Interview with Interior Designers

Project Name: Zhong Jian Zhaoshan Impression Marketing Center

Project location: Zhaoshan, Hunan

Project area: 2300 square meters.

Design Company: Shanghai Zhu Quan No.1 Design Branch.

Main case design: Jaco.

Display design: Shirley, Leo

Design team: Luo Huicong, Chen Kanyi, Cheng Yahui and Qiu.

Main materials: Yabo gray marble, walnut dyeing, oak dyeing, bronze metal, blue-gray imitation leather.

design instruction

The design of the "Zhaoshan Impression" marketing center of China Construction Corporation interprets the elegant, implicit, dignified and rich sales office of the oriental spiritual realm in a blank way, condenses the vision in an instant with eternal poetry, and creates a time-space boundary full of life. With the theme of "Time Scroll", a large-area floor-to-ceiling glass curtain wall with clear blue mountains and cities is used to match the historical and cultural origins of Zhaoshan.

Entrance sand table area

The layout of indoor space continues the axis relationship of the building, and the symmetrical pattern creates a strong sense of ceremony. The landscape of the entrance area combines the elements of Zhaoshan and the images of mountains and rivers, creating an artistic connection between mountains and rivers and humanities. The division of facade space is accompanied by the washing and blooming effect of light, creating a distinct sense of hierarchy and great visual impact. Through the evolution of "landscape painting" and simple antique shelves, a sense of space layering is created, and the unique texture of fishbone hollowed-out screen also allows all spaces to penetrate each other, interspersed with reality and reality, showing tenderness in dignity and richness; The special crystal lamp above the sand table looks delicate and warm under the action of light. Numerous criss-crossing crystal pieces are like mountains and rivers, with water in the soft and strewn at random, showing the agility and lightness of ethereal mountains and rivers, echoing the artistic landscape paintings on the walls.

antechamber

As a bridge between the oxygen bar and the marketing center, the corridor uses static symbolic natural elements in the space, which condenses the infinite eternity of nature and gives the space more imagination space.

Natural oxygen bar

Due to the geographical location of the project, a special experience area was created in the marketing center as the crowning touch of the project. During the day, people come and go here; At night, the lights are bright and colorful, reflecting the noise and luxury of the city.

The whole oxygen bar takes green, healthy and interactive fun as its design concept. Sell vertical greening and dendritic decoration everywhere to create an environment close to nature. In the city, people have been waiting for a long time for a green, natural and fresh atmosphere.

Negotiating area

Stepping into the negotiation area, the artistic paintings of the central axis look amazing and restrained against the background of black and white. The fusion of traditional printed silk glass and contemporary colored ink injects strength and soul into space through the rendering of light and shadow.

In the choice of hard materials, we use bronze stainless steel, dark brown wood veneer, stone, silk fabric cloth hard bag and translucent bronze metal partition. It embodies the calm and introverted spirit of becoming the main body of space, presents calm and quiet colors and rich texture, and makes people feel the introverted temperament of the East and the modern luxurious quality life.

On the soft material, the delicate and textured mercerized flannel fabric, simple and elegant linen fabric, clean and elegant gray wood skin and bronze color are selected, and the local jewelry lamps are made of crystal texture, which not only improves the quality of the whole space, but also enriches the layering of space materials.

On the whole, champagne color system is used to reflect the cleanliness and elegance of the space, and it is decorated with steady warm brown and bright orange. Soft colors escape from the whole gray hard interface, enriching the spatial level and making it unique. The overall color of the space is clean and elegant, and we strive to give people a fashionable, elegant and luxurious visual experience through color.

Designer: Jaco

Jaco, Dean of the First Branch of Shanghai Zhu Quan Architectural Decoration Design Co., Ltd.

Shanghai Senior Interior Designer, member of China Architectural Decoration and Lighting Designers Association.

20 1 1 "Lighting Weekly Cup" Nomination Award of China Lighting Application Design Competition "Four Seasons Royal Villa"

20 1 1 "Dong Jiao Villa", the Excellence Award of the 10th Shanghai Architectural Design Competition (Shenyuan Cup) in China.

20 1 1 First prize of the 10th China Shanghai Architectural Design Competition (Shenyuan Cup) "Four Seasons in Shanghai"

First Prize of the 5th Shanghai Architectural Decoration Design Competition "Sandalwood Villa 18"

The first prize of the 6th Shanghai Architectural Decoration Design Competition "Wang Fu Tiandi Building Wang Ding Compound"

The third prize of the 7th Shanghai Architectural Decoration Design Competition "FR Villa in Tongli Lake Garden, Suzhou"

The first prize of the 6th Shanghai Architectural Decoration Design Competition "Oasis Sky Hotel"

The second prize of the design scheme of the 6th Shanghai Architectural Decoration Design Competition "Platinum Hangong Club"

Excellent Works Award of Gubei Johnson Model House in 2007 Interior Elite Designer Competition

20 14 Aite Award (Shanghai Division) "Model Houses in Areas B and C of Ningbo on Sunny Days"

20 14 Aite Award (Shanghai Division) "Design of Model House L-08-03 in Xinda Yin Jun"

20 14 American standard cup overall evaluation list "excellent houses and model rooms"

20 14 Golden Hall Award (Shanghai Division) "Sunshine Ningbo Area A Model House"

20 17 penguin elite design figures

20 17 Second Prize of Xiemei Award "Xi An Wei Zi Xitang Marketing Center and Model House"

Interview record

Jaco has been in business for 0/8 years, and he still maintains a modest and prudent attitude in his career. He emphasized that design is a process of continuous learning. Only by truly loving this industry and taking design as a part of your life can you walk on this road for a long time and steadily. ...

