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Common skills of farewell poems
Generally speaking, there are two situations: ① Describing the bleak and cold scenery when leaving, which not only explains the parting place and seasonal weather characteristics, but also implies the sad mood of the characters, exaggerates the sad atmosphere and lays the emotional tone of the whole poem. (2) describe the beautiful and lively scenery, the so-called happy scene, which sets off sadness. For example, in Gao Shi's "Seeing Dongda", "Mo Chou doesn't know the way forward, and everyone in the world knows you?" Express your feelings in two sentences, "borrow someone else's cup and water your own block", and express your confidence and strength although you are not proud.
2, lyric with scenery, melt feelings with scenery, melt scenery with scenery.
The objective image that a poet touches and hurts his feelings is nothing more than the afterglow of the sunset, the flowing water flowing through the waves, the river wind painting the rain, the flat sand rolling, the clouds crossing the Qinling Mountains and the road bypassing the Shushan Mountains. Once these images enter the poem with the author's feelings of parting, they become "humanized nature" and constitute a desolate, sad, empty and profound aesthetic scene. For example, Wei's "Give the Twilight Rain" focuses on misty rain, dusk, heavy sails, late birds, Haimen and Pu Shu, which are intertwined to form a heavy and gloomy atmosphere when leaving, expressing the sad feelings of leaving. For example, in Liu Yong's poem "Lin Yuling", the sentence "I miss it, and it is thousands of miles away, and the evening is heavy." On the surface, what I wrote was a misty and confused road, which is Xiu Yuan. In fact, what I want to express is the idea of leaving sadness, and the feelings in the scene are implicit.
3. Contrast: Don't write people's sense of separation directly, but write the meaning of things in their eyes, meaning "Why can people be embarrassed when things are like this?" This way of writing can deepen the theme and be full of charm. For example, Rong Hong's "Pavilion on the Home Lake" expresses people's feelings by writing the parting words of wicker vines and orioles. Du Mu's "Two Farewells" (the second part) "The wax torch becomes discouraged and tears are shed on others until dawn."
Tears shed all night are sad for the departure of the hero and heroine, which shows the poet's sincere feelings that he can't bear to be separated.
4. Set off sadness with music scenes
The farewell environment is very different, including the farewell in the bitter wind and rain, and the farewell in the beautiful scenery. Writing the bitter wind and rain can certainly set off the pain of parting, but writing its beautiful moment can't set off people's troubles. The more beautiful the scenery, the more embarrassing it is to meet and leave, and the beautiful scenery has become a factor that adds sadness and hatred. For example, Xu Hun's "Farewell to Xie Ting", "When my brother misinterprets the boat, the red leaves and green hills rush". Ouyang Xiu's "Yulouchun" "Luoyang is at the time of Fang Fei Festival, and it is rich and fragrant."
5. Imagination (imaginary): In addition to the blending of scenes, imagination and association are often used in farewell poems. This combination of reality and reality. Farewell poems are often inferred on the basis of the author's feelings, generally imagining the loneliness of friends in travel after leaving, and the sad mood in this lonely environment. More importantly, I expressed my nostalgia and concern for my friends.
For example, Liu Changqing's "Send Yan Shiyuan" wrote in the third joint: "The lonely sails on the sunset river are green, and the grass in Wan Li, Hunan is green." The poet sailed away from the sunset in front of him, thinking that the place where Yan Shiyuan listened should be Cao Qing, Wan Li. This is a combination of reality and fiction, which broadens the artistic conception of the poem and fully shows the poet's feelings of parting and missing his friends. This technique is difficult to grasp in appreciation and requires us to have a pair of wings of imagination.
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