Is it true that Shanghai Lifestyle Channel's Sunday night broadcast (fashion column drama - "The Hidden Nanny") is true?

Just finished watching it. Very touched. Also in doubt. I looked it up and found out that since it is called a column drama, it is a drama. Of course it's fake. Don't let tears blind you!

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Column drama, as the name suggests, consists of "column" and "drama". Column drama is to combine TV columns with film and television dramas, act in the columns, and do columns in the plays. At the same time, it has the dual ontological characteristics of television and movies. It breaks out in the cracks, but also absorbs nutrients in the cracks. Grow tenaciously.

Judging from the column dramas currently broadcast on various TV stations across the country, they can be said to be in various forms. Some use scenario reenactments or plot performances to tell news, making people's livelihood news more story-telling, and also embodying civilian perspectives and people-oriented orientations, such as Hunan Economic Television's "News Storytelling"; others draw on traditional art forms, For example, Nanjing TV's "New Three Words and Two Pats", the host dressed up as a storyteller in the past, wearing a long gown and holding a paper fan, explaining or commenting on the people and events in the short play to the audience; some also took on the role of literary With the historical mission of carrying Taoism and daily life as the material, we show people one wonderful case after another, and ultimately achieve the purpose of educating the public. For example, Sichuan's "Economic Malatang" uses the form of short plays to tell the people's own economic stories, It provides corresponding answers to the economic confusions that ordinary people encounter in their daily lives.

However, the existence of individual differences cannot conceal the essence of the same species. Although column dramas have different forms, they have the same characteristics that are different from different art forms such as movies and TV series, and the combination of these characteristics is the natural advantage of column dramas themselves.

First, drama. This is the most prominent feature of column dramas. "Column" is just an external form, and "drama" is the core content. Although some short plays are only ten minutes long and no more than an hour long, the basic characteristics of the drama are all concentrated in them, including the ups and downs of the plot, the setting of suspense, the depiction of details, the description of psychology, conflicts, music, etc. Sound effects, beautiful finger lighting, no one is missing. Moreover, due to time constraints, column dramas have overcome the lengthy procrastination of film and television dramas and become independent story units. The narrative structure is more compact and conflicts are more concentrated. Through the continuous construction of interest elements and fast-paced narrative transitions, it makes The character stories are more legendary and the characters' actions are more personalized, which is very consistent with the basic consumption requirements of the current fast food culture. With its independent and compact characteristics, column plays show a completely different viewing effect from ordinary stage plays and choreographed TV series.

Secondly, localization. Column dramas originated from local TV stations and focused on the daily lives of local people. From human relations to ethics, from marriage and family to economic disputes, all social issues related to people's livelihood are important themes in column dramas. Recreating the original appearance of local people's lives, showing local people's life scenes, revealing local people's life problems, and "telling people's own stories" are the powerful driving forces for the survival of column dramas. A survey shows that many provincial and municipal channels’ column dramas rank among the best in ratings among all their programs. Column dramas truly reflect life, and often involve some conflicts in human nature on the edge of ethics. These themes dare to face the true face of modern emotional life, and finally give some reasonable endings or advice. Under the superficial emotional stories, they contain hidden meanings. has deep moral implications. The narratives of column dramas "are both real fiction and fictional reality. They interpret and recreate life according to aesthetic principles." [2] They do not deliberately pursue artistic pursuits, but strive to be accepted by ordinary audiences, which not only restores the reality of life Texture also shows the essence of life.

Finally, interactivity. Audience participation and interaction are the most powerful support for the development of column dramas and the most important factor in the popularity of column dramas. The column drama is not only based on the stories around ordinary people, but also the protagonists in the drama are played by the ordinary people themselves, interpreting their own stories and the stories of those around them. Many TV stations have been recruiting column drama actors for a long time, and most of them have no restrictions. The only requirement is "love to perform." Whether they are gold-collar white-collar workers or workers or farmers, whether they are young children or octogenarians, as long as they are interested in acting, they may get "electric shock" "The opportunity to appear on TV and become a star is not out of reach. Ordinary people can also experience the feeling of being a star. Seeing their family members or neighbors become the hero or heroine on TV is a novel and exciting experience. The resulting radiation effect has virtually shortened the distance between television and ordinary people, and column dramas have become an indispensable part of ordinary people's lives. The attraction of this kind of close cultural production is self-evident. It expands the participation space for ordinary people, improves their participation value, and greatly increases the interaction between the column and ordinary people.