What are movie publishers, cinemas and investors?

The investor is a person who invests money in a movie, so after a movie is finished, the copyright, corresponding income and surrounding rights and interests of the movie belong to the investor, and the most important thing is that he takes the box office money. But the film can't be made, and it needs the work of the distributor to be shown. Publishers make copies, apply for keys, schedule, send copies to cinemas, do publicity, buy advertisements, negotiate the proportion, and sign contracts with cinemas (although many of these parts are signed on behalf of them). There are also physical activities, such as sending dozens of people to cinemas all over the country for activities, publicity, advertising space in cinemas, watching ostentation and extravagance, scrutinizing tickets and so on. These jobs are professional jobs, and production companies don't do them (except those with distribution business, of course, big production companies now have distribution business). Publishers do these jobs and earn money at the box office. In the end, the film was sold out, and part of the investor was divided into the distributor as an agency fee. Cinema is a management company, which owns different studios mainly in the form of joining, and the cinema undertakes a management job. After all, it is impossible for a distributor to face nearly 4,000 studios in China for every film. Most of the materials are plagiarized and publicized; Part of the film arrangement guidance, theater advertising space sales, patch advertising sales; Even some personnel training, studio decoration design, business system management, cinema management, cinemas also have some guidance. Most cinemas don't own cinema property rights, and they don't have the right to operate cinemas. They just charge a management fee, and 2%-5% of the annual box office (a symbolic income due to fierce competition in recent years) is their income. The relationship between them is that the investor's film is finished and entrusted to the issuer for distribution. The distributor found a cinema with movies and arranged for them to be shown in his studio. After the screening, in addition to paying taxes, 57% of the money is left in the cinema, and the cinema takes 2%-5% of it to the cinema management company, and the rest is its own. Investors get 43% back, and 4%-6% of it (this ratio varies greatly, depending on many factors and will not be discussed in detail) is given to the issuer as an agency fee. Then the box office of a movie is almost over.

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