China Modern Calligraphers Ranking

Top Ten Contemporary Calligraphers in China and Their Works?

1. Qigong (19 12—2005), male, a famous painter and educator, called himself "Qi", with a white word, also known asNo. Yuan Beiju, Manchu in Beijing. Yong Zhengdi's ninth grandson. China is a famous contemporary painter, educator, classical philologist, appraiser, redologist, poet and master of Chinese studies. He used to be an associate professor and professor at Beijing Normal University, member of the Standing Committee of Chinese People's Political Consultative Conference, chairman of the National Cultural Relics Appraisal Committee, curator of central research institute of culture and history, doctoral tutor, consultant of Jiu San Society, honorary chairman of China Calligraphers Association, founding chairman of the World Chinese Calligraphers Association, consultant of China Buddhist Association, Palace Museum and National Museum, and president of Xiling Printing Society.

Mr. Shu, who appreciates Qigong, has both, and he is better at the latter. He combined the two, and his method broke through the obstacles of predecessors. "Buying bamboo slips and pearls is different, and rubbings are mostly calligraphers. What's the use of rushing away? I saw several collectors chanting. "

Qi Gong studied a large number of inscriptions, and his calligraphy works, whether banners, album pages or screen couplets, can show beautiful rhythm and far-reaching artistic conception, which is called "gas". Calligraphy circle evaluation: "It is not only a calligrapher's book, but also a literati poet's book."

Top ten books

2. Shen Peng, male, was born in 193 1, Jiangyin City, Jiangsu Province. Calligrapher, art critic, poet. Honorary member of the 10th China Federation of Literary and Art Circles.

From 1950, I worked in People's Pictorial. He used to be the deputy director of the editorial office, the director of the editorial office, the deputy editor-in-chief of People's Fine Arts Publishing House, and the executive deputy director of the editorial board. Enjoy the special government allowance approved by the State Council, and was elected as a member of the 8th China People's Political Consultative Conference in March 1993. Mr. China's sequel commented: "I have given it to Mr. Shen Peng for more than 30 years, and every time I read his artistic comments, I have something unique." "The cursive script is not rigid, the art is expensive and innovative, and the gentleman has it." Secondly, it is the realm he achieved in poetry creation. Two books of poetry have been published and won a good reputation in the cultural circle. As a critic of calligraphy and painting, Shen Peng also enjoys a high reputation and has rich works, and has published two books successively.

Shen Peng, the top ten calligraphers.

3. Ouyang Zhongshi, male, born in 1928, is a famous cultural scholar, calligrapher and calligraphy educator. In his early years, he worshipped under Xi Xiaobo, a master of Peking Opera. Currently, he is a professor at Capital Normal University, a doctoral supervisor, the director of China Institute of Calligraphy and Culture, and the honorary curator of Beijing tang style Art Museum. He is also a member of the Chinese People's Political Consultative Conference, a consultant of China Calligraphers Association, an academician of China Painting Academy, a senior art consultant of China, an honorary curator of Shandong Local Records Museum and an honorary member of the 10th China Federation of Literary and Art Circles.

Ouyang Zhongshi's book power and innovative spirit have created a new book style. He has published Selected Poems of Ouyang Zhongshi and Shen Peng, Reading Zhong Shi's Ci Notes at Night, and Regular Script of Contemporary Famous Writers? Zhu Xi's family instructions, the words read by banknotes, Laozi's Tao Te Ching and many other books. His calligraphy enjoys a high reputation at home and abroad. Personal biographies have been included in the series of China Taishan Children and China Qilu Children. Ouyang Zhongshi is knowledgeable and has comprehensive and profound attainments in China's traditional culture and art. He has written more than 40 kinds of works, involving Chinese studies, logic, drama, poetry, phonology and so on.

Ouyang Zhongshi, the top ten calligraphers.

4. Li Duo, male, 1930, from Liling, Hunan. China famous calligrapher and soldier.

He used to be a researcher in China People's Revolutionary Military Museum, a member of the 9th China People's Political Consultative Conference, a member of the 6th All-China Federation of Literary and Art Circles, a vice chairman of the 3rd China Calligraphers Association, a consultant of the 4th China Calligraphy Association, a director of China International Friendship Association, distinguished professor, a correspondence university of China calligraphy and painting, a consultant of China International Calligraphy and Art Research Association and an honorary member of the 10th China Federation of Literary and Art Circles. Enjoy special government allowance.

