What kind of videos can be shot with various cameras?

What camera is better for shooting videos?

The cameras needed for short videos have various recommendations for different budgets and different needs:

1. When the budget is extremely limited, using a new domestic flagship camera phone is the best entry choice.

2. For studios with a tight budget, Panasonic is the first choice. The mirrorless g7 can meet the needs of professional shooting.

3. If short videos are mainly played on mobile phones, not on computers or TVs. Then, it is recommended to buy a full-frame camera to shoot short videos. For example, Sony A7S2 and Sony A7R3 are both very good choices.

4. High-end production, that is, shooting equipment for radio, television and movies. There are specialized broadcast cameras, and there are specialized film cameras.

Short video is a short video, which is a way of disseminating Internet content. It is generally a video within 5 minutes that is disseminated on new Internet media. With the popularity of mobile terminals and the speed of the Internet, short, flat and fast videos High-traffic content has gradually gained favor from major platforms, fans and capital. With the emergence of the Internet celebrity economy, a number of high-quality UGC content producers have gradually emerged in the video industry. Weibo, Miaopai, Kuaishou, and Toutiao have all entered the short video industry and recruited a number of excellent content production teams to settle in. By 2017, competition in the short video industry has entered a fierce stage, and content producers are also leaning toward PGC-based professional operations.

Why are many short films and even some movies shot with Canon 5D2?

SLR video shooting was a whirlwind five or six years ago, and it has not ended yet.

In the past, it was very natural for a camera to take videos and a camera to take photos. They each performed their own duties without interfering with each other. Until the Nikon d90 added the video shooting function to the SLR camera (standard definition standard), the SLR camera has since then had the camera function. But what really made shooting video with SLR cameras a fashion was the Canon 5d2.

For the first time, Canon added the 1920×1080 high-definition video shooting function to the 5d2 camera. Originally, it just wanted to expand the application scope of SLRs and try to add some new body functions. It did not place any hope on such a function. What kind of follow-up reaction did it bring, but it was unexpected. The addition of this function made 5d2 a video miracle machine.

People have long been accustomed to the bland images shot by cameras, and they just think that the video only needs to be clear. However, some video workers suddenly discovered that the effect of high-definition video shot by the full-frame CMOS SLR 5d2 is simply like a movie scene. As beautiful as it is, the effect is much better than ordinary HDV cameras, so I gradually tried to use 5d2 as a video host to shoot some wedding films, and it actually achieved a huge market response. The dreamy shallow depth of field effect, high sensitivity, and beautiful picture colors brought by the full frame are all impossible to achieve with traditional cameras, because the CMOS sensor of a SLR is dozens of times that of a camera, and its depth of field, sensitivity, and The advantages in terms of color are huge.

As a result, wedding video studios headed by Mayadstudio in Malaysia began to use 5d2 as the main video model to shoot wedding documentaries and wedding short films on a large scale. Domestic teams such as 24G also started to use SLR cameras to shoot wedding films. It has gained great influence and achieved great commercial success.

Especially the weddings of celebrities such as Liang Jingru are also shot with SLR, which makes this shooting method become a trend. Some film schools and low-cost short film production studios have also begun to use SLR cameras. After the news spread that the Hollywood movie "Act of Valor" was shot with a 5d2 camera, the popularity of SLR video shooting reached its peak, and it quickly spread all over the world. became popular within the scope. Later, various TV media, advertising companies, etc. also joined the ranks of SLR video shooting. For example, in the famous "A Bite of China", in addition to the main model using a small movie camera, many shots were shot with the help of Canon SLR; many legal series SLR cameras were also used in the show's case restoration shooting.

The video quality of SLR cameras such as the 5d2 surpasses that of traditional cameras and achieves an effect similar to movie quality in terms of look and feel, but its cost is much lower than expensive cameras such as movie cameras Arri and Red. Model, only one camera can achieve such effects, which fully meets the needs of the civilian market. Therefore, high image quality and low cost have made SLR videos popular. In addition, because the camera is much smaller than a professional camera, in some movie shootings, the camera is used to shoot the required shots in places that are not conducive to placing the camera. Its flexible characteristics have become an auxiliary shooting equipment for movies. For example, some of the lenses in the "Captain America" ??movie used Canon SLRs.

However, shooting video with a SLR is far less comfortable than a camera. The body is held in a way that is completely designed for photography, and it is difficult to stabilize it stably. It is difficult for a single recording time to exceed half an hour, and the lens is stuck. The zoom effect, basically unavailable autofocus and follow focus, primitive recording function and lens noise recording, etc. are all shortcomings of SLR video shooting. It requires a large number of auxiliary equipment to complete video shooting, such as tripods, monopods, and stans. Nikon, slide rails, small rockers, radio microphones, etc., have to pay these prices in order to pursue image quality, but this has not stopped the popularity of SLR video. On the contrary, many manufacturers have seen business opportunities, followed the trend, and constantly improved the camera. The video shooting function makes the camera basically a two-in-one comprehensive product for taking photos and videos.

