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How to evaluate the documentary "I am repairing cultural relics in the Forbidden City"? What's good about this documentary?

Recently, the documentary "I am repairing cultural relics in the Forbidden City" has warmed up many audiences. This documentary about the restoration workers of the Forbidden City was first broadcast on CCTV 9 on June 7, 65438 this year, and it did not cause a sensation at that time. Unexpectedly, more than a month later, the film became popular on the barrage video website, with more than 1 10,000 hits. The score exceeds the hit Korean drama.

As the only large-scale documentary that systematically shoots the story of the restoration of rare cultural relics in the Forbidden City, "I Repair Cultural Relics in the Forbidden City" has three episodes, and each episode shows several masters of cultural relics restoration with close relationships and different temperaments. The first episode tells the story of the restoration of bronzes, court clocks and ceramics; The second episode is the restoration story of wood, lacquer, treasure inlay and embroidery; The third episode is the restoration, copying and copying of calligraphy and painting.

I have seen a lot of Japanese craftsmanship. If you want to know what "China Craftsman Spirit" is, you can't miss this one! Although there are only three episodes, it is the only documentary that almost completely describes the restoration of cultural relics in the Forbidden City. Many netizens said they wanted to take a trip to the Forbidden City after reading it.

The seemingly simple and ordinary daily life of cultural relics restorers is actually not simple at all. Not everyone can do this job that requires great patience, determination and zero mistakes. The popularity of this documentary, to some extent, reflects the young people's love and reverence for traditional culture in recent years, and extends to the revival of the "national tide". Young people are actually more curious about China's classical culture than anyone else.

What the film repeatedly emphasizes is a problem of inheritance, but what it doesn't say is, for example, the restoration of ancient paintings, the early schools, Yangzhou School and Suzhou School, have different styles. Today, although there are still descendants of various factions, it is unsustainable. Across the country, there are only a dozen old masters who are still engaged in this profession.

This documentary with temperature may really arouse the younger generation's interest in the restoration of ancient cultural relics and traditional handicrafts in China. Even if it is only a documentary dubbed by netizens as "recruiting for the Forbidden City", it is worth watching by you and me.

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