How does Miao Gongen chant Shenyang?

Miao Gong 'en: Night Walking on Wanquan River (Five Methods)

During the Qianlong period, a group of poets who grew up in Liaoning and Shenyang entered the literary world. They grew up in Shenyang, studied, became an official, taught and lived, and chanting Shenyang became one of the main contents of their poems. For example, Miao Gongen, a literary master in Shenyang at that time, Miao Gongen, who was called a confidant by Hong, a beginner in the Qing Dynasty, and Chang Ji, a close friend who overwhelmed Sanjiang in the Qing Dynasty, were all famous artists who sang Shenyang.

Tian Feng Tong Zhi and Wen Yi Juan included a five-rhythm song in Miao Gongen's Meng He Xuan Shi Chao: Night Walk on Wanquan River-

The moonlight is so bright, and I'm worried that I can't find sex.

Flowers float at night and stars soak in the spring pool.

The ancient temple rests on the clear clock, and the long dike is well known.

I didn't bring my song, but I have crossed the bridge south.

Wendefang

Reading these five laws, a breeze full of fresh breath of spring came to my face, sweeping away the dullness and depression brought by the poems of princes and ministers offering sacrifices to their ancestors and sweeping graves. The poem clearly reveals to today's readers that in the early Qing Dynasty, with the rise of Shenyang (Shengjing) urban architecture and the gradual improvement of urban functions, in the process of continuous development of economy, culture and education, landscapes belonging to ordinary people wearing cloth clothes also formed, appearing outside the royal palace. Wanliutang and Wanquan River in the east of the city are such scenic spots.

Night Tour of Wanquan River is an impromptu work of Miao Gongen's Night Tour of Wanquan River. Wandering in the moonlight at night is a poet's pleasure. Looking at the moonlight, the flowers along Wanquan River are swaying in the night, the stars are rippling in the spring water, and the poet's heart is also rippling. At this time, the bell of the ancient temple stopped and the path along the long embankment along the river quieted down. When all was silent, the poet sang on crutches (a kind of bamboo that can be used as crutches) and unconsciously crossed the familiar bridge over Wanquan River.

There are pictures in poems, and there are poems in paintings. The poet's love for nature is integrated with the night and scenic spots along the Wanquan River, which is refreshing. Reading this poem, we will not only get an aesthetic enjoyment, but also get a definite message from the poetic meaning, that is, Shenyang had beautiful landscapes and scenic spots for people to visit four or five hundred years ago.

Zhaoling White Bridge

Miao Gongen's original name was Gong Yan, and her name was Beautiful, Gao Lan, posthumous title. He was born in a feudal official family in Shenyang. He has been an official for generations and has a scholarly family. But he didn't want to learn that boring stereotyped writing himself, so he tried again and again. He traveled with his father in Jiangnan for nearly 20 years, was deeply influenced by Jiangnan culture and liked to make friends with literati. So after returning to Shengjing in the north, he enjoyed himself in poetry and painting and lived to be 86 years old. His poems have been compiled into the Poems of Mei Fei in Menghexuan, and more than 2,800 poems have been collected. Unfortunately, when I received the Three Seas series, there were only four volumes of more than 600 songs. Miao Gongen is also engaged in painting and calligraphy. His paintings are very famous in Beijing, so his poems can also be combined with poetry and painting. Be favored by literati and poets. Miao Gongen, who had been idle for half his life, became a right-wing official study assistant in Shengjing Ritual Department at the age of 50, and then gave lectures in Shenyang (Cuisheng) College, where he was carefully set up and rewarded his later studies. Jin Hajj, a poet who was active in Liao Dynasty during Jiaqing and Daoguang years, came from his door. At that time, the high-speed rail style in Tieling, Wei, Zhou, and even Jilin Shen, who made their mark in the literary world of Liaoshen, regarded Miao Gongen as a master of Sao altar. Korean students studying in Shenyang Academy enjoy prestige among Korean scholars after returning home, and still remember Miao Gongen's kindness. Among them, "Li Lushan, Jin Qingshan, Li Tongyu and Park Wanwu wrote back and gave answers in due course. Unfortunately, the envoy went to Shenyang and didn't know Mr. Miao Gao Lan. " (See Postscript of Miao Runba)