The trend of camera video shooting started by Canon 5d2 has become popular now. When cameras taking videos became a common phenomenon, products such as traditional DV and small high-definition were greatly impacted. The once main video cameras can now only specialize in corporate meeting video recording, course video, accompanying recording, etc. to record and long-term The civilian video market is dominated by time shooting (the professional field of television media is still dominated by cameras). On the other hand, in the camera market, powerful video cameras have appeared frequently, and there are many more models than in the era when the 5d2 was alone. In addition to continuing to carry forward the advantageous tradition of SLR video, Canon has added powerful video functions such as 4k resolution and full-pixel dual-core autofocus to the 5D4 model, allowing the SLR to continue to serve as the main model in the studio. It has also developed cinemaEOS professional video camera. The interchangeable lens series models continue to move towards the movie camera industry.

Panasonic gh series cameras have been a very competitive video model since the 5d2 era. The cracked gh2 mirrorless camera has high bit rate video shooting capabilities and was the only one in the field of camera video that year. A machine that rivals Canon. Now, gh has developed to the sixth generation gh5s, which no longer needs to be cracked by players to have super video capabilities.

Sony has always been a giant in the field of professional video. The professional movie cameras it produces occupy a place in the international film market. However, Sony was used to distinguishing between professional and civilian products, and its technology was never easily devolved; in order to To protect its own camera product line, it will never put high-end video functions on the camera. But the success of Canon 5d2 taught Sony a profound lesson. Since then, Sony has put various black technology video technologies on the mirrorless series camera a7s. High bit rate, log, professional encoding format, pp value adjustment, etc. have been put on the mirrorless camera one by one. However, it has missed the opportunity created by Canon. That video craze. Because of Sony's strong technical support, it has gradually regained some of the market eroded by Canon in the video camera market in recent years and regained some civilian market share.

Today’s video cameras are no longer the era of the 5d2. Each of the above-mentioned manufacturers has relatively complete video models, but it cannot be denied that without the video shooting mode pioneered by the 5d2, Maybe there wouldn’t be today’s competitive situation where cameras and videos are flourishing, and consumers might not have access to video cameras with good image quality, small size, and not too high prices. Perhaps they would still follow the tradition of cameras taking photos and cameras taking videos. In this sense, Canon 5d2 is truly a miracle machine!

Advantages of 5D2: Large format: Compared with the 2/3" CCD of broadcast cameras commonly used in studios and independent small crews, the full-frame sensor of 5D2 can easily capture shallow depth of field and blurred backgrounds. Movie-like picture; good low-light performance: equivalent to broadcast cameras, better than some movie cameras, which can save a lot of light when shooting, save money and trouble; rich lens selection: from cheap Canon red circle to high-end entry-level Zeiss CP.2 cine heads are available in various focal lengths and types, and are easy to buy or rent. Rich accessories: There are many various video and photography kits specially developed for the 5D2, from shoulder-mounted follow-up shooting to studio shooting. It has a complete range of large-scale shooting, and the price is not high; the format is flexible: the internal recording format of the fuselage is 1080pH.2648bit420, and it can also be output to an external recorder through HDMI to record 8bit422 intra-frame compression format (such as ProResHD422), and only requires a CF card. It can be recorded, and most post-production software also supports its encoding, which makes post-production very convenient; small size, light weight, and flexible: compared to movie cameras and shoulder-mounted broadcast cameras that often weigh 3-8kg, 5D2 is simply a blessing for crews who pursue lightweight; Photography function: The 5D2 is a camera, and it is one of the best cameras. Buying one can take pictures and videos at the same time, which is very affordable; easy to learn: Compared with the complicated operations of high-end broadcast cameras and cameras, the 5D2's video recording The functions are simple and easy to learn, and you don’t need to be a very professional photographer to take the shot.

Disadvantages (compared to movie cameras): poor image quality: the resolution is only 500 lines, which is the level of broadcast-level SD cameras; the latitude is only 7 stops, only half of the top cameras; the color gamut is only the rec.709 of a TV, and the color depth It can only reach 8bit, and there is no official raw format support. The external recording can be up to 422 lossy compression, and the frame rate can be up to 30fps. The jelly and moiré are obvious. The lens interface only has the EF version, and the sensor is full-frame, so it cannot use movie-standard PL lenses. group; the interfaces are too few and unprofessional, there is no HD-SDI, and no professional audio interface; the durability is much different than that of the camera, and it is not suitable for harsh working environments

Not all movies must be watched in the cinema. It stands to reason that not all movies must be shot with professional movie camcorders. Many micro-movies are even shot with mobile phones + stabilizers. As long as the script is good and the techniques are in place, it will be a good movie. Canon, Nikon, Huawei and Xiaomi are all the same

According to my personal experience, shooting videos with a SLR camera is particularly suitable for showing close-ups and scenes with relatively fixed characters or scenery, such as interviews with people. But SLR cameras are especially not suitable for shooting sports videos. After all, SLR cameras are used to take pictures, and their follow-focus function for videos is relatively poor. When shooting fast-moving people or objects, especially people or objects moving back and forth, they will not follow the focus, making it difficult to achieve good results. .

