Five Comments on Norwegian Forest

Norwegian forests run through the book, and the author has mentioned them many times. "Death is not the opposite of life, but a part of life." The structure of this book, as the author said, does not end in death. The following is a model essay on the book Norwegian Forest that I compiled for you. You can share it if you like!

Comment on Norwegian Forest 1

At the beginning of the story, Watanabe landed at the airport and recalled his childhood, childhood playmates Muyue and Naoko. Muyue's suicide cast a gloomy color on the beginning of the story. Later, Watanabe was in a dilemma between Naoko, who was mentally ill, and Kobayashi Midoriko, who was lively and cheerful.

Naoko, a childhood friend, is getting farther and farther away because of his untouchable memory. The appearance of lively Qing Zi is undoubtedly Watanabe's salvation, but on the other hand, Watanabe can't fully throw himself into Qing Zi's arms, and his heart will always retain Naoko's position. This is a touching and gentle novel by Shu Ya, with a little sadness. You will get lost and think, but it may be easier to get lost after thinking. You don't know if you can fully understand. Every time you read it, you will have new thinking and understanding, just like falling into a whirlpool. When people are young, they are impulsive and desperate. As time goes on, some things become more and more clear as time goes on. If you want to escape and forget, the more it approaches you with an irresistible force, so you have to open your eyes and see clearly, embrace and accept it with open arms.

When Haruki Murakami wrote Norway, perhaps he was bound by such an untouchable force and had to face his innermost memories and thoughts and write this story. Through the plot gathering, depicting the heart and looking directly at the self, I calmly described the growth story of this youth mixed with pain.

There seems to be a power. From the moment you open the book, this force pulls a thin line from your body. Every time you read a plot, a paragraph or even a sentence, the longer the line is, until your body is gradually pulled away. If you want to give up halfway, this thin thread will twitch your heart from time to time. I suggest you visit Norway. You couldn't understand it when you were young. Maybe in the future, you can read it with the author's affection and feelings, and you can understand more.

Thoughts on Reading Norwegian Forest 2

The road is gradually gone, but my heart is still struggling. This pain is like a baby leaving its mother's abdomen. It takes several times to cry to prove that it really exists, so it is so painful.

Naoko sobbed silently like this. Although she wanted to cry loudly, a woman's vanity was stopping her, and she didn't want to be the object of ridicule. The only thing she can do is to suppress it.

I once said that I used to live like this, and I can only live like this in the future. Once relaxed, it is irreversible. Yes, once we relax our goals today, there will be no hope for the future. I live for that illusory fantasy, although I may never finish it.

I like Naoko, I like Watanabe, and I like Norwegian forests. This kind of love makes me feel lost, because no one can let me know that as long as I follow him, I won't fall into the dry well, because no one can love everything about me like Naoko Watanabe, including thoughts, including words. So in that place, in that dark and humid dry well, a person struggled to die alone.

And my memory will eventually turn into a pool of mud in the darkness of the memory pile.

I always like to describe death, the helplessness and relaxation at the end of my life, the unspeakable mood. I can neither put it out nor hide it in my heart. So I can only suppress my fear of death and turn it into my words to prove my purpose in this life.

Love is such a profound word, but it has been desecrated by countless people. I love it because I appreciate it. Women love it because of worship, but at this time it is so empty. Everyone is ordinary. Ordinary is like a blank page. Turan has a forgotten loss, but it is just an irreparable blank. Like a lost soul, wandering in the dark and heavy night.

Yongze said: "Life does not need such things as ideals. What is needed is not an ideal, but a code of conduct. " He added: "A gentleman is what he should do, not what he wants to do." However, in our society, in such a cold crowd, there is only the warmth of the internet, but there is no need for a gentleman. We just need a real man, a single man with flesh and blood, love and hate, and so on.

It is precisely because of this that the shadow of death invades the territory of life step by step until it perceives darkness and can't see anything. This kind of regret is useless. So Naoko died, and Watanabe personally sent his beloved Naoko to the grave and sent him to Muyue's side.

Thoughts on Reading Norwegian Forest 3

"Really never forget me?" Naoko whispered.

"I will never forget it." I said, "How can I forget you!"

The author's brushwork developed in Japan in 1950s and 1960s. Junichi Watanabe, the protagonist, is in a painful and confused situation because of the death of his good friend Muyue. During this period, two women gave him different sensory experiences, one was Naoko, who was as soft and pure as an angel, and the other was Naoko, who was as lively and vivid as a deer. Naoko finally couldn't live in harmony with the world and chose to commit suicide. Watanabe, who loves Naoko deeply, will live with Yoko with irreparable grief. The description of youth in the book is like a forest full of mystery, attracting readers from generation to generation to set foot in it, and the classic charm is so dense in people's hearts.

