Maggie Cheung has five beautiful wireless devices:

Maggie Cheung is a famous actor in Hongkong, China. 1964 Born in Hong Kong on September 20th. He started his career with the "Miss Hong Kong" runner-up and the most photogenic miss award. Later, he appeared in many TV series and won many film awards with his excellent acting skills. Up to now, she has won the Hong Kong Film Awards and the Taiwan Film Golden Horse Awards for Best Actress: 5 Golden Horse Awards for Best Actress and 4 Golden Horse Awards for Best Actress. In addition, in 1992, she won the Best Actress Award at the 42nd Berlin International Film Festival for Ruan, and in 2004, she won the Best Actress Award at the 57th Cannes International Film Festival for what if I miss it. Maggie Cheung has won the Best Actress Award in international film festivals for many times, so she has a certain reputation in the world. Early Experience Maggie Cheung was born in Hongkong, and his ancestral home was in Shanghai. When I was 8 years old, my family immigrated to England. I spent my childhood and adolescence in England. I study in a middle school in Kent, England. My childhood dream was to be a barber. 16 years old, working as a clerk in a bookstore in London. 1982 During the summer vacation, when I was traveling to Hong Kong, I was inadvertently taken by advertisers and started to work as a part-time model. 1983 years old participated in the "Miss Hong Kong" beauty contest and won the runner-up and the most photogenic miss award. In the same year, he represented Hong Kong in the Miss World beauty pageant in Britain and was selected as one of the top 15, and then he began to enter the film and television industry. Initially, he signed up as an actor in tvbi and participated in shooting many TV series, the representative of which was the classic wireless TV series "Xinzha Brothers" (1984). His other TV series include Draw a Rainbow (1984) and Wulin Family (1985). Editing this experience In May 2004, at the 57th Cannes Film Festival, the best actress came to the stage to thank her: "This is the most unforgettable moment in my life", which has the charm of the East and the brilliance of the West. Conquered fans all over the world and "murdered" countless journalists' films on the spot. This is Maggie Cheung. A woman with a thousand amorous feelings on the screen. A woman who has been practicing from vase to shadow in years and scenes. A woman who is calm and elegant, simple and natural, and exudes unique charm from the depths of life ... Some people say that Maggie Cheung is a cat, and her eyes are always shining. Some people say that Maggie Cheung is mint, and her smile makes you feel cool anytime and anywhere. Some people say that "Maggie Cheung" is a short essay, light and implicit, concise. She dived into the hearts of countless people, always smiling and beautiful. She is your closest relative, but she plays hide-and-seek with you year after year ... 1983, on the beauty stage. Maggie Cheung was born in 1960s, and went to England with his family at the age of 8. Arguing with loveless parents on the British island until they grow up, and then working as a clerk in a bookstore in London. At that time, she thought it would be great to be a model in the future 1982, she returned to her birthplace, Hong Kong, to visit relatives. When she was shopping with her mother, she was photographed by an advertising company and stayed as an advertising model. 1983 participated in the Hong Kong Sister Competition and won the runner-up overnight. From 1984 to 1988, Maggie Cheung performed nearly 30 films. At the same time, he worked in five crews, especially 1988. She finished 12 movies, nicknamed "Zhang Yidao". Tony Leung Chiu Wai, who worked with her in the wireless drama "Brother Xinzha" in her early years, also didn't think highly of her: "I didn't expect her to get ahead by acting in the future." At that time, people who liked her only knew that she was a Hong Kong sister, a beautiful symbol in early Jianghu films or comedies, with high output but not deep impression. She can't be naive anymore. What she wanted to do at that time was to prove that she could act. From 65438 to 0988, Wong Kar-wai filmed Tears and asked her to play the heroine. Wong Kar-wai's unique film style completely changed Maggie Cheung's understanding of film. She said that she began to really understand the performance. 