Job Recruitment Website - Zhaopincom - Why has Zhang Yimou suddenly become a "public enemy of the whole people" and everyone has to step on it?
Why has Zhang Yimou suddenly become a "public enemy of the whole people" and everyone has to step on it?
I've always had a soft spot for movies. When I was a child, I kicked with adults and children and watched dam movies. At that time, there were not many movies, such as Battle of Shanghai, Battle of the South, Battle of the North and Rolling Wheels. There are many black and white wars. Later, handcuffed travelers, Li Shuangshuang and Tian Tian's career became colorful. After that, I went to elementary school and junior high school, set up a painting bookstall, saved three melons and two dates and ran to the cinema in the town. I felt very comfortable indoors. I also skipped tickets and played some games. The happiest thing is the Spring Festival. Lucky money can be justified and aboveboard for a few days.
This hobby has been cultivated since childhood and has not diminished for many years. The senior high school entrance examination and college entrance examination all scored high on the pre-selection line, all took exams in the county seat, and all sneaked into the cinema. When you are happy, you can visit relatives, or invite or reward yourself. One movie is enough. I felt the bitterness of tears, the unprecedented experience of Shaolin Temple, and the banter of Qipin Sesame Officer. After studying in Chongqing for four years, the Foreign Languages Institute is blessed. I have watched many videos. I remember the projection in the big classroom. One ticket is hard to find, and it is packed. The cinema in the hair factory (now Cummins) is our usual place. We would rather not eat meat for a week than miss it. I have been a literary club, a college student union, a publication in school, and some experiences and discussions.
I like Kurosawa, Almodovar and Spielberg, but the only director who never leaves is Zhang Yimou.
At my age, I can say that I witnessed Zhang's film career. One and eight, the Yellow Land and the Grand Parade, starring Lao Jing, were filmed by Yi Mou. I didn't watch it at that time, but later I made it up. Since Red Sorghum, I have been the first local audience of Zhang's films. I was a freshman when I watched Red Sorghum. In the auditorium of Xi Shi Normal University (now Southwest University), my classmates and I were deeply impressed by its composition, color, and especially the praise of life. "Dionysus" and "Sister, Go Forward Boldly" have become our chamber music.
Even the "Terracotta Warriors" playing with tickets and the missing "code name Jaguar" are familiar. Fresh in my memory are Ju Dou and Hang the Red Lantern High. We watched the video at the teacher's house. I couldn't play it at that time, but I watched it secretly. We are a little worried and scared, which is the most unforgettable. The Story of Autumn Chrysanthemum has made great strides in Venice, drawing three works in succession, which is not so much enjoyable as pleasing to the eye. From then on, I went to work, and my economy was independent, free and increasingly stable. Watching movies is no longer a luxury, but a habit, a way of life and a part of the spiritual world. I lingered in the theaters of art, Uniqueness, Cathay Pacific, People's Liberation Army, Xiangyang and Victory, and became a UME hardcore ten years ago. I am the first VIP in Chongqing, and the number is less than 100. After experiencing black and white color movies, 2D, 3D, IMAX, now China's giant screen is opened, 4DX, and the movie experience and enjoyment are changing with each passing day.
What shocked me most in Zhang Dao's works was the debut novel Red Sorghum, which was vigorous and hearty.
What I admire most is hanging red lanterns-extremely cold and ingenious.
What I admire most is the Story of Autumn Chrysanthemum-its self-subversion, frank recording style and Gong Li's deity.
What I respect most is Alive, its epic masterpiece, which made Ge You.
The most romantic thing for me is my parents-its simplicity, sincerity, cleanliness and purity, and the rise of Ziyi.
What excites me most is Hero-its blockbuster mode is groundbreaking.
I am most happy to return-its true love is Jane, don't forget your creativity.
What I believe most is "The Great Wall"-its international style leads the film industry to leap forward.
I like watching movies, not just by myself, but also by watching and sharing with others. I dodged tickets when I was a child. When reading, invite students to watch it together. If you have money occasionally, invite three or five students. Work and marriage often drag down the whole family. My daughter is a fan and I am a hardcore daughter. I saw the Great Wall twice this time and recommended it to the team as a self-cultivation textbook. ume designated exchange coupons were also issued.
In fact, I don't have any big pursuits and hobbies. I always want to be independent, persistent and small. Food and clothing are not extravagant, and it has nothing to do with gambling drugs. Take a walk, take a walk, smoke a cigarette, drink a glass of wine, and dare not ask for anything.
I love reading and buying books all my life. I have subscribed to Film Weekly, Wen Hui Film Times, etc. And I have never stopped reading magazines such as Film Review. He never put down what he wrote and what he wrote. I have always liked washing dishes, and Zhang Dao's works are not rare in thousands of books, such as Alive and Hero, which have many versions. Persistent code words, poems and essays emerge one after another, and there are only a handful of comments on Zhang Dao's films.
Gao said that Zhang Yimou kicked three doors: award-winning films, commercial films and international blockbusters. It is incredible that a person, in a field, can do such a thing and be called a hero. One person can achieve three things, one is more magnificent than the other. Everyone in China has this. How can you not respect and love it without a thick gift?
Scold or praise? Black or black. The work is there, it can't be changed, it has been shaken. No matter the noise, no matter the noise, everything needs time to test and history to draw conclusions.
I have this complex. Zhang Yimou's stubbornness has penetrated into the bone marrow, and I'm afraid I really can't change it, at least not in this life.
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