He studied under Su, Huang, Mi, Cai, Wang Duo, Fu Shan, then to He Zizhen, and then to Wei Bei. He entered the profession as Wei Li and created Gu Zhuo's vigorous, vigorous, graceful, generous and fluent calligraphy. He appeals to both refined and popular tastes, is deeply loved by people at home and abroad, and occupies an important position in contemporary calligraphy.

Li Duo, the top ten calligraphers.

Verb (abbreviation of verb) Sun Boxiang, male, 1934 19 years 10 was born in Wuqing county, Tianjin, whose real name is Zhen Yu, and he is the owner of Zhai Wei. At present, he is a director of China Book Association and a member of the Creative Review Committee of China Book Association. China tries to read more useful books and capture images of all things in nature. The quality of dotted lines in calligraphy and painting is like steel bars (rusty), or sticks, or iron blocks, or stones. Never be like cotton balls, linen curtains, or even straw. Well-developed characters are the hardest to write, and Liu Yong in Qing Dynasty had high taste. Everyone writes at a different speed, and it is right to write fast and slow. The key depends on his mastery of "rhythm" and "notes" and whether he is beautiful or not. He devoted himself to calligraphy for more than 60 years, studying Tang Kai, and later studying stone carvings in the Northern Wei Dynasty.

Sun Boxiang's calligraphy is praised by contemporary book circles for its elegance and essence. There have been many reforms in recent years, and there are posts in the monument. Jun Fang's tall and straight contains freshness and agility. Its pen is round, rigid and soft, and applied from the middle side; The opening and closing of the structure has changed, naturally interesting and vigorous; From beginning to end, the blood is flowing and the spirit is flying. His book emphasizes regulation, lyricism and innovation.

Sun Boxiang, the top ten calligraphers.

6. Wang Yong, male, is not the owner of Tuzhai and Dinglou. 1948 was born in Beijing, Taiyuan. 1979 was admitted to Li Keran, Professor of Chinese Painting Department of Central Academy of Fine Arts, majoring in landscape painting, calligraphy and seal cutting, and studied under Mr. Ye. 198 1 won the first prize of graduate leaf exhibition award and stayed in school to teach. He is currently a professor at the Central Academy of Fine Arts, director of the Calligraphy Art Research Office, deputy director of the Seal Cutting Committee of the China Calligraphers Association, deputy director of the jury of the National Young and Middle-aged Calligraphy Seal Cutting Exhibition, and a member of Canglang Bookstore. His works have been exhibited and published many times at home and abroad, collected by many art galleries and museums, and published many special collections. He is currently a professor at the Central Academy of Fine Arts, a member of the China Artists Association, and the vice chairman of the Oriental Art Exchange Society.

As an independent and pioneering artist, Mr. Wang Yong has made great achievements in poetry, calligraphy, painting and printing.

Wang Yong was included in the book Power; His seal cutting is bold and unrestrained, and Gu Zhuo is extraordinary. He has become one of the most influential pioneers in the contemporary seal cutting field by mixing the charm of brick characters of Han and Jin dynasties, inscriptions of three generations of bronzes and even ancient seals of Qin and Han dynasties.

Wang Yong, one of the top ten calligraphers.

Seven, Pan Shouyu,? Pan Shouyu, also known as Pan Hongwei and Pan Deng, male, 36 years old, master of business administration, born in Jiaxiang, Shandong Province, is currently the general manager of Jiaxiang Stone Carving Group of Central Academy of Fine Arts, and his subordinates include export ski glove factory, slaughterhouse and China calligrapher.

From the age of five, I learned 500 Chinese characters every day and never stopped writing until I graduated from college. Young people were trained by the imperial court, and they began to attack European books. They are smart and studious, and they have lost their titles in their teens. Later, he became a master of all dynasties and became a master of his own style. He is known as "the first-class calligrapher in China".

He studied under Cao, Shen Jingke and Zhang ("Jiaxiang has Zhang and Juye has Zhang"). Zhang is Jiaxiang's most famous calligrapher. He was born in the Qing Dynasty and Wolong Mountain in Yu Jiaxiang. Teacher Zhang engraved for the students: "Hong Wei, a Confucian businessman" and "The Holy City is famous for its people"; Students Pan Shouyu studied under the post-teacher, Yan Xinling (calligrapher from our county, retired from the Supreme People's Procuratorate) and Tian (doctoral supervisor of calligraphy at Tianjin Nankai University). Professor Tian called Pan Shouyu "the first person in Qilu". Pan Shouyu lives in Jianghu and is busy with business. He often leaves words on important stone carvings in our factory, and his works are rarely seen in the market.