1989, Maggie Cheung won the Golden Horse Award and the Best Actress Award for "People in new york", which was her first film queen. At the age of 26, she won the Golden Horse Award for Best Actress for Ruan. Later, she won more and more film awards. It is different for people to see her again on the big screen. The image of the superstar gradually emerged. She squinted at Tony Leung Ka Fai's phoenix eye and said: I have the secret passage; Or wear a high-necked cheongsam and cut steak with Tony Leung Chiu Wai, saying: Actually, I can eat spicy food very much. This is the same Maggie Cheung, but this turning point is so silent. From the "New Longmen Inn" with gold inlaid jade to Su Lizhen in Shanghai, from the acting school with vigorous movements to the Tibetan school with natural beauty. Looking at Maggie Cheung quietly, you will find that she has an irresistible charm. Not beautiful, not slender, and not stupid. When you get close to her and feel her, you will really feel that the real beauty is the light from the inside of life, and occasionally it is amazing and romantic. It started with a purple flower among the flowers, and finally became the most essential drop of golden nectar-such a beauty is the footnote of a western proverb: the so-called beauty is carved by time. Ruan 199 1, decorated by Ruan. Under the background of Shanghai School's improvement of cheongsam, and Ruan's clothing and sideburns overlap, becoming a leader in retro style, with a touch of intimate alienation and warm sadness throughout. No matter how nostalgic and exquisite the art is, no matter how clever the lens is, no matter how simple the lines are, no matter how attractive the structure is, no matter how intriguing the idea is, it can't compare with a woman's low eyes and graceful demeanor. A perfect foxtrot, a wonderful passage in the history of film, conveys the past of beauty singing. When we arrived here, in addition to colorful celebration banquets and dazzling golden statuettes, we also completed a turn of Maggie Cheung's eyes, and behind her was another woman's faint sigh. Don't wake up, you are a dreamer. 1992 Xinlongmen Inn, decorated with gold inlaid jade. In the desert washed by the north wind, there is only one proprietress, who is comfortable among various forces and rushes out a world in the vast yellow sand. After The World of Red Dust, Maggie Cheung and Brigitte Lin confronted each other again, and Xia Qing was limited by her role. Although she is beautiful, she has no lasting attraction. In contrast, Jin Xiangyu's fiery personality adds a lot of color to Maggie, and women's arrogance is obvious here. Whether passionate or unrestrained, it is difficult to hide her outstanding edge. A handful of acting skills have added a bit of richness and calmness to the martial arts disaster of Blood Staying, and coquettish is also the ultimate. A black shop owner propped up a weak body with strong ideas, neither black nor white, permeated with a woman's lonely pursuit. Then, like a phoenix flying out of the fire, she fell in love with someone without hesitation. A woman's pride and persistence, if she can afford it, will never be put down. In the depths of the sunset, a hero set fire to his body and worked hard. With a sword of justice wrapped three feet around his waist, he was full of tenderness, which was a soul-stirring. 1993 green snake, decorated with Xiaoqing. In the sea of love and hate, who can resist the charming temptation? The starlight of the floating lamp illuminates the love that came a thousand years late. At the risk of being subverted, it made a lingering scene on the West Lake. As always, the white snake walks on the life cycle of its own choice, while the wandering of the green snake is always like a child who is unwilling to be lonely. Once it turns around inadvertently, it suddenly becomes popular. A deconstruction of the legend of the white snake fulfilled the long-cherished wish of the green snake and formed a doomed love. When the twisting of the waist and tail of the two sisters on the West Lake has become a thing of the past, Xiaoqing's infatuation with the undercurrent of Xu Xian is just a punishment for the white snake to forget the sisterhood, a propaganda demonstration, and a misunderstanding for 500 years. And the point of no return that the white snake set foot on urged her to go on. When the flood flooded Jinshan, Xiaoqing waved the flag and shouted, letting them bury the hatchet and keep their hearts together forever. At this level, Fahai helped the two sisters, resolved their grievances and forged an indissoluble bond. Xu Ke, on the other hand, holds the complex psychology of exploring the delicate world of women's affection, friendship and love, and vows to reveal the intertwined love and hate between women, thus brewing the doomed love between Green Snake and Fahai. When the dust settles, I know that in the bamboo forest, every year is for love. Who knows? Who knows? The Grey of Time (1994) is decorated with the unknown woman in red. The ashes of time washed away the burial of yellow sand, and the fleeting time carved by wind and rain accompanied the beautiful figure on the white camel mountain. Few people understand the true meaning of a flower and a desert, a sword and a river and lake. Year after year, she always wears a red shirt and stands on white camel mountain's head, looking west, and there are people far away who have to wait for her all her life. People who know how to love are as desolate and lonely as those who know how to hate. They will never forget jealousy or loneliness. Maggie Cheung knows best how to understand a woman's loneliness. Two proud lovers want to know that the other loves them more, so the hurt of love is always so dripping. Until I knew I couldn't go back. A war without winning or losing. Abandon yourself in the shadow of