Naoko walked with Watanabe every weekend before entering the nursing home. Really walking, silently walking on the streets of Tokyo, with no purpose. Two people share the confusion and confusion caused by Muyue's death. It seems that the original fresh and bright years were instantly stained with thick gray, but youth and frivolity bear the weight of Where Are You Going? Only keep walking until we forget it. Naoko "seems to be forced" to be 20 years old, but he can't break the barrier between himself and the world. She chose suicide to end her life. For Naoko, death is not the opposite of life, but a part of life. Born on one side, died on the other. I'm here, not there.

Green children are like deer in the spring sun. So I broke into the world of Watanabe. She has the freshness and publicity of a girl, but she has also experienced a series of family deaths, and also has an optimistic and tenacious personality. I remember when Watanabe went to the hospital to visit Qing Zi's father, she showed her confusion and resistance to illness and death, while Qing Zi showed her calmness that she didn't belong to a girl. Maybe she is used to the scene in Where Are You Going, or maybe this strong girl has taken death as a part of her life. Lively and tenacious, like grass full of vitality in spring, it always makes people feel inexplicably distressed. For Watanabe, Naoko belongs to the past and green belongs to the present and the future. The appearance of the green child is like a bright spring, which makes the haze of Watanabe's death suddenly disappear, as if it were a bridge connecting himself with the world, so that the gap between Watanabe and the world no longer exists and he can get along with the world smoothly. In the world described by the author, everyone has his own strong fortress. Some people open it in Daimon Masaru, some people peep at the world from the window, and some people simply block the castle. Gentle or cruel, these are the faces of life, and who is qualified to comment on these lives that should have different postures?

There are also some unknown characters in the book, which add a lot of color to the story. Watanabe's roommate is nicknamed the death squad. He must do broadcast gymnastics with jumping every morning and live a diligent and regular life like clockwork. Because they are out of tune with the people around them, they are often laughed at by everyone. But who is qualified not to respect such a serious life? Yongze is a rare "excellent" character in the book. He has a good family and excellent grades. He seems to be the person who can get along with the society best, but he is actually fighting against the world in his own way. He doesn't care about other people's eyes, and his lifestyle is very casual. It is also because some people have become friends with Watanabe. Although Naoko's sister and Chumei are outstanding models in people's eyes, they have also embarked on the road of no return because of the intractable knot. Different roads lead to the same goal.

When I close the page, I have a surging impulse in my heart. In the confusion and confusion of Haruki Murakami, we touched a delicate and sensitive heart, just like ourselves. No one's youth has experienced such a struggle and confusion. Only in this way can a young body gradually mature in pain and gradually realize the grandeur and grandeur of life. Just like a ship sailing in the vast fog, it can finally find the bright sunshine. The ship is still sailing calmly at sea, as if it had never been hurt. Everyone in the story seems to have found their own shadow, which is their story and our life. Naoko, Lvzi, Watanabe, Reiko Kobayakawa and Yongze, they seem to be themselves on the other side, talking to the world with expressions that we can't express, and continuing to walk with a stubborn attitude. I live on the other side in the deep and silent forest.

Reflections on Norwegian Forest 4

I opened the book and saw my mottled youth.

Who hasn't had lost youth? Doubt the friendship of friends, ignore the affection of parents, and question the meaning of existence and the truth of the world. I don't know where the road ahead is, I can only believe in myself, and I am curled up tighter.

People live in the world, but they are lost in the future, entangled in emotions, hovering over success or failure, and detached from life and death, all from one stage to another. In today's society, at the age of eighteen or nineteen, we have been exposed to everything and are deeply involved.

In the eyes of others, we are just talking to ourselves and moaning. "How can so much pain fall on you? When you grow up, you will know that there are more cruel things in this world! " It is true that in the eyes of others, these inexplicable sorrows are useless and boring. But for us, we are tired of being entangled in all kinds of puzzles and entanglements. How can our pain be lighter than others?

Suffering from these hardships, no one told me that I walked alone on the road of growth and met the Norwegian forest.

From the book, I saw myself and the truth of traveling through time and space.

When I first read it, I saw the decadent life and thoughts in the eyes of the world. The protagonist Watanabe doesn't care about tomorrow and is indifferent to most people. He walks at his own pace, usually goes to college, stays in the dormitory to wash and dry clothes at weekends, goes to work at night, and so on. It doesn't matter whether this kind of life is good or not, and no one is qualified to point fingers at other people's lives. It's just that I think it's really valuable to be able to maintain my personality and beliefs without being influenced by the surrounding environment and secular concepts. This gives me a deep feeling.

I also saw the bitter love-hate entanglement. Watanabe's feelings are entangled in the past and reality. On behalf of Naoko in the past, Watanabe's feelings for her are very complicated, including not only the desire that existed when she was a child, but also the sense of responsibility that she consciously thought she was entrusted by her friends. The proportion of truly calling it love is not high. After Naoko was hospitalized, Watanabe got to know Qing Zi, who represents reality. Unlike Naoko, Qing Zi is full of energy and enthusiasm for life, and is a role that everyone loves. Watanabe was also deeply fascinated by her and was embarrassed. He can't choose between the two people who show love, which shows his indecision.

