A poem corresponding to the image of the five-month flower riverside.

1. Moonlight Image of Riverside Flowers

Poetry 1 on the image of moonlight flowers on the riverside. The image described in the first ten sentences of Moonlit Flowers by the River.

The poet began to grasp the topic. At the beginning, the topic germinated, and a magnificent picture of a moonlit night was sketched by the river: the river tide was connected with the sea, and the "sea" here was empty. The river tide is boundless, as if connected with the sea, magnificent. Just then, a bright moon came into being with the tide, and the scene was very spectacular. A word "destiny" gives the moon and the tides fresh life. In spring, the river winds around vilen, and there are flowers everywhere. The moonlight falls on the flower trees like a layer of snow. The poet is really a brilliant painter. He touched the strange "flowers" in the moonlight by the river with gentle brushstrokes. At the same time, he skillfully paid enough attention to the topic of "moonlight by the river". The poet's observation of moonlight is extremely subtle: moonlight cleans up colorful things in the world. "White sand is invisible", only the bright moonlight exists. Delicate brushwork creates a mythical and wonderful realm, which makes the moonlit night by the river look extraordinarily beautiful and quiet. These eight sentences, from big to small, from far to near, gradually condensed on a lonely moon.

2. The image of moonlight and flowers by the river.

Zhu Guangqian said in On Poetry: "Poetry is a reflection of the life world, and the realm of every poem must have two elements: interest and image."

Zong Baihua also said: "Artistic conception is the crystallization of emotion and scenery (image)." So what's the interest in "Moonlit Night on a Spring River"? How does it merge with the image of poetry to form the artistic conception of poetry and arouse readers' aesthetic feelings? I use the following structural formula to express the artistic conception structure of the poem Spring: natural beauty, philosophical beauty, human beauty, moon beauty, moon color, moon affection, moon soul, image, reason and emotion. "Moonlit Night on the Spring River" includes the most beautiful scenery in life, which is composed of spring, night, river, flower trees and bright moon, among which spring and river constitute a beautiful picture.

In the poem "Spring", the image of the moon is beautiful and pure, and everything under the moonlight is pure and quiet, which embodies the artistic beauty of the moonlit night by the river. The moonlight in the poem "Spring" is extremely open and beautiful. "Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide, drifting thousands of miles. Where is there no moon in Chunjiang? " A bright moon rises from the riverside Ran Ran. This image is so vast and beautiful that people feel like holding their breath in front of the magical nature.

In the bright moonlight, the water waves are rippling, and the garden with fragrant flowers and plants is like a snow-covered flower tree and a white beach. Everything is so beautiful and mysterious. In the moonlight, the poet's heart became clear and pure, and his heart had a spiritual exchange with nature.

The great poet Qu Yuan once wrote Tian Wen, which shows the continuous exploration of the natural universe by human beings. More than a thousand years later, Zhang also questioned the universe, which fully reflected the unique "cosmic consciousness" of China poets. Mr. Wen Yiduo once emphasized the cosmic consciousness embodied in his poems, and thought that "in the face of magical eternity, the author has only consternation, no longing, no sadness" (Wen Yiduo's Essays on Tang Poetry and Salvation of Palace Poetry).

On the one hand, the eight sighs for the moon in the poem "Spring" reflect the tranquility, profundity, broadness and vastness of the universe, but in the poet's mind, Jiang Yue is always the same, monotonous, unchanging and lifeless, but only monotonous repetition; Although life is short, as a group, human beings are endless. As an individual, the joys and sorrows of life are rich and vivid. As Shen Congwen said, "For all natural scenery, when I silently understand the subtle relationship between their own existence and the universe, I feel the solemnity of life" (Water Cloud).

After feeling the conflict and contradiction between eternity and brevity, infinity and finiteness, the poet turned his affectionate eyes to the life he could admire, and the essence of this life is "emotion". The poet clung to the "bright moon on the riverside", and Jiang sent out all kinds of poems and paintings.

