What exactly did the midnight taxi say?

Every year, several domestic horror films appear in front of our eyes. First, Tony Leung Ka Fai's "Double Eyes", and then Jordan chan's "Midnight Taxi", but the impact of these domestic horror films is always very dull. First of all, it is not a horror film at all, but a thriller, if the released version has not been cut. Obviously, the creator was influenced by Bruce Willis's The Sixth Sense, and wanted to tell a warm ghost film about affection and love. There is nothing to blame. Whether it is a horror film or a thriller, it doesn't have to be thrilling to be successful. As long as the words have feelings, they are also successful. After all, it is not easy to make a horror film that really scares people now. The key to such a low-budget film is sincerity, but this is exactly what this film lacks. One of the gimmicks of "midnight taxi" is the strange thing that happened in the taxi. It should be said that although this "originality" is not new, it is still attractive. There is nothing wrong with this prop, but the person who controls it is wrong. According to the usual routine of this kind of film, the film made a dangerous beginning to attract the audience, but the mysterious acting of the robbed female driver was unbearable, which was equivalent to giving me another blow with low expectations. What is even more ridiculous is that Jordan chan's bars and Deng Ziyi inspired Jordan chan's creation. I really don't know what it has to do with the plot. The former is just to add some "fragrance" flavor to the film; The latter, described as "retarded", is a compliment. It's ok to scare people for the sake of scaring people. Anyway, it's a common trick in this kind of movies, but it's so low-level, self-righteous and a little shameless. After seeing it, Deng Ziyi suddenly grinned at the camera, and I realized that people were not making movies at all, but playing. At this point, I am relieved, only blaming myself for taking myself too seriously. Originally, when Jordan chan found that his taxi always disappeared in the middle of the night, the film began to become a little interesting again, but after the couple chased each other, this paragraph was inexplicably skipped, let alone scary, and there was no horror left, as light as a glass of water. The only thing about "Midnight Taxi" is that taxi drivers are not easy, which is probably the only reason why people leave some face for it. There are many places in this film that are abrupt. I suspect that it may have been tampered with when it was released. If it has not been tampered with, the director of this film really dare not compliment. The script has not been polished, and the plot is upside down, not to mention the pure technology of lens and contrast atmosphere. Amateur and insincere. This is the most unforgivable place, but some people in the media shamelessly say that this film is sincere. With the decline of Hong Kong films and the strength of the mainland film market, there are more and more cooperative films between the two places, and the exchanges between actors in the two places are becoming more and more frequent. This film is also a "mixed" film of old Hong Kong faces and new mainland faces. Another problem is that the performance styles of the actors in the two places are incompatible, and sometimes they look awkward. Both Jordan chan and Roland have poor Mandarin, but Comrade Li Jianren's "Hua Dan" is actually a standard "Beijing film". I don't think Huahua can speak Mandarin at all, so I dubbed him. This is really uncomfortable for the audience who are familiar with Hong Kong actors such as Flower, which seriously affects the mood of watching movies. It is not serious at all, because all my mind is about Flower's Hong Kong-style performances in those days, and I want to laugh when I look at his serious Beijing accent. In addition to being really helpless, other actors can also appear as long as they can speak one-tenth of "Mandarin", which shows how far this film can make do. "Midnight Taxi" also highlights that the film was directed by the post-80s generation. Although the director is young, he should give more support. However, I want to criticize this insincere director. Maybe there are many details behind it that we don't know, but the film is for the public, and the public can't and won't know the story behind it. Because there is no need, your creator doesn't work hard, and the audience can't work hard, even if Jordan chan is the "standard bearer". ..

Please accept it, thank you!