In September, 2008, Pan Hongwei's Preface to the Orchid Pavilion was sold in Japan for 6,543,800+2,000 yuan, and the characters are now on sale in Rong Baozhai.

Pan Shouyu often said that calligraphy has three elements:

1, personality: regular mind and correct writing style. (Emperor Taizong asked Liu Gongquan about calligraphy; In addition, the world does not admire the calligraphy works of treacherous court official Cai Xiang and Cai Jing. ) character is not high, pen and ink can't. Whoever writes what words draws what pictures.

Mr. Fu Shan, a famous doctor, writer and calligrapher in the late Ming and early Qing Dynasties, said in "Writing words to show children and grandchildren": Writing words first makes people behave, and people have strange words since ancient times; Often rebel against Kong Zhou, pen and ink can not be added; I didn't learn Gong Yanshu, but read Gong Yanyi first. The plain is full of gas, and Mao Ying is full of swallowing.

"Shudao" said: "When you come to a book, you should look at its character. Therefore, it is not enough to write a book without learning, especially without quality. This book also makes sense. "

2, hard training: "Historical Records" records: (Wang Xizhi) Linchi studied books, and the pool was exhausted. -

Pen into a grave, ink into a pool, it is better to offer; Pen bald thousand tubes, ink mill ten thousand stalls, don't be Zhang Zhi to be Suo Jing. Allusions of several successful calligraphers in the history of China. ) -

3, bookish: 1000 pens is not enough, reading thousands of books began to understand God. Read thousands of books and take Wan Li Road. Personal knowledge is related to calligraphy performance!

Over the past few years, Pan Shouyu has been studying famous posts of past dynasties and has a deep understanding: for example, Jiuchenggong, Huangfujun and Huadu Temple have all written thousands of times. There is also Wang Xizhi's masterpiece "Preface to Lanting Collection", which is respected as "the best running script in the world" by later generations. The most famous ink in the Tang Dynasty is Shenlong Ben. Feng Chengsu of Emperor Taizong is a golden seal, so it is called "Lanting Dragon Book". This book is well written, with excellent brushwork, pen and ink, style and charm, and is recognized as the best copy. Pan Shouyu's Preface to the Lanting Pavilion has dense lines, which set each other off and become interesting. The words are well written, the pictures are well directed and well connected. Since the ninth year of Yonghe, the story of "amending the Covenant" has been told with a calm tone, words like pearls, uniform size and mellow luster. Speaking of "the sky is high and the clouds are light, the weather is sunny", in a harmonious atmosphere, the author's high spirits and triumphant expression are vividly on the paper. At this time, the words are like gems, with uneven sizes and complement each other; When it comes to "life and death are too big, doesn't it hurt", although the author regrets the great events of life and death, at the same time, he doesn't "sigh sentimentality" unnecessarily, transcending the limitations of life and death and cherishing today. This is a positive attitude towards life, so that future generations can "feel gentle", which is also the original intention of Wang Xizhi's Preface to Lanting Collection. The unity of heaven and earth, the isomorphism of body and mind, is a shining example of writing books with emotion. The book runs through the artistic conception of "the sky is high and the clouds are light, and the wind is sunny", which makes people enjoy the feeling of "the breeze is out of the sleeve and the moon is in their arms". Sigh that life is short and helpless, and it transcends life and death. The artistic conception of the whole work is ups and downs, the words are like running water, and the momentum of the work is seamless.

Pan Shouyu can stand loneliness and can't put it down. For decades, no matter how busy he was, he fell asleep while reading every night. The study of Chinese studies and ancient methods made his calligraphy smart and elegant. The works are elegant, dignified and steady, neat and changeable, light and beautiful, or flowing naturally. They are beautiful and elegant, fluent without losing momentum, convergent without stagnation, and show their elegant artistic style in many changes. Pan Shouyu, a master of Grade 8, traveled in Wan Ren, pushing himself and others, fully understanding the thoughts and feelings embodied in his works, grasping the subtle emotional changes embodied in his works, fitting in with the charm of the ancients, and truly achieving both form and spirit. This combination of form and spirit is not the same as that of the ancients, but the praise of life is integrated into the works!

Liu Xizai said in The Outline of Books: "A book is like its book, like its learning, like its talent, like its ambition. In short, just like a person. " Hegel also thinks that style means that "an artist can fully see some characteristics of his personality in terms of expression and twists and turns of his writing style" (Hegel's aesthetics). Marx even bluntly said: "Style is man" (comment on Prussia's recent censorship order for books and newspapers) first merged with the ancients, and then separated from them, so that inheritance can develop. "There are poems and books in the chest", and Pan Shouyu's calligraphy books are full of vitality.