From the sentence "Wandering in the poor building and under the moon, leaving someone to make up the mirror", we can feel the wanderer's pity for Sifu and his apology for not being able to accompany him, while "I can't get rid of it", "I will return it" and "I hope to shine on you every month" describe Sifu's delusion and resentment in detail. Moonlight can be annoying, but I am obsessed with being able to travel through time and space like moonlight and often accompany wanderers. How touching, devoted and persistent this feeling is! In contrast, the eternal and infinite nature of the universe is nothingness and indifference, while the life full of joy and trouble is rich and beautiful.

Love and troubles interweave into a colorful life. Although small, it is very real and sensible. This is people's affirmation of the value of existence and the embodiment of optimistic and upward will to life. The last eight sentences are very depressing.

Time will pass, the years will get old, and the day of going home is still far away. The waning moon is slanting to the west, and the slanting moon will be hidden in the sea. How many people can go back to their warm homes under the bright moon? Home, this is also the power that poets use to compete with nature. "I don't know how many people return home every month, and the trees are full of rivers."

What the author affirmed was a short, small, beautiful and rich life, which deeply moved me in the aftertaste. When writing landscapes, many poets often lament the eternal prosperity of nature. In the sharp contrast between life and nature, finite and eternal, they often choose to turn to the latter. The eternal natural landscape is higher than the fleeting prosperity in the world, and they emphasize giving up on life. However, in "Moonlit Night on a Spring River", the poet envies the wanderers who come home on a moonlit night, but he imagines a warm and real home.

Wandering wanderers in the great era are not rootless duckweeds, but need a sense of belonging to counter the helplessness that life cannot be together forever, and the confusion of eternity and brevity, finiteness and infinity. This is the meaning of the image of "home". The poet takes the moon as the observation object, from describing the riverside scene last month, to rational exploration of the universe, and then to expressing his yearning for life.

With the rise and fall of the moon, nature is flowing, time and space are changing, and poetry is from the universe to the heart, from rational questioning to emotional expression, which produces the psychological feeling of God and the moon and achieves the perfect fit of interest and image. As Goethe heard: "Once an artist grasps a natural object, it no longer belongs to nature. It can also be said that the artist is creating that object at the moment he grasps it, because he obtains something meaningful, distinctive and fascinating from it, thus making it more valuable."

(Zhu Guangqian's History of Western Aesthetics) The successful grasp of the bright moon image comes from the poet Zhang's love for life, from the poet's contradictory and confused heart, self-reflection and profound pursuit of human spirit. In China's traditional aesthetics, the emphasis on emotion is consistent.

"Preface to Mao's Poems" says, "Emotion moves in China, and form is in words", and Lu Ji thinks that "Poetry is beautiful because of emotion". For poetry, emotion is the essence of poetry.

Zhang's "Moonlit Night on a Spring River" is full of deep feelings, which is the charm of the poem "Spring". The author of Moonlit Night on a Spring River is Zhang in the early Tang Dynasty. In the early years of Kaiyuan, He, He, Zhang Xu and Bao Rong were called "Wuzhong Four Scholars".

He left few works for later generations. There are only two poems in the whole Tang Dynasty, and this one is the most famous. It claims to be "an orphan poem that completely ruined the whole Tang Dynasty", which established Zhang's immortal position in the literary history of the Tang Dynasty. This poem also writes about spring, rivers, flowers, the moon, night and related scenery.

3. What are the five images of Moonlit Night on the Spring River?

The title of this poem is very attractive.

Spring, river, flowers, moon and night, these five things embody the most touching beauty of life and constitute a fascinating and wonderful artistic realm. The poet began to compete with the topic, and the topic came to life at the beginning. On the riverside, he drew a magnificent picture of a moonlit night: the river was in the sea and the moon was in the tide.

The sea here is empty. The river tide is boundless, as if connected with the sea, with great momentum.

At this time, a bright moon was born with the tide, and the scene was very spectacular. A word "destiny" gives the bright moon and the tide a fresh life.

The moonlight shines thousands of miles away, where is it not on the bright moon river! In spring, the river winds around Yuan Ye, where flowers and plants are everywhere, and the moonlight falls on the flower trees like a layer of snow. The poet is really a unique skill of Dan Qing. With a slight stroke, he touched the strange "flowers" in the moonlight by the river.

