Tango Love Video Appreciation

Fragment 1: Tango is gorgeous, and it is the expression and response that can only exist in drama. But no matter how you look at it, tango is like a war between two people. One side is aggressive, while the other side moves forward and retreats freely. They make a grand appearance amidst a string of dull piano sounds, and all or should have a tacit understanding intertwined in each other's eyes.

Fragment 2: Speaking of looking forward to life, the original restraints disintegrate piece by piece in the tango, and an ambiguous feeling is brewing little by little. In the end, they couldn't wait until it exploded - they didn't have such a long time, nor did they have such endurance.

Fragment 3: Powerful arms - sure long legs - swimming thoughts - frozen in a firm end.

Fragment 4: Tango has a tragic beauty when danced in groups. In the uniform dance steps are the origins of their respective throbbing. There is a tango section in the film where two men are leading the dance - dancers in black and white, spinning and leaping, like a competition between strength and strength, and the group of dancers quietly retreat. The dance between these two men is the most beautiful part of the film - because of its ruthlessness, tango is purer and more powerful.

Fragment 5: It was my intuition that guided me to write these fragmentary images. Each sentence is relevant, but when put together, it seems to be floating and careless. There is only one sentence, and after thinking about it for a long time, I still can't confirm it - dance is about the soul, but it is far away from reality. The film "Tango Love" is immersed in a warm light from beginning to end - dawn red, bright pink, bright yellow, and the most common is wine red, the kind of flaming red.

I have never set myself on fire, even though there are sparks of heart-to-heart collisions, and even though there is the light of inspiration to explore in the darkness, they cannot reach the burning point.

The director uses the unique fervent passion of tango to set off the calm thinking about life and love. In the director's presentation, "red" is calm, calm, and the background of life, just as he said with the original intention of the hero - to let the color roam in time.

The slideshow on the stage background brings out the rich style. The red exterior walls, blue windows, and brown crowds are more than just pleasing to the eye. The world created by light and shadow is perfect.

In another world dominated by tango, men and women chase, or hide.

It is obviously a tango movement, but it has been arranged and extended by the director, injecting pervasive confusion into every note. The music scattered in the plot is a little uneasy and a little nervous.

Mario is always chasing, but he doesn’t know what he is chasing? So he just chose what he could possibly catch. He lets go of those who must end in failure.

His arms are always empty. Although he longs for a moment of warmth, all he can embrace is his own movie, only the tango in the movie. Song after song, game after game, Mario transforms tango into endless tricks - with the help of slides and fans, adding plot and mood. How can this be contained in a dance?

But Mario did it. He created a different kind of tango according to the ideal blueprint. Some people say it is good, some people say it is bad, but it doesn't matter. He thought he had composed a dream far away from reality, using the bodies of actors and dancers to soar outside the orbit. In this sense, he is a man who regards tango as his life.

All he hears are outside sounds, and he only focuses on his inner world. On the eve of his coming together with Irina, Mario said: "I am a lonely animal, one of the ancient lions, roaming aimlessly on the African savanna."

Who is not a lonely animal? He just said it. He and Irina are not on the same path, although they are equally infatuated with tango.

In a magical and exciting dance, Irina saw the suffering of everyone in the past. Although it did not belong to her, she felt the same pain. The moment she fainted on stage, she became a dancer dancing with her heart.

Even among the two beauties, the actor who plays Mario is not inferior. He opens up the sky of the film with a pair of eyes immersed in thinking - he hesitates - he wanders - He also wants to love - but he is lonely - in his performance, we can find the unique flavor of European movies, which are famous for their profoundness. He uses the smallest, even trivial expressions to reach the simplest and purest part of human nature. of the core.

This movie should be said to be smooth, but it requires the viewer to imagine as the images unfold.

Paired with the tango is gorgeous, literary dialogue. This is a movie full of literati temperament. The director focused on expressing only the dance, and he hid the indescribable parts in the rhythm and vibrato.

The singing stopped and the dancing fell silent. Realistic and unrealistic clues solidified deep in the stage. Is the background of the chaotic stage the gushing morning glow, or the setting sun like blood? The camera's crane slowly zoomed in. In that dark world, there was still the burgundy tango in my memory.

It does take some courage to carry out warm colors to the end. To embody desolation in warm colors can only be attributed to wisdom. The spirit contained in this film is mainly anti-violence. A considerable part of the film uses dance as a narrative. Dance is more lyrical, so the story of the film is relatively simple.

Laura and Mario break up, Mario meets Irina, and the two fall in love, but Irina's boyfriend is a mafia godfather who threatens her not to leave, and the film ends with an "unclear ending." The so-called "unclear ending" is different from the "open ending". With an open ending, the audience can imagine for themselves, and there are many reasonable directions.

At the end of the film, the dance sequence of "Immigration Tide" shows the dangerous ending of the love triangle, in which one party kills the one who betrayed him. This is what Angola might have done - kill Irina, but when watching this scene, he was worried and anxious for the character played by Irina, and shouted to stop it at the critical moment, which made him discover the true meaning in his heart. He also doesn't want his beloved to die. Although the story of the film does not continue, it is enough to show that Angola will no longer pose a threat to Irina, and Irina can be happy with Mario. Therefore, it is an unclear and unambiguous ending.

The spirit of anti-violence is mainly reflected in two parts. The first is the "Anxious Historical Memory" section. The cruel expression of war in the dance drama, the anxious red tones and the heart-wrenching music convey a suffocating restlessness. , achieved the purpose of making people hate war. The second is to rehearse the dangerous and murderous intention of the love triangle to make those who may be involved in this behavior realize the painful consequences of impulse, take the initiative to give up violence, and dissolve the violence in its budding stage.