What is the contact number of the Han Terracotta Warriors Museum?

Brief introduction of scenic spots in the Han Terracotta Warriors Museum;

Xuzhou Han Terracotta Warriors Museum is a cultural relic museum in China. Located at the west foot of Lion Mountain in the eastern suburb of Xuzhou City, Jiangsu Province. The museum was built on the basis of the excavation of Terracotta Warriors and Horses Pit in May 1985. It was completed in September and opened in June 10.

There are three infantry pits in the east-west direction, 5 meters apart and 28 meters long. The width of the pit mouth is 2.2m, the bottom width is 1. 1 ~ 1.4m, and the depth is 0.4 ~1.1m; About 5.5 meters east of the three infantry pits, there is a north-south guard pit. The pit is 26m long, 1 m wide and 0.15 ~ 0.40m deep. There are two pits for cavalry and chariots, which are located at the northwest125m of the three pits. 198 1 damaged one pit, and the other pit was12.5m long, 3.5m wide and 0.4 ~ 0.6m deep. The statue pit is more than 24 meters away from the site.

At present, two infantry pits and guard pits have been excavated, and the eastern ends of the two infantry pits have been damaged to varying degrees. There are 2393 terracotta figures, including pit No.1 10 16 and pit No.2 1377. These figurines are all made of clay and are blue-gray. Four horses, official figurines 1, and the rest are armor figurines, kneeling figurines, armor figurines, braided figurines, bun figurines, crossbowmen figurines and long-armed figurines. These figurines are painted with powder, and some are painted with ink. From the shape, texture, clothing and other characteristics, it is a work of BC 1 century, and the time is about the Western Han Dynasty.

The Terracotta Warriors and Horses of the Han Dynasty were first buried with Liu Wu, the third generation king of Chu in the Western Han Dynasty, more than 265,438+050 years ago, just as the Terracotta Warriors and Horses of Qin Dynasty were buried with Mount Li, the mausoleum of Qin Shihuang. The society of Han Dynasty was a society that regarded death as death. People think that after death, people just go on living in another place. Therefore, all the material and spiritual benefits they can enjoy before they die must be brought to another world by all means. In the tomb of the king of Chu in Xuzhou, there are all kinds of powder warehouses, kitchens, money Ku, dance halls and studios, and even toilets are carefully made and fully equipped. In this context, some heavily armed princes and senior generals naturally hope to continue to command thousands of troops after their death, and the Terracotta Warriors and Horses came into being. However, according to the burial system of the Han Dynasty, unless people with special contributions enjoy being buried with the Terracotta Warriors and Horses, and the emperor's approval is needed, there are only three large-scale Terracotta Warriors and Horses discovered in China at present, Qin Shihuang Terracotta Warriors and Horses and Yangjiawan Terracotta Warriors and Horses in Xianyang, and in addition, Xuzhou has only discovered this one. The emergence of such a large-scale Terracotta Warriors and Horses in Xuzhou fully illustrates the special position of Xuzhou in politics and military affairs in the Han Dynasty. Xuzhou is a famous cultural city with a long history, especially in the Han Dynasty, because it is the hometown of Liu Bang, the founding emperor of the Han Dynasty. Just after the regime was stabilized, Liu Bang appointed his younger brother Jiao Wei Liu, King Chu, to manage this area. At the beginning of Han Dynasty, Jiao Liu had the highest position among kings with the same surname. In addition, most of Gaozu's civil servants and military commanders are from Xuzhou. This special background led Xuzhou to become the political and cultural center after Chang 'an, the capital of Han Dynasty. The Terracotta Warriors and Horses in Han Dynasty are powerful evidence of the development of Chinese culture in Xuzhou. It tells guests and friends from all directions that "the culture of the Han Dynasty sees Xuzhou" with irreplaceable historical connotation. The unique artistic charm and cultural connotation of patchwork han group, exquisite stone reliefs of the Han Dynasty and the Terracotta Warriors and Horses of the Han Dynasty, like bright pearls, twinkle on the ancient land of Pengcheng, reflecting the brilliant material civilization created by the people of Pengcheng in the Han Dynasty.

In order to show "the artistic charm of the Han Terracotta Warriors and Horses in Xuzhou", the museum produced a photo of the first mate for appreciation.

In terms of production technology, the Terracotta Warriors and Horses are made of molds, and then processed and shaped twice, with similar size. However, if you look closely, you will find that their expressions are varied and different. One of them leaned back with his head held high and his mouth open, as if he were a clown who couldn't help crying, while the two around him leaned over, one with a crooked face, as if comforting and persuading the crying person; Others are closed and low, frowning, and the corners of their mouths curl downward, showing introverted and silent sadness, which is consistent with the overall solemn military theme. Of course, there are also many images of young soldiers who are relaxed, lively and naughty. Maybe he is a true portrayal of the soul of a sculptor. In short, these people's personality characteristics are vividly and meticulously expressed through a few strokes. After the formation of these terracotta figures, there is also a manual trimming process by craftsmen. In this process, their subjective initiative and artistic creativity have been greatly exerted. Under their dexterous hands, some ordinary soil has been endowed with infinite vitality. Standing here, it seems like terracotta warriors and horses, but a living team is coming to you, which fully embodies the superb and outstanding production technology of the working people in the Han Dynasty.

The Qin Terracotta Warriors and Horses in Xi 'an are tall and spectacular. Indeed, the lifelike Qin Terracotta Warriors and Horses give people a kind of unrestrained and vigorous beauty. However, the development of any art has a process from concrete to abstract. The Terracotta Warriors and Horses in Han Dynasty developed on the basis of inheriting the style of Terracotta Warriors and Horses in Qin Dynasty, and changed from realism to freehand brushwork. It does not pay attention to the accuracy of the proportion of characters' lines, but to the inner world and mental outlook of characters.

Xuzhou Han Terracotta Warriors and Horses are not only appreciated by countless people in China, but also highly praised by people all over the world in several exhibitions in Australia and Europe. As cultural ambassadors of the Australian people, they traveled across the ocean to Australia to celebrate the 200th anniversary of the founding of the People's Republic of China. In that grand festival, the Han Terracotta Warriors and Horses in Xuzhou were displayed in front of the deep-eyed Australians with their quaint, dignified and unique charm, which made the Australians with only 200 years of founding history marvel at these cultural messengers with more than 2,000 years of history, and immediately set off a "China fever". In Austria, the heart of Europe, when participating in the exhibition of "Leoben Culture and Art Festival", it once again attracted tourists from all over the world, making them more fascinated by the ancient civilization with a long history and culture. These small Han terracotta warriors and horses have greatly promoted the friendship and cultural exchanges between Chinese and foreign people.

Take the three soldiers at the front of the line as an example. Craftsmen use different characters and faces to express different age levels and psychological activities. The soldier on the far right is kind and naive, and he is a young soldier who is eager to make contributions. The one in the middle, hunched and squinting, looks like a battle-hardened veteran; On the left is an image of a self-serious middle-aged soldier. According to historical records, the military service system in the Han Dynasty stipulated that adult men aged 65,438+08 ~ 55 must perform military service for two years, so that there are soldiers of different ages in the team, which can be described as an organic combination of the old, the middle-aged and the young. The pottery figurines made by sculptors in the Han Dynasty according to their own lives not only left a lot of valuable information for future generations, but also left an eternal and beautiful chapter for people in the history of China sculpture art with exquisite and more intriguing artistic techniques.