At the same time, he skillfully paid the title of "Moonlight on a Spring River". The poet's observation of moonlight is extremely subtle: moonlight washes away colorful things in the world and turns the world into a dreamy Yin Hui color.

So "first frost doesn't fly" and "white sand can't be seen", only the bright moonlight. Delicate brushwork creates a mythical and wonderful realm, which makes the moonlit night by the river look extraordinarily beautiful and quiet.

These eight sentences, from big to small, from far to near, gradually condensed on a lonely moon. The clear universe of heaven and earth seems to make people enter a pure world, which naturally causes the poet's reverie and meditation: "Who sees the moon by the river?" When did Jiang Yue take the photo at the beginning of the year? "The poet leaps forward in thought, but closely connects with life and explores the philosophy of life and the mystery of the universe.

This kind of exploration has existed in ancient times, such as Cao Zhi's Looking at Ying Shi: "Heaven and earth have no end, life is like frost", and Ruan Ji's "Life is dusty, and Heaven has grace", etc., but the theme of the poem is mostly to feel that the universe is eternal and life is short. Zhang is unique here. His thought did not fall into the trap of predecessors, but turned out a new way of thinking: "There is endless life after life, and Jiang Yue is only similar every year."

Personal life is fleeting, but human existence is long-lasting, so the "endless" life and the "year after year is only similar" moon can be * * *. This is a comfort that the poet feels from the beautiful scenery of nature.

Although the poet is temporarily sad about life, it is not decadence and despair, but because of his pursuit and love for life. The keynote of the whole poem is "mourning without hurting", which enables us to hear the echo of the voice of the early Tang Dynasty.

4. Summarize the poems with the same artistic conception in Moonlit Night on a Spring River.

1 Yong Yu Le Su Shi

Pengcheng spent the night in the Swallow House and dreamed of it because of this word.

The bright moon is like frost, the wind is like water, and the scenery is infinite. Jumping fish in a curved harbor, the lotus leaves the dew, and the loneliness is unknown. Shen is like three drums, one leaf is loud, and the dark dream cloud is broken. The night is boundless, and I can't find a place. I feel that I have traveled all over the small garden.

Tired of tourists from the ends of the earth, I returned to my home in the mountains and looked at my hometown. Swallow house is empty, where is beauty? It's like a dream in ancient and modern times, but there are old joys and new grievances. At different times, the night view of the Huang family is a sigh of Yu Hao.

2. Zhang Xian's "fairy"

"Water Tune" was drunk and listened to several times, and I woke up drunk in the afternoon. Send away spring, when will spring come back? Near dusk mirror, sad past years, past and future empty.

On the beach, on the poultry pond, the clouds break the moon. Heavy curtains cover the lights, the wind has not stopped, the sound is very quiet, and falling flowers cover the garden path.

3. Su Muzhe (Fan Zhongyan)

Blue sky and yellow leaves. The autumn wind is full of waves, and the waves are cold and smoky. The mountain reflects the sun and the sky meets the water. The grass is ruthless, and the sunset is even more outside.

Dark homesickness, thoughts of chasing travel. Every night unless, sweet dreams make people unable to sleep. The bright moon tower is lonely, and the wine turns into sorrow and tears.

4. Su Shi's divination operator

The curved hook moon hangs on the sparse buttonwood; In the dead of night, the water from the water clock has been dripping. Who saw you alone, Hong Ying.

At night, it suddenly becomes afraid, suddenly flies and comes back frequently, but no one always understands its infinite inner feelings. It kept wandering among the cold branches, but refused to perch on any tree, and finally landed alone on the cold shoal.

5. The following song "Linjiang Fairy" was written by me before, with a slight change.

It rained three inches on Huangshan Mountain, and I arrived in Hangzhou without taking a bus. The dusty two sleeves are half spring and autumn, the mountains in Tsing Yi are chaotic, and people who walk are worried.

Ten miles long embankment is empty, fireworks are hard to collect, there is no boat in the end of the world, it hurts the scenery, and the west is full of water.

