Reading and understanding the first chapter One sentence is worth ten thousand sentences (2)

Yang Baishun is the second son and comes from a peasant family. When I was a child, because Jia Fan Laofan opened a private school for his children to study, the villagers didn't have to pay tuition. Yang Baishun's father thought it was cheap, so he went to a private school for a while. This foreshadowing became Yang Baishun's last carefree time in the book. His teacher is an unreasonable person. He didn't learn anything after finishing the private school, but he became more and more fond of the funeral music in Luo Changli's Quiet Days. Every character in the story seems to find a little star that makes him happy in the difficult quagmire, but he can't get what he wants. Everyone is trying to enjoy the hard life they don't want to live but have to live. In fact, if you think about it carefully, life is like this.

In "A Word Worth 10,000 Sentences", unlike the second son Yang Baishun, what makes the eldest brother Yang feel more involved than mourning is to spray air. The so-called "empty talk" is to give full play to the imagination of one thing and let the story go on with conscious language, like "making up facts" at will. In the early days, both of them seemed to be washing the souls trapped in the secular world. Later, Yang Baishun and Yang Guo were unhappy, not because they didn't want to look for it again, mainly because the life script was trivial and helpless. Some nuanced arrangements and descriptions make me constantly sigh Liu Zhenyun's brushwork when loading the story, and I am also convinced of the rationality of these arrangements. One thing turns into several things, each of which is trivial, but in the end it often involves all the contents of many people's lives. People, a social animal, die while playing the role of social animals.

A Master of Arts student's exploration of art and poetry.