I saw myself when I read again. Similar to Watanabe, he is not very enthusiastic about life, advocates letting nature take its course and is not good at dealing with interpersonal relationships, resulting in few friends. But it is such a self that has passed smoothly for 18 years and will continue to live indifferently. After reading Norwegian Wood, I am not only sad about the ending of the story, but also full of hope for the future.

By the third time, I was no longer limited to looking for anything from the specific plot of the story and the modality of the characters. The story told in the whole book and the thoughts the author wants to express. I realized that "death is not the opposite of life, but a part of life." Indeed, what is a person's birth and end? If a person dies, does he really disappear from this world? Memories of relatives and friends, things left behind, are traces of this person's life. Is the disappearance of the body really a sign of the end of life?

I also realize that the so-called youth is a proposition that runs through all ages. The confusion, helplessness and melancholy of youth have never changed, whether in Japan in the 1980s when Murakami wrote Norwegian Forest or in China in the 2 1 century. This proposition will continue to puzzle millions of young people and compose a touching song of life.

I closed the book and looked at the blue sky and the distant future in the sky.

Thoughts on Reading Norwegian Forest 5

Everyone has a nostalgic mentality, especially when he is lost. A person has experienced many personnel changes, and his mentality should be relatively peaceful. The most unforgettable thing is his youth. A familiar song will remind us of the boys (girls) we liked in those years, and the same scene will also remind us of the stories of those years. No matter what kind of person, successful or unsuccessful, man or woman, there will always be a memory in the deep heart.

So if I remember correctly, the novel doesn't describe Watanabe's life in detail at the beginning, just because the sentimental tune reminds him of the past. For the full text, I have the impression that the problem is mainly classified into three points:

1. Most of the content in the novel is about Watanabe going to high school. I don't think it is a good thing for a high school student to relieve his depression and loneliness through sex. I think that physical venting can only alleviate temporary confusion, and can't completely get rid of depression, but it will produce dependence. Just as people who can't stand pain use drugs to relieve pain, they can't solve it fundamentally. I remember that after Goethe wrote Young Werther, many young people chose to imitate Werther and commit suicide. It seems that the guiding role of literature cannot be underestimated, so when our literary critics try to raise the value of this work, have they considered the possible negative effects?

2. Of course, there is no fixed evaluation standard for whether Watanabe is a good student, but a student whose parents have worked hard to send him home to study has not focused on his studies, so he might as well tell his parents not to waste their hard-earned money. So from this perspective, Watanabe's depression is extremely immature, and it is completely an adolescent syndrome.

Some people think that when a person is afraid of the real society and can't escape, he has to choose death. Straight is to do so. Of course, Watanabe didn't do that. He chose to wander for a month, which was an escape. But then I came back. It wasn't an escape. This is also the life experience of most of us.

In fact, aren't we all passers-by? I see Watanabe from the perspective of passers-by, and vice versa. The complete tacit understanding and communication between people is like an illusion. How should we evaluate a literary work? Is it really perfect if everyone applauds? I think the perfection of human nature lies in its truth: advantages and disadvantages; Sound, incomplete; Rationality and sensibility; Awake and confused; Wait, wait, wait.

So what I see is a real Watanabe. I am sad because I am young.

Every literary work more or less reflects the society and times. I don't know the specific situation of Japan in the 1960s, but I think the reason why Watanabe is so depressed and lonely must be inseparable from the background of the great era. The depression of society naturally makes people decadent. I can't understand Watanabe's behavior at that time. I am afraid this is the so-called generation gap!

I didn't ask everyone to accept my views on Norwegian Wood, just as you can't force me to accept your views. Knowing people is as important as discussing the world, just as Marx said: People are the sum of all social relations. It is impossible for people to exist independently from society, so people's thoughts and behaviors are bound to be influenced by the times, so Watanabe's loss and decadence have their reasons and rationality.

"A thousand readers have a thousand Hamlets." There has always been a question that bothers me, that is: who made this novel surface and shine like a crystal in the sun? If it is really Murakami's own strength, I think many good writers should know that many masters' works were ignored at first, such as Picasso, Kafka, Stendhal and so on, because a famous critic discovered gold and exposed it in the dust, and then everyone discovered it. It seems that Bole is still quite important.

We know that a literary work must be handed down from generation to generation, and the author, readers and comments are indispensable. If a writer's words are like an eagle, then readers and critics are the wings of the eagle. Only when they are strong enough can they fly higher and farther. Therefore, it is a question whether our critics evaluate Norway's forests comprehensively. At least I didn't see any bad comments about this book, perhaps because I was short-sighted, but I would like to see more people comment on it. You like it and I don't like it. You can't accuse me of being shallow. Only when we express our opinions and let a hundred flowers blossom can there be love.

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