In fact, art is mostly the result of carelessness. No husband "is the need of the development of calligraphy art." In the future business and art road, we look forward to him: one day, I will ride the wind and waves, sail straight and cross the deep sea! Make greater achievements!

Pan Shouyu, one of the top ten calligraphers

Cheng, male, from Haiyang, Shandong, 1964, is a great scholar, thinker, pioneer and iconic figure in the field of modern ink painting. He is another artist with profound thoughts and distinct views in China painting circle after Wu Guanzhong.

Did Cheng grow up with leaves? Mr. Yu is a painting student and has a deep understanding of Chinese painting. At the same time, he is also a calligraphy master.

Cheng Caoshu pays attention to the concept of "harmony", which is the shadow of Mao Style in appearance and the foundation of Yan Zhenqing, Su Dongpo, Wang Duo and others in statutes. If he didn't lay a good foundation on these ancient law posts, I'm afraid he would fall into the vulgar field all the way. He pays attention to the standard brushwork, and every word comes out of the traditional calligraphy posts. By standardizing brushwork, he is bohemian and has a kind of spiritual strength. As Zeng Guofan said, "masterpieces must have faces, looks and differences."

Cheng became famous not by occupying a good dock and position, but by his own real strength. As netizens said, "Cheng Phenomenon" is the inevitable result of the rational return of the collection market.

Cheng is a member of China Artists Association, a researcher at the Painting and Calligraphy Institute of the Central Museum of Literature and History, and a national first-class artist.

Cheng, one of the top ten calligraphers.

Zhou Huijun, female, born in 1939, Zhenhai, Zhejiang. He used to be vice chairman of China Calligraphers Association and chairman of Shanghai Calligraphers Association, and now he is a consultant of China Calligraphers Association.

1962 participated in the calligraphy class of Shanghai Youth Palace. He studied under the famous calligraphers Shen, Gong and Weng Kaiyun. Mi Fei's Shu Su Tie was selected as the first calligraphy exhibition held in Shanghai after the establishment of China Calligraphy and Seal Cutting Research Association.

Zhou Huijun made unremitting exploration and pursuit of the art of calligraphy. Her eyes, thoughts and brushstrokes are immersed in the ancient and vast sea of books, and she persistently seeks to establish a new realm of her own. Her name and her calligraphy have already spread far and wide at home and abroad, becoming the favorite of contemporary calligraphers and the pride of this generation.

Zhou Huijun, the top ten calligraphers.

10. Sun Xiaoyun, female,1born in August 1955. She began to learn calligraphy and painting at the age of three. She once jumped the queue in the countryside for five years and served in the army for eight years. Representative of the 17th, 18th and 19th National Congress of the Communist Party of China, member of the 9th and 10th China Federation of Literary and Art Circles, vice chairman of China Calligraphers Association, chairman of Jiangsu Calligraphers Association, counselor of Jiangsu Provincial Government, vice chairman of Jiangsu Federation of Literary and Art Circles, honorary curator of Jiangsu Provincial Art Museum. Judge of National Calligraphy Exhibition and Lanting Award, Vice President of Calligraphy and Seal Carving Institute of China National Academy of Painting, enjoying special allowance from the State Council. A first-rate artist. Doctoral supervisor of Central Academy of Fine Arts, master supervisor, doctoral supervisor of Suzhou University.

Sun Xiaoyun worked tirelessly for nearly 60 years. She regards writing as "female red", always insists on inheriting the context, returning to tradition, accurately understanding the characteristics and essentials of various calligraphy styles, and gradually forming a natural calligraphy style through long-term practice and research. This is particularly striking in her grass and small letters, full of feelings and statutes.

She has become one of the figures in today's book world with her traditional calligraphy skills and personal calligraphy characteristics. Since the mid-1980s, it has won many national awards, which has exerted great influence at home and abroad.

The initial heart is love and pursuit; This is a goal and a kind of motivation. From her works, what we feel is Sun Xiaoyun's serious attitude, lifelong practice and the spirit of tracing back to the source; What makes us feel is her persistence in the inheritance of traditional classic calligraphy; What makes us feel even more is that she "never forgets your initiative", which makes calligraphy really re-enter people's lives and become the belief in the cultural rejuvenation of the Chinese nation. This is also her calligraphy position and cultural responsibility. "

Sun Xiaoyun, the top ten calligraphers.