Who is the author of Happy Days?

The author of Happy Days is Zhu Jianer.

Brief introduction of the author

Zhu Jianer (1922101October18-2017 August 15), male, Han nationality, whose real name is Zhu Rongshi, formerly known as Chen Pu, from Jingxian County, Anhui Province. I taught myself piano and composition in middle school. 1945 Joined the Front-line Troupe of the Suzhong Military Region of the New Fourth Army. 65438-0947 was the band captain and conductor of the East China Military Region Cultural and Art Troupe. After People's Republic of China (PRC) was founded, he worked as a composer in Shanghai, Beijing and other film studios. Since 1949, he has been a full-time composer in Shanghai Film, Northern Film, New Film, Shanghai Opera House and Shanghai Symphony Orchestra. From 65438 to 0955, he went to Pyotr Il'yich Tchaikovsky Conservatory of Music in the Soviet Union to study composition. 1960 returned to China after graduation and worked as a composer in Shanghai Experimental Opera House. 1975 transferred to Shanghai Symphony Orchestra to compose. 1985 was elected as the fourth executive director of China Musicians Association.

20 17 died in Shanghai ruijin hospital at the age of 95 due to illness on August 5.

Classic appreciation

The whole song consists of three parts: introduction and ending. First, the band played a warm and jubilant overture, and then Banhu played the main theme with the flavor of northern Shaanxi, which was cheerful and lively. Erhu joined the theme when it changed repeatedly, expressing the irrepressible joy. The last sentence of the theme is repeated by the band to form a vivid effect of singing and echoing. The theme of the second part is Shandong Lu Opera, played by Guan Zi and responded by the band. Very humorous, very interesting. The melody of the third part draws lessons from the development techniques of Hebei blowing songs. The band is divided into two groups, the answers echo each other, and the sentence amplitude decreases; After that, pipes and flutes kept playing changing long notes, and the band played short patterns revolving around these long notes to set off the echo. This common method of "pulling tightly and singing slowly" in folk music makes the music unfold layer by layer, expressing the peasants' enthusiasm for turning over with joy. The ending is the reappearance of the change of the introduction, which corresponds to the beginning and the end and is full of joy. This song has been arranged for a piano solo.