Miao Gongen's Poems in the Shadow Pavilion

Miao Gong 'en: Night Walk of Wanquan River (Seven Wonders)

Miao Gongen's poems about Wanquan include more than one poem "Night Walk on Wanquan River" (five laws), and another poem "Enjoy the Cool in Wanquan River" with the same name (two five laws), which shows his deep love for Wanquan. Seven wonders of the moon-

The blue sky is full of fire clouds, and the wind breaks the rainbow and rains.

The old dragon can't sleep at night, and the sea throws a crystal ball.

The poem depicts a wonder the poet encountered when he strolled on Wanquan River Moon: blue sky, Wan Li, clouds of fire, wind breaking rainbows, rain harvesting dusk. Someone once commented: "There is a scene before the bright moon comes out, and it will be more secluded when the bright moon comes out." Miao Gongen: Wanquan River enjoys the cool.

Miao Gongen's "Wanquan River enjoys the cool" (five quatrains) says: the water is rich and new, and the sand is flat and scattered in the evening.

The clouds break the rain, and the bright moon is there.

The rain on the river has just passed and the wind is slightly rippling.

Wandering around and not going back, because love is much cooler at night.

The two poems are as plain as words, natural and unadorned, but they pour out the feelings of wandering in Wanquan after rain and unwilling to leave. In particular, the ending condensed "love" and made the finishing point.

According to i query, Wanquan River, also known as Xiaoshenshui, originated in Yongquan, Dongguan, Shenyang, and flowed into Hunhe River. Because the river is clear and the Pearl Spring is riddled with holes, it is named "Wanquan River". Later commonly known as Xiaoheyan, it has been a scenic spot in Shenyang for hundreds of years.

Miao Gongen: Looking at the tower from afar

Miao Gongen also wrote a seven-character poem, which gave a panoramic view of Shengjing at that time, that is, "overlooking the tower"-

Looking at the endless scene, the tall buildings in the city are very close to the emperor's platform.

Four pagodas of Buddha light the sun and the moon, and two tombs meet in Penglai.

The mountains and rivers are full of clouds and the buildings are brilliant.

The worship of dragons is fundamental, so it is natural to make great efforts in Myanmar.

Wanquanhe in late Qing Dynasty

This poem is a bird's eye view from the entrance of the city gate, describing the victory inside and outside the capital. The first couplet sighed: Climbing the stairs seemed to be close to the emperor's palace and saw endless scenery. Zhuan Xu wrote that two tombs, four pagodas and four temples outside the city are protected by Buddha's light, which is connected with fairyland and strong sun and moon. At the end of the two sentences, the poet recalls the grand system created by the pioneers in the Qing Dynasty in the face of mountains and rivers, and deeply feels that the land of Longxing is endless for thousands of years (here, "sacrifice" means "year"), and Bacon is solid. Although the whole poem is unremarkable in art, it provides us with a bird's eye view of Shengjing 400 years ago.

Miao Gongen: Deng Hui

When Miao Gongen's poetic vision swept to the suburbs, there were other poems, such as Deng Hui, Mancheng on the way back to Huishan, Xiaoqing Deng Hui, Hunhe, Hunhe Today and Sutawan. Sometimes Miao Gongen has been to the same landscape with his literary friends many times, so there are many poems on the same subject, which shows his deep love for the mountains and rivers in his hometown.

His poem Deng Huishan (Seven Laws) says-

The dangerous peak is extremely lonely, and the fog gathers and clouds open.

Thousands of waterfalls and green fog fall, and mountains and mountains gather in the sky.

The wind wants to drum up the spring shirt, and the rain still invades the stone bones.

When the sky is empty, visit Shizhou Island.

