Introduction of Xi 'an Museum?

Xi 'an Museum is located in Xi 'an, Shaanxi Province, which integrates museums, historical sites and urban gardens. The following is what I arranged for you. Welcome to enjoy reading.

Evolution of Xi 'an Museum

Xi 'an Museum is located in Youyi West Road outside Xi 'nan Gate, Shaanxi Province. It consists of three parts: the cultural relics exhibition area, the Little Wild Goose Pagoda, the historical scenic spot with Jianfu Temple as the core and the garden tour area. The total investment is 220 million yuan * * the national investment is 20 million yuan, and the Xi 'an investment is nearly 200 million yuan, covering an area of 245 mu. On May 8, 2007, Xi 'an Museum was officially opened to the public. Xi 'an Museum is unique among domestic museums, famous for its garden-like ancient pagoda ruins and the modern history museum of the ancient capital Xi. On March 3, 2065438, Kloc-0, Xi 'an Museum was officially opened to the public free of charge. Visitors can get tickets with any identification documents.

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Xi 'an Museum is centered on the famous Tang Dynasty architecture and the Little Wild Goose Pagoda, a national key cultural relic protection unit. According to the design of the three functional areas of cultural relics appreciation, tourism and comprehensive service, a historical and cultural leisure place integrating museums, historic sites and urban parks will be formed.

Organization of Xi 'an Museum

The museum has 1 1 departments, including office, collection storage department, business research department, exhibition department, security department, property management department, education promotion department, cultural relics restoration department, Little Wild Goose Pagoda storage department, power plant department and information network department. There are 1 secretary and 3 vice presidents. Staff 163, 35 professional and technical personnel.

The scenery of Xi museum

Cultural relics exhibition hall

The main building of Xi 'an Museum-Museum * * * Cultural Relics Exhibition Hall * * was creatively designed by Zhang Jinqiu, academician of China Academy of Engineering, designer of Shaanxi Provincial History Museum and famous architect. The overall appearance is based on the concept of heaven and earth, which highlights China's traditional cultural thoughts and complements the ancient buildings of Little Wild Goose Pagoda and Jianfu Temple in the same courtyard. In 2004, in the selection activities initiated by the news media, the museum was rated as one of the top ten landmark buildings in Xi in the future.

The building area of the museum is 16000 square meters, and the exhibition area is over 5000 square meters. The rest are cultural relics storage areas and public activity areas. The museum has a total of 30,000 pieces of cultural relics from various historical periods in Angola, including more than 4400 pieces of national third-class precious cultural relics, and a considerable number of cultural relics from influential dynasties in China, such as Zhou, Qin, Han and Tang dynasties, have been unearthed. The cultural relics used for exhibition are high-level, representative and influential cultural relics selected from these collections. The exhibition in the cultural relics exhibition hall of Xi Museum consists of three parts: basic exhibition, special exhibition and temporary exhibition. The museum uses the display technology of contemporary science and technology electronic technology and image audio-visual technology, and the exhibition uses a series of scientific and technological means such as virtual electronic book turning, digital phantom demonstration, DMS digital virtual demonstration, interactive display, cultural relics navigation and so on. The combination of reality and reality enriches the exhibition content, vividly displays cultural relics and deduces the history of the ancient capital. The completion of Xi 'an Museum ended the history that there was no large-scale municipal museum in the ancient capital Xi.

Small Wild Goose Pagoda

The Little Wild Goose Pagoda Cultural Relics Reserve was officially opened to the public on 1980. In the process of opening up, some folk exhibitions and cultural relics of Chang 'an ancient music and Shuanmazhuang are constantly enriched in the park. The Little Wild Goose Pagoda and the ancient buildings of Jianfu Temple complement each other.

During the construction of Xi 'an Museum, on the one hand, the infrastructure and landscaping of the original protected area were completely transformed; on the other hand, on the basis of the original area, the facilities were expanded eastward and westward along the central axis of Little Wild Goose Pagoda and Jianfu Temple, which improved the surrounding environment of Little Wild Goose Pagoda and Jianfu Temple. After the expansion, artificial lakes and garden landscapes have been added to the area, so that historical sites and urban parks can be integrated and become a multifunctional urban landscape area integrating cultural relics appreciation, tourism and leisure.

The real name of Little Wild Goose Pagoda is Jianfu Temple Pagoda. Built in 707 AD, between Tang Zhongzong and the Year of the Dragon, Jianfu Temple is located in Chang 'an in Tang Dynasty. It is a pagoda for storing Buddhist scriptures and Buddha statues brought back from Tianzhu by the monk Yijing in the Tang Dynasty. The pagoda where Little Wild Goose Pagoda is located is part of Jianfu Temple, but it was not in Jianfu Temple at that time. In the war at the end of the Tang Dynasty, Jianfu Temple was repeatedly destroyed, and the temple was destroyed. Only the Little Wild Goose Pagoda is stored. Later, Jianfu Temple moved into the Tayuan. During the Ming and Qing Dynasties, Jianfu Temple and Little Wild Goose Pagoda were repaired many times.

