Detailed data collection of Guangdong folk arts and crafts museum

Guangdong Folk Arts and Crafts Museum, located in Chen Academy 1959, is an art museum that collects, studies and displays folk arts and crafts in Guangdong and the whole country. The museum has a rich collection and many exhibits, including "Guangdong ivory carving", "Guangzhou painted porcelain", "Guangdong paper-cutting, wheat straw stickers" and so on. At the same time, some short-term and temporary exhibitions are often held to enrich the exhibition content and enliven the atmosphere. Museum staff have been working hard to improve the exhibition level for many years, so that various folk crafts can shine in Chen Shuyuan Art Museum.

May 20 17 was awarded the third batch of national first-class museums.

Basic Introduction Chinese Name: Guangdong Folk Craft Museum Category: Art Museum Location: No.7 Zhongshan Road, Guangzhou Completion Time: 1959 Opening Hours: 8: 00-5: 00 Boutique Collection: Introduction of Art ceramics museum, Permanent Exhibition, Wan Zhaoquan Sculpture Exhibition, Chen Shaofang Guang Embroidery Exhibition, Guangdong Ivory Sculpture Exhibition, Guangzhou Colored Porcelain Exhibition, Old Guangzhou Home Exhibition, Guangdong Traditional Sculpture Exhibition, New Century. Exhibition and Collection, Silk Landscape Figure Painting in Qing Dynasty, Hua Die Fruit Box with Enamel Painting in Qing Dynasty, Nine Peach Pattern Plate with Blue and White Folding in Dragon and Yellow Land, Four-star Dress in Hainan, Round Screen with Gold Embroidery in Chaozhou, Specific Address and Architectural Introduction in the Museum. The whole museum covers an area of10.5 million square meters, with a construction area of 6,400 square meters. Several quadrangles connect the 19 building, forming a rigorous and symmetrical layout with the central axis as the main line, the east-west hall and the peripheral room, which has distinctive Lingnan architectural characteristics. Therefore, it is summarized as "deep three entrances, wide five rooms, nine halls and six hospitals". The reason why Chenjiaci became the Guangdong Folk Arts and Crafts Museum is mainly because there are "three sculptures, three plastics and one cast iron". "Three sculptures" refer to stone carvings such as stone lions and stone drums at the door; Brick carvings embedded in the walls on both sides of the left door, with Shuihu Juyi Hall on the left and Liu Qingfu Wolf Foal on the right; And wood carving (including relief, through carving, etc. ) The four large screens that enter the door, wood carvings can be seen everywhere in Chenjia Temple, and the bucket arches and beams are the concrete embodiment of the fine wood carving art of Chenjia Temple. "Three sculptures" refer to colored, gray and ceramic sculptures that can be seen everywhere on the roof of Chenjiaci. "One casting" refers to the exquisite cast iron handicrafts of Chenjiaci. There are more than 0/0000 pieces (sets) of various folk arts and crafts and cultural relics in the museum, which are divided into four categories: ceramics, embroidery, sculpture and miscellaneous. The museum has collected more than 4,000 pieces of art ceramics from Guangdong Shiwan Kiln since Ming and Qing Dynasties, which are not only large in quantity but also of high quality. The permanent exhibition of Wanzhaoquan Sculpture Exhibition Wanzhaoquan's century-old Guangzhou style sculpture works, with the characteristics of sculpture clay sculpture, reproduces the past Guangzhou style in an art form that people like to see and hear. The author Wan Zhaoquan, who grew up in Xiguan, has been fascinated by sculpture and painting since childhood and has been engaged in sculpture art creation for 36 years. His works pursue personal creative style with popular artistic language, which embodies profound life experience in the artistic creation of clay. His works are humorous and kind, full of dynamic and rich flavor of life, giving people a refreshing feeling, and at the same time fully explaining the truth that "the most profound works are often the most approachable works". Chen Shaofang's Guang Embroidery Exhibition Guang Embroidery is one of the four famous embroideries in China, which is unique for its gorgeous colors, full and balanced composition and changeable stitches. At the beginning of the new century, Chen Shaofang's "Guang Embroidery Exhibition" was first exhibited in Guangdong Folk Arts and Crafts Museum. Chen Shaofang, a native of Panyu, Guangdong Province, graduated from Guangzhou Academy of Fine Arts in the early 1960s and has been engaged in the design and research of Guangxiu for more than 40 years. Her works have been selected as gifts for friendly heads of state by the state for many times, and have also been selected for many major international exhibitions. 1986 Guangdong Province awarded Chen Shaofang the title of "Guangdong Arts and Crafts Artist". More than 20 works in this exhibition show the style and characteristics of Chen Shaofang's artistic creation in different periods. From these works with rich themes and various forms, people can fully appreciate the artistic charm of Guang embroidery, one of the four famous embroideries in China. Guangdong Embroidery and Guangdong Ivory Carving Exhibition Guangdong ivory carving rose in Qing Dynasty, and quickly became a popular handicraft, enjoying great honor at home and abroad and contributing to the prosperity of Guangdong ivory carving industry. 