The video shooting effect of SLR cameras is now very good, especially the current mainstream flagship models, which already support 4k video shooting, and it is true 4k, and the effect is very clear.

I have organized some events, and I have also hired photography and videography teams, and they also use full-frame SLR cameras to record videos.

However, the 5d2 mentioned by the group leader must have been a long time ago, because if you use a SLR camera to record video now, it is really impossible to use it without 4k video. Including Canon's full-frame cameras 6d and 6d2, they can only shoot 1080p video. Flagship cameras such as 5d4 and d850 can shoot 4k videos. The advantage of 4k videos is that even if you capture 1/4 of the video, the output will be a standard 1080p video, which has a lot of room for post-production.

If I didn’t say anything else, everyone might think that the picture below is a photo, but in fact it is a single frame exported from a 4k video. It can be seen that his details are still very perfect.

And now there are more and more stabilizers on the market suitable for shooting videos with SLR cameras and mirrorless cameras. Both DJI and Yunhe brands have launched several SLR stabilizers. The stabilization effect of their video shooting is stronger than that of cameras. And for the photography team, since there is a SLR camera that can replace the camera to shoot high-quality video, there is no need to spend additional expensive money to purchase a special camera.

Because professional cameras capable of shooting movie-level images and images were very expensive back then, the 5d2 took the lead in pixel-quality cameras and low-cost movie-level cameras and achieved great market success.

First of all, the video capabilities of Canon cameras have always been excellent. This built-in attribute makes wave after wave of video creators choose Canon, and it snowballs.

Secondly, Canon's lens group can be used with some Canon cameras. This Nikon is simply incomparable (it does not have a camera).

Furthermore, Canon's menu design is more suitable for one-handed control. When shooting videos, the other hand needs to hold the shooting accessories, such as monopods, stabilizers, etc.

Finally, the size of the SLR determines its flexibility. Compared with large machines, small machines are still more flexible in some scenarios where there is no ground station. Of course, this is also related to other requirements of the picture, and it would be awkward to expand here.

Canon's 5D2, commonly known as the "Invincible Rabbit", has achieved a breakthrough in the function of shooting full HD (19201080FullHD) short films. Because of the wide range of lens options, combined with the large image sensor and large aperture lens, It can obtain a small depth of field and form a strong background blur effect; the low noise characteristics of the full-frame sensor enable excellent image quality for dynamic image shooting in dark environments; high pixels ensure the image quality of dynamic images, reaching High definition level. It is precisely because of its high playability and good practical effects that many short films and even some movies are shot with Canon 5D2.

In fact, friends who often play with cameras or camcorders have this experience. The photography level of a digital camera is relatively much better than that of a video camera. In fact, this is mainly due to the big difference in the internal structure of the two. However, although the 5D2 has strong camera capabilities, even better than many cameras, it still has a big gap compared with professional cameras. Therefore, the specific choice should be decided based on your actual needs and specific budget.

This is thanks to the development of the Internet age. It needs to be analyzed from several aspects. 1. From the perspective of movie audiences, people do not need to wait for theaters to print or TV stations to watch a movie. Everyone can You can watch your favorite movies on your mobile phone or computer. As the pace of life accelerates, micro-movies are born in response. The audience does not need to watch a boring and long movie. They can watch it on their mobile phone or computer, even in their free time while taking the subway. Being able to see it is something I never dared to think about before.

2. From the perspective of content producers, the threshold has been greatly lowered. In the past, making a film required a team of dozens or hundreds of people and a large amount of funds. Now it only requires a small team of three or four people and a small amount of funds. However, civilian machines like the 5D2 can already meet the effects of most traditional movies in terms of image quality, depth of field, etc., and they are not expected to be played on the big screen. As long as they can be watched on mobile phones or computers, the 5D2 can already Completely satisfied, it is naturally loved by small teams for low-cost micro-films. It is not surprising that 5D2 has become popular

3. In terms of machine investment and performance, traditional film and television machines are too large, too expensive, and difficult to operate. It is too professional and far away from ordinary people. However, civilian cameras like the 5D2 are easy to operate, especially the interchangeable lenses. You can easily create various telephoto, macro and shallow depth of field effects, and the price is not unaffordable. If it is relatively traditional For film and TV shooting machines, 70~80% of the effects can be achieved without spending too much money, so it is inevitable that SLRs will be popular for shooting movies

To sum up, the machine is cheap, performs well, and can satisfy the audience. The low cost of the team and the development of the Internet meet the needs of SLRs in the era of micro-films and short videos, and they will naturally become popular

Because this is the first SLR camera that can shoot 1080P high-definition videos. Setting a historical precedent for a generation. It was precisely because of this machine that the concept of micro-movies was born.

When the budget is extremely limited, using a new domestic flagship camera phone is the best way to get started.

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