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How should the cultural wall be designed and what should be paid attention to in the design of the cultural wall?
2. The design of the cultural wall should not be too creative. Many people use cultural walls on a large scale in order to pursue the differentiation of cultural wall design. Although this is possible, excessive use will weaken their thinking and make the audience unable to understand the key points quickly. Moreover, excessive decoration will make people feel heavy and cannot reflect the value of the cultural wall.
3. The design of cultural wall should be screened in material selection and design materials, and the expression method should be just right. Don't use rigid methods such as disorderly stacking and patchwork. The cultural wall made in this way has no thoughts and should be just right in the expression of the cultural wall. Simple and lively methods can realize ideas directly.
4. The design of the cultural wall should reflect the concept, and the design should not over-express the cultural wall itself, but be consistent with the purpose of the unit using the cultural wall design, so as to reflect the value of the cultural wall design. For example, the design of mural culture wall should mainly reflect the author's superb skills and ingenious ideas, the campus culture wall should reflect an atmosphere of cultural learning, and the rural culture wall should reflect the inner details of rural development and cultural inheritance. I have been practicing wallspin some time and learned several ways to exchange experiences. Get to the point: contact action: turning the table against the wall only changes the turning action from horizontal to vertical, and the transfer of the practice table has a lot of inspiration for turning the wall. Essentials: 1 Everyone has a habitual side, and find his habitual side. Beginners should keep 45 degrees with the wall when running obliquely. The hand direction is vertical and the height is about the thigh. The upper palm is horizontally oriented and the height is about the neck. 4 Take off with both feet, and the direction of force is obliquely upward. After take-off, the body faces the wall, the hand is the axis, and the upper hand dials the wall to increase the rotation speed, and the legs naturally bend in the air. Note: All wall movements need as much time as possible to contact the wall to complete the movement. Therefore, when the wall comes into contact with the wall, the wind should be put away (just like a stone with the same speed and a ball hitting the wall, and the ball stays for a long time). Personal habit: 1 When I first learned, I didn't just practice the feeling of standing on the wall, but practiced in a place with a certain slope and slowly straightened up. Finally, when I first learned to climb over the wall, I generally didn't dare to practice vertical wall outdoors, because there was always a psychological shadow of being afraid of hitting the wall. The way I overcame it was to keep my eyes on the position of the wall that the upwind wanted to support until the upwind began to dial hard, so that I quickly turned my eyes to the landing point and landed smoothly. When you just learn to climb over the wall, but you are not very skilled, you will have the urge to turn over when you see the wall outside. At this time, I must first restrain myself and make sure that the walls are rough enough and the ground is flat enough. After all, I didn't control my movements very well when I first learned. I said a lot. It looks complicated. It's just that my expression ability is poor, so it shouldn't be difficult to practice. Wall turning is the simplest and most basic wall movement, but I think it is also the most changeable movement. If you change the simple wall rotation with a little imagination, it will become a new sport. Personally, I think the wall turn is still very practical and more ornamental. I hope what I wrote is helpful to those friends who like wall-turning practice. Personally, I think wall turning needs strong arm strength, waist and abdomen strength and jumping ability. Strength is the first and necessary condition for all movements [difficult movements] to be smooth and smooth. It is said that the time ratio between extensive training and parkour is 7: 1. I don't know whether these figures are accurate. But hard training is essential. I hope all my colleagues will work together and stick to it. Parkour will grow in China because of our efforts!
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