Brief introduction of qi Baishi

Qi Baishi (65438+65438 in 0864, 10 65438-0957+65438 in September 2006) was born in Xiangtan, Changsha, Hunan (now Xiangtan, Hunan).

Formerly known as Chunzhi, Wei Qing was named Lanting. Later, it was renamed Huang, and the word was born. Named Baishi, Baishishan Weng, Laoping, Hongcuo, the owner of the mountain pavilion, the old man who sent Pingtang, and the rich man of 300 lithographs.

He is a master of modern painting in China and a world cultural celebrity. He worked as a carpenter in his early years, then made a living by selling paintings, and settled in Beijing after he was 57. He is good at painting flowers and birds, insects and fish, landscapes and figures. His pen and ink are vigorous and moist, with rich and bright colors, concise and vivid shapes and simple artistic conception. Fish, shrimp, worms and crabs are full of fun.

Qi Baishi is a seal script writer, and his seal script method comes from inscriptions in Qin and Han Dynasties. His calligraphy saved Gu Zhuo's interest, and seal script became his own. He was also good at writing poems. He used to be honorary professor of Central Academy of Fine Arts and chairman of China Artists Association. Representative works include Frog Rang Ten Miles Away from the Mountain Spring and Ink Shrimp. He is the author of "Bai Shi Shi Hua" and "Bai Shi Old Man's Self-report".

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Strong local flavor, simple peasant consciousness, naive and romantic childlike innocence and poetic aftertaste are the inner life of Qi Baishi's art, while warm and lively colors, strong contrast of ink color, simple and naive modeling and brushwork, extreme integration of work and writing, fair and novel composition, as his unique artistic language and visual form, are relatively the outer life of Qi Baishi's art.

Realistic emotion needs a proper form, which strengthens the expression of emotion. They need each other, grow together, depend on each other, and become the artistic life of Qi Baishi, that is, the overall style of Qi Baishi's art.

On the evening of 20 17, 12, 17, Qi Baishi's Twelve Screens of Mountains and Waters started at 450 million yuan in the autumn auction of Beijing Poly 20 17. After nearly 70 games, it finally fell to 8 10/00000 yuan, with a commission of 9365534.

Qi Baishi advocates that art is "the beauty between likeness and dissimilarity". After years of changes, it has formed a unique freehand brushwork style of Chinese painting, and opened a school of red flowers and ink leaves, especially fruits, vegetables, flowers, birds, insects and fish, and landscapes, which enjoys the reputation of "Southern Wu and Northern Qi" with Wu Changshuo. The combination of Qi Baishi's simple folk art style and traditional literati painting style reached the peak of modern flower-and-bird painting in China.

Ding Jing and Huang studied seal cutting at first, and then Zhao? Uncle, and take French, Chinese and Indian; See "Sangong Mountain Monument" and "Tiantan Monument". The seal cutting method is changing again and again, and the printing style is magnificent and unrestrained, which is a representative figure in the evolution period of modern printing style. His calligraphy is widely spread in inscriptions, and he once lived in He, Jin Dongxin and other places, especially in seal script and running script.

Poetry does not ask for work, has no meaning of Tang and Song Dynasties, learns from nature, has a clever brushwork and has a unique style. His painting and printing poets call it the four musts. I have worked hard all my life, worked tirelessly, earned my own living, and have high moral character, especially national integrity. He left more than 30,000 paintings, more than 3,000 poems, self-reports and manuscripts written by Qi Baishi. Qi Baishi's works have been printed repeatedly in various forms.

Qi Baishi was deeply influenced by Chen Shiceng in painting art, and at the same time he learned from Wu Changshuo. Qi Baishi specializes in painting flowers and birds, and his pen is full of ink. But drawing insects is meticulous and extremely fine. Qi Baishi also praised Xu Wei, Zhu Da, Shi Tao and Jin Nong. Shrimp, crab, cicada, butterfly, fish, bird and ink are especially vivid, full of the vitality of nature.

Landscape composition is unique and unconventional, full of creative spirit, unique seal cutting and outstanding calligraphy, which is well known to everyone. Qi Baishi's paintings are against unrealistic dreams. Qi Baishi often pays attention to the characteristics of flowers, birds, insects and fish and tries to figure out their spirit. Qi Baishi once said: Draw a picture of thousands of insects, a picture of hundreds of birds, and draw your own face. Qi Baishi's words are very witty and ingenious. Qi Baishi painted two chickens fighting for a bug. The title reads: Qi Baishi calls each other every day.

A picture of cotton reads: "Flowers warm the world, but flowers cool the world". The title of "Tumbler Map" is "Autumn fans shake white on both sides, and official robes are black."

Qi Baishi's shrimp painting is a must in painting. Qi Baishi painted shrimps by observing them all his life, striving to profoundly express their physical and mental characteristics.

Qi Baishi lived by a pond since childhood and often fished for shrimps. Began to draw shrimp when I was a child; After the age of 40, I copied shrimps painted by painters such as Xu Wei and Li Futang in Ming and Qing Dynasties. At the age of 63, the shrimps painted by Qi Baishi were very similar, but not "alive" enough, so he raised several long-legged shrimps in a bowl and put them on the drawing. The method of drawing shrimp has also changed, and shrimp has become one of the representative artistic symbols of Qi Baishi.

Qi Baishi's shrimp painting has entered the realm of transformation. In his concise pen and ink, he shows the group of shrimp swimming in the water. The thick arrowhead mushroom and dried shrimp are transparent and light, which shows the maturity of Qi Baishi's painting art in his later years.

Qi Baishi's shrimp paintings show the shape of shrimp, which is lively, sensitive, alert and vital. Because Qi Baishi mastered the characteristics of shrimp, he painted with ease. A few strokes, combined with a light pen and ink, show a sense of movement. A pair of heavy ink eyes, a little Jiao Mo in the middle of the head, and two light inks on the left and right, which makes the shrimp head varied. Hard shell is transparent, from deep to shallow. And shrimp loin, one section at a time, several strokes in a row, forming the rhythm of shrimp loin from thick to thin.

The change of Qi Baishi's pen makes the shrimp waist present various abnormal States, some bow forward and some swim straight. There are also people who bend over and crawl. The shrimp tail is also a few strokes, which is both elastic and transparent. A pair of front paws of shrimp, from thin to thick, from several joints to two paws, are like pliers, one opening and one closing. Shrimp tentacles are drawn with several light ink lines.

Trade-off: Qi Baishi's lines show the perspective of shrimps in water, which are virtual and real, simple and appropriate, soft and firm, broken and real, straight and curved, chaotic and orderly, and the shrimps on the paper seem to swim in the water with their tentacles moving.

References:

Baidu Encyclopedia-Qi Baishi