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Who knows the word holding your hand and growing old with your son is still a poem?
In the Spring and Autumn Period (7 19 BC), the son of Wei attacked Zheng with Song, Chen and Cai. General Zhong Sun led troops for a long time, and the soldiers were homesick and demoralized. The first three chapters mainly describe the process from joining the army to joining the team. The last two chapters recall the scene of holding hands with his wife, highlighting the cruelty of war and the sadness of soldiers.
originate from
Book of Songs, National Style, High Style, Drumming. A soldier who went to war, far away from Chen Song, could not come back after a long service and missed his wife.
If you miss your wife.
Edit the original paragraph
Drums are dull and soldiers actively use them. Cao Tuguocheng, I travel south alone. From Sun Zizhong, Chen Pinghe and Song Dynasty. No, I'm going home. I'm worried. Where do you live? Lost his horse? For it? Under the forest. Life and death are generous, and Zi Cheng says. Hold your hand and grow old with your son. I am rich, but I am still alive. Sorry, but I believe it.
Edit this paragraph comment.
Bored: playing drums. Its boredom is "boredom of boredom". Enthusiasm: Disyllabic conjunctions are still inspiring. Soldier: Weapons, swords and guns. Earth country: or serve the country. Or build a tucheng in China. Sun Zizhong: General Tai. Ping: Harmony is also good for both countries. Save Chen to reconcile the relationship between Chen and Song. Chen and Song: the names of princes. No, I will come back, that is to say, I will not come back. There is a hurry: I am worried. Yuan Yu (Yuan Yu× n): This pronunciation is still "therefore". Bereavement: loss, here it is said to be escape. Where do you live? He lost his horse: some didn't return it, and some died. Yu Yi: Yu He. Car width: gather and disperse. Contract, combination; Wide, far away. Shuō: When you make a statement, you still keep your promise, but "saying" doesn't mean "please". Yu (x ū) and (ji ē): that is, "Xu and" is still a breath. Live broadcast: Let's meet for "good luck". Xun (xún): Far. Letter: once you say the ancient words, you can't stretch your ambitions. A promise is a promise.
Edit the translation of this paragraph.
The drums were blaring, and they marched enthusiastically, waving swords and guns. In Caodi, the civil engineering city insisted on sending me to the south. He joined Sun Zizhong as a soldier and made an alliance with Chen and Song. It really hurts my heart that I'm not allowed to go home. Where should I settle down? Where did I lose my horse? Where can I find the lost horse? But I came to the jungle. Life or death, we must be together. You and I have an appointment. How I want to hold your hand and grow old with you. How far away, it's hard to meet you again ... how far away, unable to keep my oath. ...
Edit a brief evaluation of this paragraph.
This poem describes the soldiers' feelings that they can't go home for a long time and expresses their strong desire to go home and reunite with their relatives. The poem was written from the southern tour, followed by the pain of not returning after the war, and the memories of holding hands with relatives at the beginning, until it finally issued a strong control, with clear context and progressive emotions. Narration promotes the expression of emotions, and lyricism is closely related to the development of the plot, which complements each other and is logical. This is a famous love poem. This poem describes a recruiter's yearning for his sweetheart day and night: thinking of the oath of "holding your hand and growing old with your son", thinking of the loneliness of life and death, how can you not cry and grieve!