5. The relationship between the image and implication of Moonlight by the River and poetry.

Moonlit Age on the Spring River Author: Tang Author: Zhang Style: Yuefu Spring River Tide, Sea Moon Tide * * *. I follow the waves for thousands of miles, where is there no moonlight on the riverside? The river flows around Fangdian, and the moonlight is like graupel. The frost is flowing in the air, and the white sand on the pavilion is invisible. There is no dust in the sky on the river, and there is a lonely moon in the sky. Who saw the moon on the river? When did Jiang Yue take the photo at the beginning of the year? Life is endless from generation to generation, and Jiang Yue is only similar year after year. I don't know who Jiang Yue treats, but the Yangtze River sends water. The white clouds are drifting away, and the green maple is full of sorrow. Who will go boating tonight? Where do you miss Mingyue Building? If you wander upstairs and around the moon, you should leave the cosmetic mirror. The jade curtain cannot be rolled up, but it can be brushed back on the anvil. At this time, you don't know each other. I hope the flowers will shine on you month by month. Wild geese will fly in the sky, and fish will jump into the water before dragons. Last night, I dreamed that the idle pool had fallen, and the poor spring had not returned. The river flows to the end and the pond falls to the west. The slanting moon is full of sea fog and the stones are falling. Falling flowers shake trees all over the river. It is interesting to annotate the title of this poem. Spring, river, flowers, moon and night embody the most touching beauty in life and constitute a wonderful artistic realm, which attracts people to explore. The poet starts with solving the problem, and starts with the title at the beginning, sketching a magnificent picture of a moonlit night on the riverside: the river is in the sea and the moon is in the tide. Here, the "sea" is magnificent. At this time, a bright moon was born with the tide, and the scene was spectacular. A word "fate" gives the moon and the tide a lively life. The moonlight shines thousands of miles away, where is the riverside that is not in the bright moon? In spring, the river winds around vilen, and there are flowers everywhere. The moonlight falls on the flower trees like a layer of snow. The poet is really a brilliant painter. He touched the strange "flowers" in the moonlight by the river with gentle brushstrokes. At the same time, he skillfully paid enough attention to the topic of "moonlight by the river". The poet's observation of moonlight is extremely subtle: moonlight cleans up colorful things in the world. "White sand is invisible", only the bright moonlight exists. Delicate brushwork creates a mythical and wonderful realm, which makes the moonlit night by the river look extraordinarily beautiful and quiet. These eight sentences, from big to small, from far to near, gradually condensed on a lonely moon. The clear universe of heaven and earth seems to make people enter a pure world, which naturally causes the poet to ponder: "When was the beginning of Jiang and Jiang Yue taken?" The poet has made great progress in thought, but he is closely connected with life, exploring the philosophy of life and the mystery of the universe. This kind of exploration has been made by the ancients, such as Cao Zhi's Looking at Ying Shi: "Heaven and earth have no end, life is like frost", and Ruan Ji's "Life is like dust and dew, and heaven is graceful", etc., but the theme of the poems is mostly to feel the eternity of the universe and life is short. Instead, there is a new idea: "It is endless and passed down from generation to generation, and Jiangyue is only similar every year." Personal life is fleeting, but human existence is long-lasting, so the life of "endless, handed down from generation to generation" and the bright moon of "only similar year after year" can survive. This is a relief that the poet feels from the beauty of nature. Although the poet's life is short, he is not decadent and desperate. It stems from the pursuit and love of life. The keynote of the poem is "sadness without injury", which enables us to hear the echo of the voice of the early Tang Dynasty. "I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water", which is closely inherited from the previous sentence "only similarity". Life goes on from generation to generation, year after year. A lonely moon lingers in the sky as if waiting for someone, but it will never come true. The whole poem is magnificent, pushing the poetic sentiment to a far-reaching level. There is hatred in the river, and the water is ruthless. The poet naturally turned his brushwork from the natural scenery in the first half to the image of life, which led to the parting of lovesickness between men and women in the second half. "Baiyun" four sentences, always written in the spring moonlight yearning for women and wanderers. "Baiyun" and "Qingfeng Pu" are the objects of admiration. White clouds are fluttering, symbolizing "however," maple "and" pu "are often used as other scenery and places in poetry. The two sentences "whose home" and "where" have different meanings. It is precisely because of more than one place that the poet raised such a question, a kind of acacia, which led to the separation of the two places, one after another, and the poetry was full of twists and turns. The following eight sentences "cherish' forbearance'". Second, the moonlight is lingering upstairs, pity the four blessings. It wanted to accompany Sifu and relieve her troubles, so it sprinkled soft light on the dresser, on the jade curtain and on the anvil. Unexpectedly, the master was moved by this scene and missed her more. She wants to get rid of this annoying moonlight, but it can't be swept away. It is sincerely attached to her. * * * You can't know each other by watching the moonlight, but you can only rely on the moon to send your love. Looking up to the sky: Hongyan flies far away, but it is useless to fly without the light and shadow of the moon; Looking at the river, fish jump in the deep water, but it's no use jumping. "The feet are in the intestines of fish, and the heart depends on the feet of geese." To the fish and geese who are responsible for delivering letters, you can't send messages now-it's time to add a few worries! In the last eight sentences, the poet sets off his homesickness with the fading moonlight. The "boat" even dreamed of going home-the flowers fell into the secluded pool, the spring was getting old, and people were still in the horizon. What a pity! The river flows in spring, which is not only a natural spring, but also a wanderer's youth, happiness and longing. The falling moon in Hechi sets off his miserable and lonely feelings. Thick sea fog covered the falling moon. Jieshi and Xiaoxiang are far apart, and the road is so far. The word "heavy" aggravated his loneliness. The "infinite road" infinitely deepened his homesickness. He thought: I wonder how many people can return to their homes by moonlight on this beautiful night by the river.

