What was the overall situation of Chinese drama development in the 199s?

The increasingly secularization and popularization of drama in the 199s gave birth to a commercial production mode, which led to numerous "workshops" and "studios". Most of these "workshops" were led by writers and artists, who loved stage art and hoped to realize their artistic pursuits and ambitions through the stage. For example, Zheng Zheng's Fokko Drama Club, Meng Jinghui's Chuanbang Drama Club, Lin Zhaohua's Drama Studio, Mou Sen's Drama Workshop and Frog Drama Club, etc., these drama clubs, led by producers, appeared in BLACKPINK to outline the drama landscape of the dispatched people. For example, Emotional Exercise created by Fokko Drama Club, Out-of-Body Experience by Saturday Drama Club, Crazy New Year Car, etc. These works touch on the familiar and concerned issues of the audience, and most of them are popular. Tan Lulu, as an independent producer and performed by the Central Experimental Theatre, not only is the title and content of the play particularly attractive, which is very suitable for the appreciation of the public audience, but also the packaging of a fascinating "crime-solving drama" is used in artistic techniques to connect the plots. Drama director Mou Sen's "Drama Workshop" studio performed in Beijing in 1994, which was adapted from Jian's long poem " Archives" and caused a great sensation.