Edit this anti-war elegy
There are several different opinions about the background of this poem: "Biography of Mao" holds that in the summer of four years (7 19), Wei, Chen, Song and Cai jointly attacked Zheng; Xu Zhengbo thinks it means that in the autumn of the same year, Wei attacked Zheng again and robbed Zheng's crops. In the two wars, Chen Youbing, Song Shouzhi (Shitan) and Yao Jiheng believed that it was the twelfth year of Lu, and Song attacked Chen, and Wei Mugong was attacked by gold to save Chen (on the Classic). Whatever the background, it is certain that it reflects the resentment and yearning of a recruiter who has not returned for a long time. Fang Yurun, a scholar in the Qing Dynasty, thinks that this is a poem of "guarding the troops and not returning" (The Book of Songs Primitive Man), and this judgment is correct. This is a neat four-character poem, which is divided into five parts in chronological order-after the war. Write four sentences on the first floor before the war. Explain the reasons and background of the southern expedition. The first two sentences are very distinctive in structure: the poet first wrote "Drumming is boring", creating a tense and urgent atmosphere with a dull drumbeat, and then explained the reason for "Drumming"-"Fighting is active, because the country is going to have a war, so it is dull and drumming. This kind of poetic expression skill is summarized as "rising against the trend" by later classical literary critics, which has a great influence on later poetry creation. For example, Wang Wei's Hunting and Du Fu's Painting the Eagle all use this technique. The next two sentences, "Tu Youyou Cao Cheng, I went south alone", are to compare my experience with others. In order to highlight my own misfortune, "earth country" refers to building houses or fortifications in the capital; Cao Cheng "means to build a city in Dipu. Qian Weiguo's place name is in the southeast of hua county. It is extremely difficult to be a domestic slave and build a city. The article Decline, also known as Evil Wind, once lamented and denounced this heavy labor: "Decline, Hu Bugui? Because of Wei Jun, Hu Weiwei is mired in mud! "But, in the hero's view, this kind of official, though hardworking, can live in China and get together with his relatives. Compared with living in a foreign land south, separation of flesh and blood is better. As Lu Donglai analyzed: "In a local city, efforts are necessary. Today, I am alone in China, and my death date is unknown. Although I want to be a diver for Tuguocheng, I can't. "Through this bitter contrast and choice, the tragedy of the protagonist is even more obvious. The people's war-weariness and resentment towards the rulers who have been defeated in many wars are pervasive. On the second floor, I wrote four sentences about war. Sun Zizhong, the general of this expedition to defend the country, has no test in his life. " "Expedition to the Song Dynasty" refers to the expedition to pacify the southern Chen and Song Dynasties. Some people want to associate this sentence with a historical fact, or interpret "Ping" as "uniting"-uniting and attacking Zheng, or interpret "Ping" as "mediation"-"mediation and discord". This seems to be inconsistent with poetry. If it is said in the last story that "I went south alone on the land" is the unique misfortune of the protagonist, then unfortunately, another story has been added to this story: I will not only leave my hometown, go south alone, but also stay in a different place for a long time-"I will go home without you". What will be the result of this "I am not allowed to go"? What kind of psychological state will it cause to the guardian? In the anti-war poems of past dynasties, there are different ways to deal with this, and their respective expressions are very clever. Wushan Gao in Han Yuefu uses an implicit metaphor to express the pain of inviting people to return home: "Is it harmful if I want to return to the east?" "I don't have a high drag, how can I return the soup?" Du Fu's "Military Vehicle Shop" directly criticized the consequences of this militaristic policy from the economic depression in the rear area and the lack of food and clothing for his wife and children: "You don't know that there are 200 states in Shandong, and thousands of villages are full of thorns. Even with a key, have the plowshares in the east and the west been broken? "Ge Yanxing by Gao Shi reflects the emotional trauma of both sides from two aspects: before and after, recruiting people and thinking about women: first, she is still at the front line, dressed in rags, and her daughter will cry after leaving. Still in this southern city, the young wife's heart is broken, and the soldiers on the northern border are looking for their homes in vain. "It should be said that these three ways of handling and expressing are inspired and influenced by similar themes in the Book of Songs. In the following levels, the above three technologies are adopted respectively. The third layer uses implicit technology. But not an inner monologue, but through a question and answer: Love lives in love? Like losing his horse? In the hurry to find the camp, the horse was lost. In ancient battles, war horses can be said to be the most effective assistants and closest partners of soldiers. We only need to read Xiaoya Chae Yeon's praise of war horses: "Riding four horses makes four horses coquettish. "The gentleman depends on it, and the villain flies." You can know its position in the eyes of recruiters. However, at this moment, the war horse we lived on and the things we trusted were all lost, which led to the chaos of the army order and the relaxation of military discipline. Even more amazing, the hero's war horse was found again: it was not lost, but ran under the mountain forest. If the loss of the war horse is intended to imply that the military discipline of this unit is lax, then this false alarm more prominently reflects