6. There are poems about moonlight by the river.

I often pick up the wine and drink it alone in the spring morning with flowers and the autumn night with moonlight shining.

Of course, there are folk songs and bagpipes in the village, but they are rough and harsh, and they are harsh in my ears.

Tonight, when I heard you playing the guitar, I felt that my hearing was illuminated by wonderful music.

Don't leave us. Come, sit down. Play it for us again. I will write a Long song about guitar. ..

original text

Pipa player's song

In the evening, I bid farewell to a guest on Xunyang River. Maple leaves and mature rushes rustle in autumn. I, the host, have dismounted, my guest has boarded his boat, and we raise our cups, hoping to drink-but, alas, there is no music.

Although we drank a lot of wine, we were not happy. When we were leaving each other, the river mysteriously widened in the direction of the full moon. We heard a sudden sound, a guitar crossed the water, the host forgot to go home and the guests left.

We followed the direction of the melody and asked the player's name, and the voice was interrupted ... and then she reluctantly answered. We moved the boat closer to hers, invited her to join us, and summoned more wine and lanterns to start our party again.

However, before she came to us, we called a thousand times and urged her for a thousand times, but she still hid half of her face behind her guitar from us. ... she turned the tuning pin and tested several strings, and even before she played, we could feel her feelings.

Every string is a kind of meditation, and every note is a kind of deep thinking, as if she were telling us the pain of her life. She frowned, bent her fingers, and then started her music, letting her heart share everything with us bit by bit.

Slowly twist and pick again, first the air in the rainbow skirt, then the six small ones. Big strings hum like rain, and small strings whisper like secrets.

Humming, whispering-and then mixing together, like pouring large and small pearls into a plate of jade. Between Guan Ying's words, the bottom of the flower is slippery, so you can't swallow the spring scenery and flow under the ice.

The ice spring is cold and astringent, and the strings condense, and the condensation will never stop. The depth of sadness and the hiding of sadness are more told in silence than in voice.

A silver vase suddenly burst, pouring out a stream of water, jumping out of the conflict and blow between armored horses and weapons. Before she put down the pick, her stroke was over, and all four strings made a sound, just like tearing silk.