Q: What are the opportunities? Let you decide to take the road of designer and interior designer? Is there any key person or thing that affects you?

Well, that's my dad, my dad. He is a teacher of science, physics and chemistry, but he is also an art teacher. So I am a science student who didn't inherit my father's genes, but I have been painting since I was a child, so I naturally stepped into interior design.

Q: You have been working in 18 years, and you have also experienced a process of growing up with your major. Did your personal style change during your growth?

A: The style is like this. Compared with a few years ago, the only difference is that I will pay more attention to the latest fashion trends. But in fact, with the growth of age, I don't think it is necessary to deliberately divide the design image. The so-called style is like this. In fact, the process of doing more design is also a mutual process, and more is a process of our communication. We don't have to limit ourselves to style. For a project, what should be presented, what picture should be presented and what feeling should be presented. This process is actually a story line with propositions. In fact, we have been talking about the popularity of mashups in the past two years, and the so-called mashups are also a process of de-stylization.

Q: Do you have a favorite design style or technology?

Well, I prefer the natural style. There are quite a few naturalistic styles now, which are quite international. In fact, when I was at school, like architect Wright, I had a famous flowing villa, which was a typical naturalistic style.

Q: I have come into contact with this kind of flowing water villa myself. It uses architecture to blend in with the environment. In fact, the whole design is environment-oriented. A project like yours to build Zhaoshan seems to bring the environment into the building.

A: Ah, yes, our project is also quite interesting, because our project is at the foot of Zhaoshan Mountain, in a natural park surrounded by natural water system. Therefore, when making it, the owner also has a position, because it is made in a very scarce natural environment, so when we say the indoor part, we just want to integrate the external environment into the room, hoping that there will be more interaction between indoor and outdoor, and there will be a sense of integration between indoor and outdoor.

Q: Oxygen bar is the focus of your design. How to make this kind of oxygen with natural flavor in modern design such as marketing center? Can you share some experiences with us?

A: Actually, because my main design direction is to make some model rooms and sales offices like developers, because the sales offices have been advocating a space, not a place to sell products, but an experience space and an experience place. In fact, experiential places can extend a lot of theme space. Therefore, to make an oxygen bar, you must also have a good sense of experience.

Q: There may be some details below, which you may need to recall. There is a feeling in the middle of the project that antique shelves and fishbone hollowed-out screens are used to create that kind of space. Do you have any experience in designing the location of this kind of thing at ordinary times?

A: In this project, there is a little bias towards new Asia, such a feeling of new Asia. Because the overall external architecture tends to feel this way, and then there is a feeling of China on the basis of this type of space and this new oriental. Because in fact, if we say this feeling of New Oriental, we still pay more attention to borrowing scenery to express our feelings. In fact, this text form is what you just said, the combination of reality and screen. From a technical point of view, I hope that it is transformed in a space, which can give people a real feeling, a sense of penetration or breakthrough. This may extend to some design details, a practice. Of course, each space has a different shape and different processing forms, but in fact, what we ultimately want to achieve is a visual experience. If you pursue more precision, it should be a better psychological feeling, such a thing.

Q: We just talked about the entrance area, and there is a negotiation center behind it. This is also a key point of your creation. You use a lot of materials in both hard and soft clothes, and it is mentioned that you use these materials to create a sense of hierarchy. Can you tell us the details?

A: Because Zhaoshan is actually a place surrounded by mountains on three sides, there are many literati and writers in ancient and modern times. I went on to say the last question. In fact, we want to further scrutinize and excavate the local culture, so we introduced some of this kind of scholar-bureaucrat feeling. No matter from the form or from the color relationship, it is actually an elegant and neat form. The layout of soft clothes is actually more of a fusion with three-dimensional space. I don't want to pursue the jumping relationship between color and difference in this soft space like many similar spaces. In fact, we are not moving in this direction.

Q: It is mentioned in your work description that when you consider materials, you will also consider colors, such as wood veneer. Have you considered choosing metallic color and bronze color? Do you think the choice of materials should be based on color?

A: Actually, there is a functional requirement, so let's take color as the leading factor. Let me talk about the general direction, which is actually an overall positioning of our project. In fact, in the design process, including the use of materials, I may be more concerned about the nature of materials, a characteristic of materials themselves. Just like building blocks, individual materials can't be used as the main body to guide the design, but after I make this space, just like the big frame of building blocks, every monomer below me can be used in my whole space. In fact, just like multiple-choice questions, it needs constant scrutiny to achieve this appeal.

Q: Do you think there are any details that need special attention in the design process of such a major and system? Share some experiences with our young designers!

A: Actually, I feel like a young designer (laughs). I think every designer is the same in every industry, as long as he has ideals and pursuits. After all, interior design was my job at first, but later it became a part of your life. Because it is only a part of your life, you will love this job from the bottom of your heart because it is ideal. I think designers are all the same, and they all need to keep learning. I won't go into details. In fact, just like a young designer in the team, what is my favorite designer? First of all, he must have a good sense of responsibility, and another thing is that he is very organized. In this way, he can actually put some big ideas and push some work of the team forward. In fact, this is not to say that others are disorganized, but he may need to think more. So every time you do a project, is there a completeness between your experience and your experience value? But I think the most important thing is to learn to identify and read more. See more good design works, think about it. This is beautiful, so why is it so beautiful?

Q: Do you have any new ideas to realize in the future? What new work plan will there be?

A: I'm ... It's a real idea. I actually hope that instead of talking about the future, I will say 18, which coincides with the Chinese New Year. I hope I can finish more of these high-quality products and more high-quality projects in 18. It has been further recognized by the industry, which is also my encouragement and recognition of my own design concept. I believe that every designer should have this idea.

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