The Little Wild Goose Pagoda was originally a square 15-story brick pagoda with dense eaves. In several earthquakes in the Ming Dynasty, the first 14 and the first 15 floors of the tower were destroyed, and the tower experienced the miracle of splitting and merging, so it was called "Wild Goose Pagoda". The existing Little Wild Goose Pagoda is thirteen stories, which has always maintained the style of the early Tang Dynasty. 196 1 was announced by the State Council as a national key cultural relics protection unit.

The delicate and beautiful Little Wild Goose Pagoda is quite different from the majestic Big Wild Goose Pagoda. This brick tower with dense eaves is slightly spindle-shaped and 43.38 meters high. When it was built, it was *** 15, and now it is 13. The bottom of the tower is the highest, and the upper part gradually decreases. The overall outline is natural circle and rolling braking curve. There are overlapping eaves on each floor, and there are two layers of water chestnut teeth under the eaves, which form a beautiful aesthetic effect with the double eaves. There is a ticket gate in the north and south of the basement, and a ticket window in the north and south of the upper floor. The door frame is covered with exquisite Tang Dynasty line carvings.

Little Wild Goose Pagoda is a brick pagoda with dense eaves. This tower is made of blue bricks. The plane of this tower is square. It used to be 15, about 45 meters high, but now it is 13. * * * The total height of the tower is 43.395m, the bottom length11.38m, and the ratio of height to bottom 100 is 26. The base of Little Wild Goose Pagoda is a square brick platform. There is an underground palace under the base, which is a vertical hole. Above the base is the tower, the bottom of which is higher, and the height above the second floor decreases step by step, and the outline of the tower presents beautiful rolling braking. The width of the tower gradually decreases from bottom to top, and the outline of the tower is conical. Small Wild Goose Pagoda is exquisite and beautiful, with beautiful shape and even proportion.

The tower of Little Wild Goose Pagoda is hollow in a single-wall tower, and there are no columns on the tower wall. The tower body has double eaves, each floor of the tower body has heavy bricks, with water chestnut teeth in the middle, and oblique tooth bricks are laid under each floor of the tower body surface. There is a ticket gate on the north and south sides of the tower bottom, which is a bluestone gate. The door frame is covered with exquisite line carvings in the Tang Dynasty, especially the image of heaven and man on the lintel, which has high artistic value. Semi-circular arch door openings are opened in the center of the north and south sides of each floor above the tower bottom. There is a wooden ladder in the Little Wild Goose Pagoda to climb to the top.

The brick gatehouse at the bottom of the tower, next to the tower outside the north gate, was built in the late Qing Dynasty. There is Shimenfang in the Qing Dynasty in the south of Taki, engraved with "Wan Hui En" in the south and "No Second Road" in the north. On the stone arch of the south gate at the bottom of the tower, there are creeping patterns and the image of heaven and man supporting, which is the same as the lintel of the Big Wild Goose Pagoda. However, due to the age and poor protection, it has been incomplete and vague.

It turns out that there is a big eaves shed with brick and wood structure around the tower body at the bottom of the Little Wild Goose Pagoda, which is called "waist wrapping". In the war years of Jin and Yuan Dynasties, the "waist-girding" was destroyed.

Jianfu Temple was originally built in 684 AD, the first year of Tang Ruizong civilization. This is a Buddhist temple built by Li Dan in Tang Ruizong to pray for his father Tang Gaozong after his death. Formerly known as Jianfu Temple, it was renamed Jianfu Temple in 690 AD by Wu Zetian. Jianfu Temple is a famous royal temple in the Tang Dynasty and one of the important translation places of Buddhist scriptures in the Tang Dynasty. Jianfu Temple attracted many eminent monks in the Tang Dynasty, among which Master Yijing was the most famous. Jianfu Temple was destroyed by the war in the late Tang Dynasty. Later, Jianfu Temple was moved to Tayuan, which is now the location of Little Wild Goose Pagoda.

The existing ancient buildings of Jianfu Temple were rebuilt in Ming and Qing Dynasties. The ancient buildings in the temple generally continued the layout during the reconstruction of the Ming Dynasty. Temple buildings are concentrated on the central axis of the mountain gate, facing the Little Wild Goose Pagoda. From south to north, there are Shanmen, Bell and Drum Tower, Cishi Pavilion, Daxiong Hall, Tibetan Scripture Building, Little Wild Goose Pagoda and Baiyi Pavilion. There are also stone statues, horse pillars and other folk cultural relics in the temple, as well as various folk art exhibitions.

Since the reign of Kangxi in the Qing Dynasty, the iron bell cast in the Jin Dynasty was moved to Jianfu Temple, and the bell was clear and far-reaching, supplemented by the shadow of the Big Wild Goose Pagoda, forming the "Morning Bell of the Big Wild Goose Pagoda", one of the "Eight Scenes in Guanzhong" that has been passed down to this day. As a cultural relic, the iron clock of the Jin Dynasty is still displayed in the bell tower of Jianfu Temple.

There are ten ancient and famous trees in Jianfu Temple, including nine Sophora japonica and one Catalpa bungeana, which are about 800-1300 years ago. Among them, five Sophora japonica trees are distributed on both sides of the front central axis of Daxiong Hall, and the other four trees are distributed in the courtyard between Cishige South and Bell and Drum Tower.

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