There is a quiet boat in the east and a quiet boat in the west, but see the new autumn moon in the river. She tied it thoughtfully on the rope, stood up and smoothed her clothes, serious and polite.

Tell us how she spent her girlhood in the capital and lived in her parents' house in Toad Hill. She mastered the guitar at the age of thirteen, and her name ranked first in the list of musicians.

Her art even attracted the appreciation of experts, and her beauty attracted the envy of all major dancers. How did the aristocratic youths in Wuling compete generously? Countless red silks were given to a song.

The silver comb inlaid with shells was broken by her rhythm, and the bloody skirt was stained with wine. Season after season, joy followed, and neither the autumn moon nor the spring breeze attracted her attention.

Until her brother went to war, and then her aunt died, and the night passed, and the night came, and her beauty disappeared. There were fewer and fewer cars and horses in front of the door, and finally she married herself to a businessman.

Who, first of all, stole money, accidentally left her and went to Fuliang to buy tea a month ago. She has been taking care of an empty boat in the estuary, with no companions except the bright moon and cold water.

Sometimes in the middle of the night, she dreams of her victory and is awakened from her dream by her hot tears. Her first guitar note made me sigh. Now, after listening to her story, I feel even sadder.

We were all unhappy until the end of the day, when we met. We understand. What is the relationship between acquaintances? ! A year ago, I left the capital and came here. Now I am a sick Jiujiang exile.

Jiujiang is so far away that I haven't heard music, neither strings nor bamboo sounds for a whole year. The humidity near Cannes is very low, and the house is surrounded by bitter reeds and yellow rushes.

What can you hear here in the morning and evening? ? The cuckoo's bleeding cry, the ape's sobbing. I often pick up the wine and drink it alone in the spring morning with flowers and the autumn night with moonlight shining.

Of course, there are folk songs and bagpipes in the village, but they are rough and harsh, and they are harsh in my ears. Tonight, when I heard you playing the guitar, I felt that my hearing was illuminated by wonderful music.

Don't leave us. Come, sit down. Play it for us again. I will write a Long song about the guitar ... She was moved by my words, stood there for a while, and then sat down to play her strings-they sounded even sadder.

Although the tune was different from what she had played before, all the listeners covered their faces. But which of them cried the most? ? This Jiujiang official. My blue sleeves are wet.

7. Ten poems with similar artistic conception to Moonlit Night on a Spring River should be accompanied by the author and related poems.

Zhang Jiuling's "Looking at the Moon and Thinking about the Distance"

The moon, at this time is at sea, over the end of the world. People who love hate long nights and sleepless nights and miss their loved ones. Put out the candle to love this moonlit room, and I wander in the deep night dew in my clothes. You can't have beautiful moonlight, just want to meet you in your dreams.

Wangwei's Bird Watching Creek

People are idle, osmanthus flowers fall, and the night is quiet and empty. When the moon comes out, the birds are startled, and the sound enters the spring stream.

Li Bai's Thoughts on a Quiet Night

The foot of my bed is shining so brightly. Is there frost already? I looked up at the moon and looked down, feeling nostalgic.

Li Bai's Jade Family

Dew fell on the steps of jade, and the night was long. Dew wet the stone. Go back to my room and put down the crystal curtain, still looking at the exquisite moon through the curtain.

On Li Bai's Nostalgia Complex from "Sleeping at Night under the Niuzhu Mountain"

On the west side of the river this night, there was not a cloud in the whole blue sky. I looked at the moon on the deck and thought of the old general Xie in vain. I have poems; I can read. He hears others, but it's not mine. Hanging the sails of the Ming Dynasty, the fallen leaves are behind me.

Li Bai's Midnight Qiu Ge

There is moonlight in Chang 'an, and all the families in Yi Dao are there. The autumn wind blew Yi Dao's voice, and every household remembered the people guarding the border. When will the border war be settled and when will my husband end his expedition?

Li Bai's Drinking the Bright Moon Alone

Flowers in the next pot of wine, no friends, drink alone. Raise my cup, I invite the bright moon, which brings me its shadow and makes us three people. The moon doesn't know how to drink, but the shadow in front of it is behind. I have to mingle with them and enjoy the happiness of spring. The song I sing is bright and wandering, and I dance the shadow before wandering. Wake up and be happy together, and disperse after drunkenness. I am willing to stay with them forever and forget the harm of friendship, just like the Milky Way.

