SLR photography skills make your architectural photography full of geometric beauty.

Nowadays, many people like to use unilateral photography, but they don't know much about SLR photography skills. In order to shoot more magnificent buildings, it is not in place and not good-looking. So make your architectural photography full of geometric beauty? Let's take a look!

The majesty of looking up

SLR photography skills

Usually, the left and right edges of buildings in architectural photos converge obliquely upwards, which is caused by the perspective distortion of the lens. Photographers on the ground often look sideways to capture the whole building in the picture. The difference of shooting distance between the foreground part and the close-up part of the building brings about the deformation of the building near the big and far from the small. For ordinary cinematographers, this situation is inevitable, because the shooting position is limited by various factors.

The upward gathering brings a tower shape to the building. Film friends should make use of this special perspective relationship to create a magnificent momentum of the building. When shooting, you can adjust the shooting angle and enlarge this effect with a more oblique angle to obtain an ideal picture effect.

Overlooking the soul

SLR photography skills

Buildings in the city are densely arranged, so it is often difficult for photographers to realize their desire to express a clear shape of a building because of the limitation of shooting location. Without environment and background, it is difficult to shoot and shape a building. In order to get the ideal effect, photographers can try to shoot from the commanding heights of the city and from the perspective of overlooking.

Overlooking the scenery in a building or city, you can often get satisfactory results. First of all, the perspective of overlooking is scarce in human visual memory. For photo viewers, an unseen photo can often leave a deeper impression in their hearts. Secondly, the overlooking angle can often capture the whole picture of cities and buildings, even if the performance of a single object is not sufficient, it can also set off its characteristics through the characteristics of other subjects. In the choice of shooting location, film friends must find the right way, dredge the relationship and try more. Climbing to the top of a tall building requires the approval of property management personnel, but it is usually not difficult to achieve.

Display the rhythmic texture of building surface with telephoto

SLR photography skills

In architectural photography, few photos show the shape of building surface components. Excellent photographers can not only grasp the overall shape of the building, but also find its beauty in the details.

Among the components of modern buildings, steel and glass curtain walls are widely used. The surface modeling of metal materials often has three-dimensional concave-convex changes, while glass has dual functions of absorption and luminescence, and the light and shadow produced on it is also changeable.

Taking a close-up of a building with a telephoto lens is intended to focus on its shape and luster. Filling the picture with neatly arranged external components of the building can make the picture full of formal beauty. Compared with the occasional small-scale photos of other subjects, the close-up photos of architectural details are more powerful and vigorous.

A window in a darkroom.

SLR photography skills

For digital SLR, there is a great difference between indoor light intensity and outdoor natural light intensity on sunny days. Using this difference, photographers can create some interesting shooting effects.

Taking the window as the object of shooting, shooting from the inside out, has constituted a de facto frame-well composition from the composition, effectively focusing the attention of the viewer. On the other hand, in order to ensure the correct exposure of the window, photographers often use the method of spot metering on the window to obtain the exposure value. When the window exposure is correct, indoor elements often become dark parts of the picture, even dark parts, without details. Using the tolerance limit of camera photosensitive elements, a pure low-key picture is created. With this shooting method, even if the window is only made of colored paintings or frosted glass, it does not open up a new scene outside, and the picture that only shows its shape and aesthetic feeling is rich enough.