow of broken mountains and rivers, and the sorrow of empty ambition; Time goes by mercilessly, and it is even more shocking because of this sadness. However, even if the poet writes about his loneliness and sadness, his pain and tears, we can still see his unsinkable heroism.

Until he became the magistrate of Zhenjiang in his later years, his book "Yong Yu Le Jing Kou Gu Bei Ting Nostalgia" was still full of sighs, recalling his fighting career when he was young, and expressing his heroic feelings that he was unwilling to get old and still had much to do:

I have been back to the south for forty-three years, and I still remember the war scenes in Yangzhou. Looking back, there was a crow club drum under the beaver temple. Who can ask: Lian Po is too old to eat?

This heroic nature, which can never spend a lifetime in mediocrity, has been shining in Xin Qiji's words along with his life. It played the strongest sound of Song Ci.

On the other hand, the helpless situation and the same helpless mentality make Xin Qiji, like Lu You, have to seek ways to relieve his depression in rural life. He was deeply influenced by Laozi and Zhuangzi's thoughts. He once said, "If you write a number of books on a case, you will be Laozi" ("Calling the Emperor Grace"). The philosophy of Laozi and Zhuangzi made him temporarily forget the troubles of the world, get close to nature and daily life, and felt and expressed the philosophy and beauty contained in "one valley and one mountain" in his poems. However, due to the differences in personality and aesthetic taste, his ci works are not as simple and elegant as Lu You's poems, but fresh and beautiful, lively and agile.

For example, Qingpingle describes the mood of farm life:

The thatched roof of the hut is low and small, and the stream is covered with green grass. Drunk Wu local drunk, gentle voice, white-haired old man who is it? The eldest son is hoeing bean creek in the east, and the second son is knitting a chicken coop. He likes children scoundrels best, lying at the head of the stream peeling lotus flowers. "Xijiang Yue Jixing" is about his own life;

It takes time to worry. Recently, I began to feel that I don't believe anything in ancient books. Matsumoto was drunk last night and asked Matsumoto, "How drunk am I?" . I only suspected that I was here to help her, so I pushed her with my hand and said "Go".

However, this word does not mean that Xin Qiji's grief and indignation changes with his age and leisure life. This is only a temporary forgetfulness, but also another manifestation of grief and indignation. Just read the famous "ugly slave, the middle wall of the mountain road" and you will know:

Teenagers don't know the taste of sorrow and fall in love with the floor. Fall in love with the floor and worry about adding new words. Now that I know what it's like to worry, I want to talk about it. I want to say I'd better have a rest, but I said it's cold and autumn.

It is precisely because he has experienced many vicissitudes of life, accumulated too much depression, and knows the helplessness of life, so he "wants to talk about it." He can only seek shelter for his feelings and soothe his wounded heart in the quiet countryside, which is what a hero has to do in a mediocre society. Only by understanding this point can we understand Xin Qiji's true mentality in writing such words.