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Design Features of Beijing Yintai Center
The design of the top of the main building of Yintai Center is inspired by the traditional China lanterns. The lantern pattern appeared many times in the whole project, and finally became an elegant, unique and distinctive symbol, not only a symbol of China's local history and culture, but also a beacon to look forward to Beijing's bright future.
During construction, the lamp body needs integral lighting to highlight the concept of "China lamp". But too strong lighting will affect the dining environment and viewing needs of indoor guests. After many discussions and experiments, it is finally determined that LED lights are embedded in the lower structural beams of all lanterns, and the upper lantern structure is lit, but the light will not enter the room.
After nightfall, from a distance, the "China Lantern" in Beijing Yintai Center is faintly floating in the air, quiet and unobtrusive; From the interior, the East Third Ring Road of Chang 'an Avenue is full of traffic and a bustling scene. The light of LED lights is like a picture frame of this bustling scene. Anyone who has been to the lobby on the top floor of Beijing Yintai Center and Beijing Liang Restaurant will be amazed at this wonderful night scene.
Through the modern interpretation of this classic symbol, Beijing Yintai Center perfectly interprets the magnificent spirit of Hua Deng illuminating CBD and becomes "the window for the world to see China and China". The roof garden bar located in the south podium adopts the "French architectural style of Song Dynasty". The main design elements, such as architectural form, joint structure and material selection, strictly follow the traditional architectural pattern design in Song Dynasty, but the length of overhangs, the changes of bucket arches and the accessories of fine interior decoration are not limited to the ancient methods, and the innovation is introduced.
Roof Garden Bar consists of central main bar, vodka bar, Berry Bros. & Rudd, cigar bar, executive lounge and outdoor water curtain garden. The overall layout implies two axes, which is the concept of traditional architecture in China. In order to consider the stability and durability of the building structure, the original pure wood structure in Song Dynasty was changed into the form of solid wood wrapped around the middle steel structure, which not only inherited the design characteristics of classical buildings, but also met the requirements of modern design for structural fire prevention, which was a clever analysis of classicism by modern science and technology. Xuan Yue, a small banquet hall, is decorated with traditional lacquer crafts in China. Lacquerware is a traditional craft product of China, which is eternal-dripping paint into the ground will not rot for ten thousand years; Inclusiveness-can be compatible with any element of metal, wood, fire, water and soil; Creativity-from the dragon chair in the palace to the toilet of the people. Its raw material "lacquer" is also called Oriental blood. Therefore, although the designers of this project are top foreign consultants, they also hope to integrate this pure China element into their modern high-quality design.
At the entrance of the banquet hall, two Qi Diao balls with diameters of 2.17m are the largest known Qi Diao balls in the world, carved with traditional tapestries and clouds. From the selection and proportion of patterns, to the thickness and width of all moire patterns, from the form of overall structure to the way of fixing and rotating, it is a complete integration of traditional technology and modern technology. The diameter of each paint ball is 2. 17m, and red removal and black scraping processes are adopted respectively. These two Qi Diao balls are made of hollow metal tires, coated with 108 paint, and finished by traditional cloud carving. Metal tires shall be polished by hand, so as to be smooth and flat, with uniform paint surface and moderate moire thickness. The ball is equipped with a steel shaft, which can rotate freely and smoothly.
Xuan Yue, a small banquet hall, also decorated the door wall and the central smoke hood of the exhibition kitchen with cloisonne murals, with a total area exceeding 10 1 square meter, which is one of the largest cloisonne wall decorations in China. Cloisonne murals adopt lotus and lotus leaf patterns that are common in Chinese painting, with vivid overall shape and rich colors. The veins and stems of the lotus leaf are inlaid with copper wires with different thicknesses, with moderate proportion and rich atmosphere.
There are four lacquer paintings in the small banquet hall in Xuan Yue. The designer had hoped to make them into oil paintings, but when he saw the complexity and exquisiteness of lacquer craft, he was deeply moved and decided to change all four paintings to lacquer craft. However, due to the small sample size, how to find the perfect scale effect after enlargement? After a long discussion, it was finally determined that one of the main paintings was inlaid with brocade paint, with hundreds of pieces of egg shells and shell fragments, and the other three paintings were painted with brocade paint, with traditional Chinese patterns of roses and auspicious clouds, which made people linger.
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