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Translation and appreciation of famous original texts
Yuefu, Narration, Satire Translation and Annotation Translation
Du Ming is rich in beautiful women, and Luoyang has more elegant teenagers.
The sword I wear is worth thousands of dollars, and the clothes I wear are luxurious and bright.
Cockfighting on the road in the eastern suburbs and horse racing among a long row of catalpa trees.
I haven't ridden halfway when a pair of rabbits jumped in front of me.
So he immediately bent his bow and rode after Nanshan with a whistling arrow.
I held a bow in my left hand and shot an arrow in my right hand, only one arrow shot down the two rabbits.
Before other skills came in handy, I shot the flying kite into the air right against my face.
Pedestrians watching the game cheered in unison, and the shooter beside me praised me.
Come back to Pingle ancient temple banquet, a barrel of wine is worth 1000 yuan.
Slice carp and cook shrimp soup, stir-fry turtle and barbecue bear's paw.
Call friends over and sit down quietly, and the long banquet will be filled in an instant.
Cuju and Tulang are busy, agile and innovative.
The sun is always galloping in the southwest, and the passing scene cannot be chased.
After the banquet, we are like a cloud, and we will come here tomorrow morning to drink it off!
Appreciation of "Du Ming Pian" belongs to the lyrics of Yuefu's Zaqu Qige Sexing, and there are no ancient lyrics. This poem describes the life of young people in Luo Jing, such as cockfighting, horse riding, hunting and drinking. There are two different opinions about the writing age of this poem: one thinks that this poem is Cao Zhi's early work, which was written during Jian 'an period. At that time, he saw that Luoyang's noble children were addicted to a leisurely life and even had the shadow of their own life. I thought that the extravagant life of Luoyang teenagers written in this poem should not appear in Jian 'an or the early years of Huang Dynasty, because Luoyang was in ruins after Dong Zhuo's rebellion at the end of Han Dynasty, and aristocratic children could not have such a luxurious life. Therefore, this poem should have been written by Cao Zhi when he went to Beijing during the Taihe period, that is, the last years of his life. Gao Cao wrote "Seeing Ying's Home" in 2 1 1 year (the 16th year of Jian 'an): "Luoyang is lonely, the palace is burning, the walls are all bowed, and the thorns are towering." It can be seen that Luoyang at that time was really destroyed, so it was from the latter statement.
There have always been two different interpretations of the theme of this poem: one is that "when people stab, they shoot brilliantly and swim happily, but they have no patriotism" (Liu Chen quoted Zhang Xi in Selected Works), that is, satire is the mainstay, which is intended to accuse Luo Jing teenagers of being arrogant and extravagant and not thinking about serving the country. When I said, "Zijian is conceited and thinks highly of his talents, but he is taboo by the Emperor Wen, so he can't relax his depression, so he gave it to him because of his anger" (appreciation of ancient poems in Tang Dynasty), I regarded myself as a teenager to show his heart. However, the author thinks that if this poem is written in the later period, then Cao Zhi is no longer a frivolous teenager, and his mood is depressed, so he can't be a teenager. In addition, judging from the lines of this poem, the poet is really critical of these expensive children, so he still adopts Zhang Xi's point of view when introducing this poem. Of course, some people saw the shadow of Cao Zhi's early life in this poem, which shows that the poet is familiar with this kind of amusement feast and its description means are vivid and vivid. If we borrow a sentence from predecessors' comments on Han Fu, it is "advising a hundred, satirizing a hundred". Although the poet's original intention is to ridicule and expose, it seems to give people the impression of singing and praising.
The main content of the poem is to describe the games and banquets of teenagers in Luo Jing. The first two sentences use the gorgeous female music of famous cities such as Handan and Linzi to set off the arrogant and extravagant ranger teenager in Luoyang, Kyoto. The "teenager" is introduced by the "witch girl", and the beginning is colorful. Then he turned to the description of the teenager's appearance. The sword he wears is worth thousands of dollars, and the clothes he wears are gorgeous and bright, which shows that the boy is rich and generous in clothing. Next, he wrote down his activities: cockfighting on the outskirts of the east of the city and horse racing in the long Zishu Lane. Cockfighting was a popular custom among rich children in Han and Wei Dynasties. Cao Zhi himself has a poem "Cockfighting", which is said to be a joke about cockfighting. It is said that a cockfighting platform was built in Luoyang during the Taihe period in Wei Mingdi. What is written here is based on the facts at that time. "galloping is not over half" is the following description of a teenager galloping. First, he said that he hit two rabbits with an arrow. Second, he shot down the oncoming kite with an arrow. What's more, the audience's praise shows his superb archery. "Going back to the banquet for pleasure" is followed by a description of the banquet he hosted. Pingle view is outside the west gate of Luoyang. Teenagers feast and drink, regardless of the high price, and want to get drunk. There are finely cut carp and shrimp broth, as well as pickled turtles and charred paws. Gao Peng is told to sit down and give a long banquet, which shows his extravagance. The sentence "Lianpian" reproduces the drama of stumbling and bumping into the soil after the banquet, showing the agility and ingenuity of teenagers. The amusement lasted until the sun went down, and time could no longer be stopped, and everyone dispersed like a cloud and returned to their homes in the city. The poem should have ended here, the joy is over, and people go to the feast. However, the poet suddenly changed his mind and said that people would come back to play tomorrow.
