I want to be the anchor of audio novels, and I like to watch them. What do I need?

To become an announcer of audio novels, one must have the following conditions: to practice pronunciation, to practice language skills, to strengthen the basic skills of preparing manuscripts quickly, and to have one's own broadcasting personality.

Broadcasting is a kind of language art, and a professional announcer should have an unswerving spirit of exploration and pursuit of this art, and accurate pronunciation of broadcasting is the first and minimum requirement. ?

Today, I want to talk to you about how to record novels. I see that the problem reflected by everyone is that the narration is not easy to read. When it comes to this narration, it must be distinguished from the general novel recording characters, so we need to consider the attitude and tone when reading the narration.

When it comes to the choice of narrator and protagonist, we first realize that there must be a difference between narrator and protagonist. In fact, the most important test of narration is a person's grasp of the manuscript, that is, his professional quality and ability.

Generally speaking, we choose to use our alto for narration. For example, when we pronounce, we think your most relaxed position is the alto we use.

Secondly, the narrative is different from what we usually say. The narrator is to convey the relationship between the characters, including the sentences of the characters, but we don't take these into account when we usually speak, so the narrator must speak more slowly than we usually do.

How to slow down narration? When we read the narration, our psychological rhythm should be suppressed, and we should realize that I am reading the narration and my speech is different from that in peacetime. In addition, the narrator should pay special attention to discontinuity and stress. When you can't find the stop point of connecting stress at first, you can zoom in where you want to stand out. This is a very simple method.

How to expand? As a matter of fact, I suggest you listen to the treatment of the text by old artists, such as Mr. Dan Tianfang. They will use a sudden loud voice or a sudden slow or fast speech speed to synchronize the psychological rhythm of the audience with the words.

TV commentators usually have the feeling that the atmosphere is magnificent or things are calm. Because there are pictures on TV as support, we feel a bit like a commercial art film when we hear the narration. Different from the short narration on TV, you need a voice that combines reality with reality to give people reverie.

In narrative, we should give priority to the real voice and deal with the imaginary voice, especially when facing these problems, we should be good at learning to use the imaginary voice and express it with the imaginary voice, so that you will find that our narrative is more "tasteful" and different from others' narrative.

Since the narrator wants to please people, so should your voice. In fact, "smart" is very simple. It is very simple but practical to pull the zygomatic muscle, soften the upper jaw, open the lower jaw and relax ba before broadcasting.

The zygomatic muscle is easy to explain, that is, the smiling muscle, which can keep a positive state. Open your teeth in advance and move your mouth. If you don't pay attention to your speech at ordinary times, it's easy to hyphenate, swallow and pronounce unclear. Try to open your teeth as wide as possible.

Although we can't see or touch the soft palate at ordinary times, it is what we need most. Soft palate contributes to nasal singing and intonation. Sometimes we feel that some people's voices are particularly transparent, which is the function of soft palate.

Panasonic is looking for a relaxed state. Sometimes we have throat pressure, which is to make our chin particularly tight.