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What TV dramas reflect the corruption of senior officials?
1, "National Cadres" is an anti-corruption TV series based on Zhang Ping's novel of the same name, directed by Su Zhou and starring Wang and WU GANG.
2. National Public Prosecution is a political anti-corruption TV series based on Zhou's novel of the same name, which is directed by Jiang, written by Zhou and co-starred by Gaowa Siqin, Gao Ming, Lu Liang, Chen Yiheng, Guo Kaimin and Jing Wong.
3. The Director of the National People's Congress is a TV series directed by Tang called Contemporary Officialdom, which is adapted from a novel of the same name. Based on the Trojan Horse case in Shenyang, the play artistically reproduces the process of Muhe from prosperity to extinction.
4. "My Lord is Ups and Downs" This is a large-scale TV series that profoundly reflects the contemporary reform life in China. It is the latest masterpiece of the famous writer Zhou following Loyalty, Supreme, Absolute Power and State Prosecution.
5. The River Never Returning is a novel written by the famous financial writer Anai (the author of Ode to Joy), which shows the history of economic and social changes in China in the past 30 years of reform and opening up.
6. Benefit and Cost is a TV series produced in 2006, directed by and starring Li. It reflects the competition for interests of transnational intermediaries and the contest between capital and wisdom; Cross-century family struggle, collision between history and reality.
7. Main content of "Secretary of the Provincial Party Committee": Ma Yang, deputy director of Dashanzi Mining Bureau, sent Gong, secretary of the provincial party Committee, to Zhongnanhai after presenting it to the Central Committee. He made a special trip to report the current situation and problems in the province to the general secretary.
8. Absolute Power is adapted from Zhou's novel of the same name. This is a TV series directed by Hao Cheng and Jiang, starring Tang Guoqiang and Gaoming.
9. Justice Mission is a 26-episode TV series about public security, written by Qiu Huaiyang and Hai Jian and directed by Qiu Huaiyang and Fan Dongyu. The play stars Hu Yajie, Wu Weidong and Chai Ming Yang.
10 is a contemporary political drama based on Zhou's novel of the same name, directed by Bater and starring Sun, Zhang Mingyu, Cheng Yu and Zhang Xianheng. The play tells the serious consequences of Li Dongfang, secretary of the municipal party committee, facing the "achievements project" of two predecessors.
1 1, Dwelling House involves Shanghai social security case, and the prototype of corrupt officials is Cai Zhiqiang.
12, "in the name of people" is a anti-corruption drama, which is jointly produced by Mandarin, the Supreme People's Procuratorate Film and Television Center and Beijing Jiahui Benmo Culture and Art Creation Co., Ltd., and written and directed by screenwriter Zhou.
Extended data:
China audience is no stranger to Zhou. Before the TV series in the name of people, his anti-corruption TV series, such as Absolute Power, Supreme Interest and State Procurator, have made many people in China familiar with him.
In the name of people was broadcast, and the ratings exceeded his expectations. Some people even say that this is the biggest anti-corruption TV series in history. What is the most important solution in scale? Zhou said that this is not the size of the cases in the play or the high level of officials, but that we can finally face up to the current social and political ecology.
This determination to be honest with each other is also the real motivation for him to write again. In other words, the reason why "in the name of people" can meet the audience is originally a result of in-depth anti-corruption.
Reporter: How many elements in in the name of people are adapted from real cases? How much is from artistic fiction?
Zhou: Literary and artistic creation is not reportage, so it cannot be written completely according to the existing cases. However, I didn't shy away from the typical cases that have great influence on society in recent years, such as the corruption case of petty officials at the beginning of the story, and the case of more than 200 million yuan found in the director's home played by Hou Yong. I use it as an introduction to the opening layout.
Why should I use this real case? I just want to give the audience a sense of reality.
Reporter: In order not to make mistakes, leading cadres are simply timid in the face of the complexity of reality. Do you think this is also a kind of corruption?
Zhou: Yes. I think inaction is also a kind of corruption, which is also exposed and criticized in in the name of people this time. There are indeed some officials in our political ecology, and we should not avoid this phenomenon.
Reporter: The corrupt officials in "in the name of people" are as high as the sub-national level. Some people say that this is the biggest anti-corruption drama in history. Do you agree?
Zhou: I think the biggest measure is not the high position of officials, but whether we can face up to the current political ecology now. We couldn't do this in the past. Many conversations in the play were cut before and could not be broadcast. This actually reflects the party's determination to fight corruption.
The party's determination to fight corruption is the fundamental driving force of my creation.
Reporter: In order to write "in the name of people", you went to prison to have face-to-face communication with corrupt officials. You also said that in these exchanges, you were very impressed. Corrupt officials are not demons, but also flesh and blood. How does this understanding help your creation?
Zhou: On the one hand, literature is a anthropology, so everyone is flesh and blood, and corrupt officials are no exception. He is probably someone in your circle of friends. On the other hand, you need to have a deep understanding of China's social and political ecology, so as to have an overall grasp of anti-corruption theme creation.
What I want to show is not only the anti-corruption of human nature, but also the anti-corruption at the institutional level. However, literary and artistic works are not simply preaching, but should be presented through the stories of the characters and the environment in which they are produced. Writers must keep observing and thinking, especially those who write political novels, but also observe the social changes in China. Of course, creation also needs opportunities.
For example, the creative opportunity of in the name of people was found by the Supreme People's Procuratorate's comrades, but without this, there may be other opportunities. As long as there is a good policy environment, good works will inevitably come out.
Reporter: What has moved you most since the 18th National Congress?
Zhou: Let me see the Party's determination to fight corruption and the hope of China society. This is also the fundamental driving force for me to create in the name of people.
Anti-corruption has been accompanied by the whole process of our reform, never interrupted, and never left the focus of public attention. In order to control eating and drinking, our party has issued many relevant documents, but some cadres still can't control their mouths. However, in the political ecology since the 18th National Congress, from this perspective, which province, city and autonomous region officials dare to mess around? There really isn't.
This is a detail, but from this detail, I see the obvious changes in the party's determination and political ecology. I have written many anti-corruption novels before, but the corruption is getting more and more serious and I feel bored. Since the 18th National Congress, people have seen hope. I don't think anyone is more eager to get rid of corruption than China.
People's Daily Online-Deep Focus: "Taking in the name of people", the result of anti-corruption
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