This poem can be said to be a narrative poem, which mainly describes the behavior of the protagonist Luo Jing as a teenager. He is a handsome man with graceful demeanor and vigorous skills, and his riding and shooting skills are superb, but he is only used for hunting and recreation, which is of no help to the country; He is generous and extravagant, but he knows nothing about thrift. Day after day, year after year, he squandered his wealth without worrying about the country and people. However, Cao Zhi's criticism of Luo Jing teenagers is only expressed in a vague and implicit way, teasing with his extremely elegant description, such as writing that he is good at shooting: "The left arm is right-handed, and one vertical bird kills two." Yu Qiao didn't show up and raised his hand to fly a kite. "Another example is to write about the richness of his banquet:" Carp licks the fetus, while cold turtle bakes the bear. "Its description is too exaggerated, and it is in this exaggeration that the poet exposes unreasonable elements. Excessive bluffing and extravagance will naturally cause people's dissatisfaction. Although Cao Zhi didn't write a word of criticism here, his praise and criticism can be seen. Another example is that the joy of the day has run out, and "the day is in the southwest and the scenery is unattainable" has implied the regret that time is wasted and youth is gone forever. But the sentence suddenly says "come back in the morning", and the implied meaning is more clear. Therefore, Chen Ruoming's "Selected Ancient Poems of Caijitang" said: "In the daytime", we have to say that life expectancy is not long, young Russia is old and ugly, or happiness is hard to last, and the intention of writing poems is the same. Today, I only said that "the clouds return to the city and return in the morning", and all kinds of feelings are beyond words. " It shows that the irony in Cao Zhi's poems is written purely with implicit pen and ink, but it can be seen without showing traces.
The writing background shows that the extravagant life of Luoyang teenagers written in this poem should not appear in Jian 'an or the early years of Huang Dynasty. Because Luoyang was ruined after Dong Zhuo's rebellion in the late Han Dynasty, aristocratic children could not have such a luxurious life. Therefore, this poem should have been written by Cao Zhi when he entered Luoyang during the Taihe period, that is, in the last few years of his life. Cao Zhi (192-232) was born in Zijian of Peiguoqiao (now Bozhou City, Anhui Province). Cao Wei was a famous writer in the Three Kingdoms period and a representative of Jian 'an literature. The son of Cao Cao, Emperor Wudi of Wei Dynasty, and the brother of Cao Pi, Emperor Wendi of Wei Dynasty, was once the king of Chen before his death. After his death, posthumous title was called "Si", so he was also called the king. Because of their literary attainments, later generations are called "Three Caos" with Cao Cao and Cao Pi, and Xie Lingyun, a writer in the Southern Song Dynasty, even commented that "there is one stone in the world, and Cao Zijian monopolizes eight fights". Wang Shizhen evaluated the poets who have lived for two thousand years since the Han and Wei Dynasties as "immortals", including Cao Zhi, Li Bai and Su Shi. Cao zhi
Brush the white stone and play the pipa. The still water is deep, and the clear emblem is made by skillful hands. Inner silence seems to last forever. Halfway through the story, I saw the worried ape hanging in the shadows, and it was at stake. It was called Qiu Mu and sang long. When the guest was sad, he neglected his duty, but the listener was in tears. It was businessmen who made feathers and whispers into sounds. I write brilliantly, but I don't understand ancient and modern music. You are all simple, Shen Lin. -Tang Li Bai's "You Jian Chun" You Jian Chun
Tang Dynasty: Li Bai
∨ Brush the white stone and play the pipa.
The still water is deep, and the clear emblem is made by skillful hands.
Inner silence seems to last forever.
Halfway through the story, I saw the worried ape hanging in the shadows, and it was at stake. It was called Qiu Mu and sang long.
When the guest was sad, he neglected his duty, but the listener was in tears.
It was businessmen who made feathers and whispers into sounds.
I write brilliantly, but I don't understand ancient and modern music.
You are all simple, Shen Lin. ▲ Yuefu, Le Congjun is sentimental, no longer an opportunity. I miss you like a full moon, and the brightness is decreasing every night. -Zhang Jiuling's "Fu Zi Chu Junyi" in the Tang Dynasty was presented by Chu Junyi.
Now that you're out, you don't care about the disabled machine anymore.
I miss you like a full moon, and the brightness is decreasing every night. Yuefu, in my heart forever, women's lovesickness is near the porch high platform, with clear water and cold under it. There are herbs in the river, and orioles fly away. Shoot mandarin fish with a bow, long live my Lord. -Lingaotai, an anonymous book in the Han Dynasty.
The forest has a porch with clear water and cold air under it.
There are herbs in the river, and orioles fly away.
Shoot mandarin fish with a bow, long live my Lord. Yuefu, heroic, climbing, writing scenery, lyrical
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