the recruiter's trance and loss of soul. Although this attractive mental state is related to the exhaustion and low morale of this army, the more important fear of "Bo" is caused by his yearning for his hometown and his attachment to his relatives. The following two layers, focusing on the performance of the hero's inner feelings, are also specific explanations of the second layer of "worry and anxiety". From the perspective of performance, it is carried out from two aspects: memory and reality, husband's tricks and thinking about women. The fourth layer is from harsh reality to memories of the past. The poet recalled that when he left home for the south, he and his wife held hands and cried: at that time, they made a vow of "share life and death" and grow old together. The departure from the governor of the League not only reflects their deep feelings, but also contains a vague worry about the future. Terribly, this fear finally turned into a cold fact: recruiters could not go home to reunite with their loved ones. Therefore, the last layer of the poem returns to the harsh reality from the past, and emphatically expresses the strong feelings of the recruiter. On the surface, this feeling is lamenting that two people are too far apart, unable to meet each other, separated for too long and unable to practice the alliance. Essentially, they are accusing and accusing. It is not difficult for readers to understand. This poem has many unique features in structure and technique. Structurally, it basically describes the complex psychology and behavior of a soldier who was forced to go south before, during and after the expedition, inserting memories into it, forming a strong contrast between the past and reality and forming a sudden collapse of the structure. At the same time, in narrative, lyrical and emotional turmoil. Especially at the last level, their emotional expression is completely straightforward, and they all end with the word "hi". We seem to see a tearful recruiter in a foreign land, shouting at the sky and telling his inner thoughts and pains to distant relatives. In addition, although this poem is about the war policy of a responsible ruler, it is more implicit in expression. When we read that recruiters envy those servants who stay at home all day to transport earth and build cities, who can not leave a bitter smile? Especially on the third floor, through the typical details of the horse's recovery, the military discipline of this expeditionary force is lax and exhausted, and the inner pain and trance of the protagonist are vividly displayed. What kind of fighting capacity will such an army and such a state of mind have? Therefore, this is also a powerful mockery of militaristic tactical policies. "Life and death are generous, Zi Cheng said. Hold your hand and grow old with your son. " It is an ancient and firm promise, and it is also a romantic and beautiful legend. Holding hands with Qianshan suddenly shortened, holding hands with resentment and hatred dissipated, holding hands with tearful eyes, holding hands with acacia, unable to sleep. When holding hands, you know both cold and warm; When you hold hands, you forget sadness and happiness. Helplessness is the sadness after holding hands, but helplessness is the sadness when breaking up. Hold hands because of love. The truer you love, the purer your heart will be; The deeper you love, the simpler your feelings are. When holding hands, don't be crazy and selfish. Hold your hand and grow old with your son? Hold your hand, forget life and death! Hold your hand and grow old with your son. This should be a feeling of standing side by side and staring at the sunrise and sunset; It should be a feeling of changing weather, a feeling of witnessing years and feelings. Hold your hand and grow old with your son. When you cry, someone will accompany you to be sad, listen to you, smooth your messy hair and gaunt face, and tell you that tomorrow is still sunny; When your smile is bright, the whole world is bright because of you. He stands quietly and smiles at you as brightly as the sun ... holding your hand and growing old with your son. This should be a picture of two people holding up a sky together. Like two independent trees, you hold up a sky, branches and leaves bloom under the blue sky, and roots support each other underground. Whether it's wind, frost, rain and snow, holding your hand, every moment is so beautiful, every moment is a touching love poem, and every moment is worth remembering all the time ... "Life and death are rich, and children inherit." Hold your hand and grow old with your son. " The truth of this sentence reflects China's most typical interpretation of "love"-implicit and firm, never giving up. Contract is combination, width is separation, life and death are broad, and life and death are separation. Things are different, stars are different, and our heartbreaking love has not changed. We once made a vow, and I don't know when to repay it, which broke our hearts. "Life and death are rich, Zicheng said." There are two explanations. A: I have sworn with you that no matter how we come and go. Dead or alive, we are two of a kind. I don't quite understand this word, so I will write it here according to two possible explanations. Everyone has different opinions, and those who are interested can look it up and study it themselves. The hand holding your hand is constantly blocked by Qianshan, and the hand holding your hand is as light as resentment. Holding your hand, I can't bear to take another tearful look. I can't sleep at night. When holding hands, you know both cold and warm; When holding hands, sadness and joy are forgotten. Hand-in-hand love-the truer the love, the purer the love; The deeper you love, the simpler your feelings are. Forget grievances, persistent hand is holding hands, holding your hand, and walking together in this life and the next.
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