19 13, Guangdong took 24 layers of ivory balls to participate in Panama competition and won the first prize, which made Guangdong ivory sculpture famous all over the world. Several works on display at the Guangdong ivory sculpture exhibition include a peacock boat with big teeth and a 43-story dragon, phoenix and ghost ball. There is also a miniature sculpture as thin as a grain of rice, which is known as the "eye of the gods". The work is ingenious in conception and exquisite in skill, and it deserves to be called "uncanny workmanship". Guangzhou Colored Porcelain Exhibition Guangzhou Colored Porcelain, referred to as "Guang Cai" for short, is also called "Guangzhou Zhijin Colored Porcelain" because of its bright colors and rich colors. It is a folk craft that arose because of the need of export during Yongzheng period of Qing Dynasty. Due to the adaptation to export, Guangzhou colored porcelain is greatly influenced by enamel imported from the west, but the mainstream still inherits the excellent tradition of China colored porcelain, especially the traditional painting skills of three colors and five colors in Ming Dynasty and the influence of Guangzhou folk colored porcelain. Therefore, from Guang Cai's works, we can feel the rich flavor and unique local style of China traditional colored porcelain. Painted Porcelain Old Guangzhou Home Furnishing Exhibition: Cantonese furniture, one of the three schools of China "qing-style furniture", is displayed here. The Old Guangzhou Home Furnishing Exhibition is displayed in strict accordance with the traditional home furnishing pattern of Old Guangzhou. The master's room, reception room, study room, worship room and self-comb room (that is, women who never marry in groups of three or five) all reproduce history here. The stool, the chair, the table, the bed, the sheets, the platform and even the spittoon are all in their places, which makes people feel as if they had stepped into Guangzhou during the Qing Dynasty and the Republic of China. That solemn and dignified elder, that desperate smoker, that cynical aunt ... seemed to live in front of us. Guangdong Traditional Sculpture Exhibition This is a wonderful exhibition, which will make you feast your eyes and linger. There are not only common jade carving, stone carving and horn carving, but also rare coconut carving, nuclear carving, unheard of Burmese eggplant carving and even almost lost brick carving. There are not only towering golden woodcarving shrines, but also Duanzhou inkstone pool paved with rice. Here, you will admire the artistry of artists and their silent state of mind. Collection of Precious Carvings Guangzhou Jade Carving Exhibition in the New Century Most of the jade carvings in Guangzhou are carved by Nanyu, also known as Nanyu. Green and transparent, jade is warm and moist, and it is one of the high-quality jasper in China. Guangdong jade carving has a long history, and there were many kinds of jade carving crafts as early as the Neolithic Age. The exhibition focuses on modern decorative jade carvings, including carved jade balls, carved carp cages, boats, towers and other large-scale appreciation products with local characteristics. Among them, the "New Century New Guangzhou" jade carving hollow cue ball is mainly an eight-layer cue ball carved by a whole piece of southern jade and a red cotton support ball carved by a ruby. The works are ingenious in conception and exquisite in skill, and they have placed people's good wishes for the new century and new Guangzhou. Cloisonne in Beijing Cloisonne Exhibition, a kind of enamel technology, is called copper tire cloisonne enamel, or cloisonne enamel for short. It has a long history in the west, and it appeared in the late Yuan Dynasty in China, so it was named after Jingtai in the Ming Dynasty. Cloisonne, represented by Beijing area, has beautiful shape, gorgeous decoration and bright colors. The production can be roughly divided into seven processes: tire making, thread clamping, welding, blue-spotting, blue-burning, polishing and gold plating. This exhibition not only has traditional cloisonne crafts, but also innovative platinum paintings based on traditional crafts. Exhibition and Collection: Embroidered paintings of silk landscape figures in Qing Dynasty use Huang Yunhe's brocade of the Eight Immortals as the edge, orange five-petal flower-shaped dark silk as the back, painting the heart as the landscape of the figures, and some are embroidered with gold thread, and the seams are filled with gold thread, and the five senses of the figures are described and colored with a brush. Hua Die pattern box copper tire, coated with transparent enamel, in the shape of eight petals. There are nine small disks in the box with the word longevity painted on them, surrounded by serial bats. The pattern of melons and butterflies is painted outside the box, which means that melons and butterflies are continuous and live longer than Nanshan. This fine enamel is produced in Guangzhou. Qinggan Dragon, Yellow Blue and White Flowers, Nine Peach-shaped Branches, Shallow Arc Wall, Perfect. The inner and outer walls are painted with yellow glaze, the mouth edge is decorated with blue and white double strings, and the blue and white double circles in the center of the plate are painted with nine peach patterns. The outer wall of the dish is painted with blue and white on the yellow glaze. At the bottom, there is a blue-and-white seal script of "Qing Gan Long Nian System". At the end of the Qing Dynasty and the beginning of the Republic of China, Hainan's four-star skirt was sewn from three banners: top, middle and bottom. The upper and lower pictures are geometric patterns of pattern blocks, and the middle picture is a decorative pattern composed of pattern and sandwich technology. Chaozhou Nail Gold Embroidery "Kowloon Map" Round screen nail gold pad convex embroidery is an important artistic expression of Chaozhou embroidery. In the painting, the faucet and dragon body are padded with cotton and paper, which is more than two centimeters higher than the painting. They are outlined with coiled pericardial wool, highlighting the bones and manes, and reflecting the dragon's energetic and dancing body in relief. Longlin adopts the unique double-needle scale-breaking technique of Chaozhou embroidery, and the scales are layered. With the help of the refraction of light, it produces a three-dimensional effect of light and shade, rich in texture and colorful, which fully shows the rich local style and artistic characteristics of Chaozhou embroidery. Address: Guangdong Folk Arts and Crafts Museum, No.34 Enlongli, No.7 Zhongshan Road, Guangzhou.