Judging from the signs of Miao Gongen's many visits and descriptions of Huishan, Huishan has become an important landscape in Shengjing during the prosperous period of Kanggan in Qing Dynasty. Huishan is located in Qipanshan Scenic Area, more than 40 miles northeast of the city. Because its clay can replace ash, it is commonly known as "ash mountain". This poem describes the magnificent scenery that the poet saw when he climbed Huishan, and then expresses his strong desire to visit the fairyland on earth.

The poets in the first couplet reached the summit, and the fog gathered and the clouds merged, which opened their eyes. Zhuan Xu and Jing Lian wrote about waterfalls and green clouds falling, and mountains and green clouds gathering in the blue sky. In stormy weather, the poet still feels cold in spring. Finally, the author touched the scene and had the desire to travel around Xiandao Xianshan. Commenting on this poem, Wu Yumei, the annotator of Selected Poems in Liaohe River Basin, wrote: "The couplet" The weather is like a drum, the clothes are worn out, and the rain still invades the stone bones "is not only neat, but also vivid. "I want to burst" vividly shows the situation that the spring shirt is bulging and ready to burst. Stone bone is a bone as thin as a stone, which vividly shows the image of skinny, and the words are extremely concise. The whole poem is bold in style and bold in brushwork, and it is quite representative in Liaohe River Basin. "Miao Gongen: the road back to Huishan City.

Miao Gongen's "Hui Huishan Road" is also well written-

The grass hangs down the mountain path and the willows hang down the embankment, and the eyes are misty.

The trees are full of apricot blossoms and red rain, and the wheat ridges in every village in Lv Yun are low.

The river is deep and wild, and the pontoon bridge is covered with new mud without horseshoes.

Looking back at the Kremlin, where is it? Pedestrians have separated from Shanxi

Snow clearing in Huishan (taken in the late Qing Dynasty)

The whole poem was seen by the poet on his way home from Huishan. He felt impromptu, sent the pen of spring warmth, and unfolded a beautiful picture of Shan Ye from Huishan to Shengjing. In particular, the chin-neck couplets show the magnificent scene of "trees, apricot blossoms, red rain" and "wheat ridges and Lv Yun in villages" and the vivid and interesting landscape without mud and horseshoes on the shore, which attracts readers' interest and stimulates people's aesthetic feeling. I consulted the History of Shengjing and the History of Fengtian and other related historical materials. Before Miao Gongen, few people sang Huishan. If Miao Gongen is really the initiator of praising the beauty of Huishan, we should remember the discovery of Miao Gongen in history books. It is his poems that made a big advertisement for Huishan, which has been sleeping in nature for tens of thousands of years, and made people discover the beauty of Huishan and make it a tour more than 300 years ago.

Miao Gongen: Hunhe

Miao Gongen's Hunhe (Seven Laws) is also quite distinctive-

Turbid current plans to go straight to Kunlun, and the capital is accompanied by many waters.

Roll up the land in the east as a barrier, and leave the space in the west as a door to the sea.

The sound pushes the snow, waves and thunder, and the potential presses the wind.

How much yellow sand buries the bones, who hangs the soul with a glass of wine.

This poem depicts the majestic momentum of the Hunhe River around Shengjing with bold pen and ink. The first couplet is written about the turbid flow of Hunhe River around Shengjing rolling down from Kunlun Mountain. The poets of the two leagues grasped the characteristics of mountains on both sides of the Hunhe River as barriers, the terrain from high to low, and the water was rushing and the waves were high. They skillfully use metaphors to describe the flow of Hunhe River. "Starting from the east and rolling the ground", "Falling to the west", "Pushing snow waves with sound" and "restraining turbulent wind with potential", in contrast to neat parallelism, the shape of Hunhe River is magnificent. "How the water of the Yellow River moves out of the sky and into the ocean, never to return" is thrilling and magnificent. "Mountain is the obstacle", "sea is the door", "thunder rises" and "Pentium" are another set of images, which not only show the poet's rough and bold poetic style, but also show his mature skill in language deployment. It can be said that this poem, like his Deng Hui, is also a famous sentence reciting Liaoshen.