Zhangji is a night berth near Fengqiao.

Crows fell on the moon, crowed coldly, slept on maple trees, and slept in fishing lanes by the river. In the lonely Hanshan Temple outside Suzhou, the bell that rang in the middle of the night reached the passenger ship.

Jia Dao's Sending North Korea for Chaozhou Jade

This heart has been with Mulan boat until the tide comes to the south. Come to China for an appointment every other chapter, and the letter will pass. The peak hangs on the postal road, the clouds break, and the roots of the city are immersed in the sea. A night of smoke and wind swept away, the west building last month and early next month.

Zhang Mi's The Sender

Don't dream of thanking, wandering under the railing of the small corridor. Only the spring moon in the sky is the most affectionate, and it also shines on the courtyard flowers for the people.

8. What is the image written in the first eight sentences of Moonlit Night by the River?

He wrote the image of the bright moon in front of him, the vast universe, the flowing river and the hazy moonlight, and the poet outlined a magnificent picture of the moonlight riverside.

Moonlit Night on the Spring River is a poem by Zhang, a poet in the Tang Dynasty. This poem follows the old theme of Sui Chen Yuefu. With a beautiful pen full of life, taking the moon as the main body and the river as the scene, it depicts a beautiful and distant picture of the moon on the riverside, expressing the wandering women's sincere and touching feelings of parting and philosophy of life.

The whole poem (excerpt) is as follows:

Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide. I drift thousands of miles, where there is no moon by the river!

The river flows around Fangdian, and the moonlight shines on the flower forest like graupel. Frost flows in the air, you can't fly, but you can't see the white sand on the pavilion.

There is no dust in the sky on the river, and there is a lonely moon in the sky. Who saw the moon by the river for the first time? When did Jiang Yue take the photo at the beginning of the year?

Life is endless from generation to generation, and Jiang Yue is only similar year after year. I don't know who Jiang Yue treats, but the Yangtze River sends water.

The translation is as follows:

In spring, the river tide is mighty, connected with the sea, and a bright moon rises from the sea, as if spewing out with the tide. The moonlight shines on the riverside, rippling thousands of miles with the waves. There is bright moonlight everywhere on the Chunjiang River.

The river winds around Yuan Ye, where there are many flowers and plants. The moonlight shines on the blooming trees like fine snow beads. The moonlight is like frost, so the frost can't be detected and the white sand and moonlight on the mainland can't be seen clearly.

The river and the sky turned into colors without any tiny dust, and only a lone moon hung in the bright sky. Who saw the moon by the river for the first time, and in what year did it shine on people?

The moon on the river is always similar year after year. I don't know who the moon on the river is waiting for, but the Yangtze River has been conveying water.

Extended data:

The poet began to solve the problem and drew a magnificent picture of a moonlit night by the river: the river and the tide are connected with the sea, and the moon is born in the tide. The sea here is empty. The river tide is boundless, as if connected with the sea, with great momentum. At this time, a bright moon was born with the tide, and the scene was very spectacular.

A word "destiny" gives the bright moon and the tide a fresh life. The moonlight shines thousands of miles away, and there is no river in the bright moon. In spring, the river winds around Yuan Ye, where flowers and plants are everywhere, and the moonlight falls on the flower trees like a layer of snow.

At the same time, he skillfully paid the title of "Moonlight on a Spring River". The poet's observation of moonlight is extremely subtle. Moonlight washed the colorful things in the world and turned the world into a dreamy Yin Hui color.

Therefore, "the frost flows in the air and the white sand on the pavilion is invisible", only the bright moonlight exists. Delicate brushwork creates a mythical and wonderful realm, which makes the moonlit night by the river look extraordinarily beautiful and quiet. These eight sentences, from big to small, from far to near, gradually condensed on a lonely moon.

Sogou encyclopedia-moonlight on the riverside