Share in Sen Studio: How to express the relationship between space and distance by sketching still life.

Every object has its spatial three-dimensional characteristics, so it is a great challenge for still life painters! How does a sketch artist perfectly embody the spatial relationship of still life? This requires expression and sketcher's painting skills. As a sketch learner, let's take a look at the following expressions about the relationship between still life and space with Guangsen Studio, a leading figure in Shenzhen art education industry.

1. Characterization of the volume of the object itself: The reason why the volume of the object can enter our field of vision is because of the existence of light, so the characterization of the volume of the object must follow the principle of light, that is to say, three major colors and five aspects! Objects will produce different levels of light and shade due to light irradiation, and this relationship between light and shade can be summarized into five basic colors, namely, bright part, middle level, dividing line between light and shade, reflection and projection. Therefore, in shaping the sense of mass of the object itself, the clearer these five tones are, the clearer the decent turning point of the object is, and the stronger the sense of mass of the object itself is. When sketching, we should determine the direction of the light source and distinguish the big bright and dark sides of the object. Generally, the part of backlight is the position of projection. Beginners are prone to make mistakes in the projection position, and even a picture is projected in different directions, which greatly affects the embodiment of the picture space! Reflection and projection belong to the dark side, the middle level belongs to the bright side, and there are also changes in black, white and gray in each basic tone. When depicting bright parts, the contrast between black and white is clear and definite, and there is a feeling of "truth". Generally, the position in front of the light-dark boundary of the picture is more realistic. When depicting the position after the intersection of light and shade, the transition between black and white is natural, and there should be a feeling of "emptiness". Clear black and white tones can enhance the firmness of the object itself and reflect its volume! At the same time, the law of perspective change (near big and far small) is used, that is, the curved surfaces that make up the object disappear far away. The circular perspective is oval after deformation, and the square perspective is quadrilateral inclined to the vanishing point after deformation. Curved surfaces of other shapes can be decomposed or summarized into the above two basic shapes, and accurate perspective relationship can enhance the sense of depth of the object itself. Let the relationship between pictures be more natural and comfortable! 2. The sense of space between objects: When shaping the sense of volume of the object itself, another issue that needs attention is to consider the object itself.