love, let the love hurt you are brewing pierce yourself first, and then sting him, so as to support your arrogant and vain self-esteem in front of your lover. In quiet rivers and lakes and lonely deserts, can the ashes of time melt a love? 1996 sweet honey, decorated by Li Qiao. Without Li Qiao and Li Xiaojun, how many marriage fans, Maggie Cheung and Liming, will Hong Kong films lose? Painful and happy love and affection have always been the eye-catching lens, especially the love that blends in with the changing background of the times, and the joys and sorrows are all in people's hearts. However, the destination is never the final destination. This is rootless. The rootlessness of human beings is reflected in love, which is nothing more than wandering, meeting, missing, and meeting again, and things will be different. Hong Kong people's "1997" mentality is vividly displayed under the lens of Chen Kexin. Psychologically speaking, people are often unchangeable and pure in love, but in reality, it is difficult to do this. Too much traction makes love grow in weeds and impurities, like Li Qiao and Li Xiaojun, until things turn around. I can't forget that Li Qiao was lying helplessly on the steering wheel. Maggie Cheung looked at Li Xiaojun, who was fading away, and then at the three words on the white shirt-"Teresa Teng", which was a symbol of their love. 1997 Song Dynasty, decorated by Soong Ching Ling. Who would have thought that a Hong Kong sister could interpret the broad mind and strong belief of Chinese mother so vividly? Maggie Cheung's steady turn this time has made her a "big Tsing Yi" in the film industry. This is a drama, not a historical documentary. The mother of the country is solemn in nature, but she was not born to shoulder the heavy responsibility of the country. The mother of the country also has her own childhood fun and teenage troubles, including the romance of youth and the dignity of middle age. This requires a process. Maggie Cheung is the person who grasps this process attentively, and smoothly and excessively interprets the ups and downs of a life legend, without being calm and grandstanding. This is the second film that Maggie Cheung returned after a short rest, which just allows her to patiently experience the different feelings of stars and ordinary people. She can truly show Soong Ching Ling's frustration and helplessness when encountering setbacks, and completely interpret the pure warmth behind a great woman's sense of national responsibility. It is said that there are three sisters, one loves money, the other loves patriotism and the other loves power. In fact, only they can understand the true meaning of that unnecessary feeling. In the Mood for Love 2000, decorated by Su Lizhen. What a beautiful day. After thinking about it, this sentence can best convey the charm of In the Mood for Love. As beautiful as flowers, colorful flowers are everywhere, all paying for the ruins of broken wells. Maggie Cheung-style look in all directions, linger, and engrave the amorous feelings of women. The high collar supports the proud self-esteem, which is as crystal clear as snow sculpture, as delicate as jade, and tangled into the dilemma of ticket. Happiness seems to be only a stone's throw away. It seems that when he gets up his courage, it is not the time to say it. A lonely and cautious carnival, the spirit of tango is long. Sorrow, bitterness, joy and joy all stagnate in Maggie Cheung's unhappy face; To say, will be submerged in the eyes of Tony Leung Chiu Wai. Not so firm, not so strong, everything comes calmly, but only in the mottled and silent Angkor Wat, whispering unknown secrets. Yan came late and flew into the west side. As if spring comes late, there is always a beautiful silhouette beside the swaying curtain. It has existed for a long time ... Editing this paragraph, the new love broke up. Maggie Cheung, 46, has been dating her boyfriend ole scheeren, a German architect who is seven years younger than her, for nearly four years. Unfortunately, Ole Beijing recently hooked up; Maggie Cheung has moved out of Beijing's love nest to avoid thinking about things and people. A few days ago, she sneaked back to Hong Kong. She was still skinny under her loose clothes, and her "neck" and "bone claws" all came out! Maggie Cheung and Ole have been in love for nearly 4 years, and they attend public activities together from time to time to bask in their love. In the early days of dating, Maggie Cheung made no secret of his desire for marriage, and everything was planned. However, according to the latest report of Dongfang Xindi in Hong Kong, Ole was accused of having an affair with a 30-year-old Chinese female designer in the middle of last year. In order to crush the rumors of breakup, Maggie Cheung made a rare appearance with her boyfriend. Unexpectedly, Ole was recently kicked out and hooked up with a 20-year-old female colleague in the office, so she had a big fight with Maggie Cheung. A few months ago, Maggie Cheung changed his mind 360 degrees, saying that "there is no wedding plan at all" and even admitted to breaking up. Excessive diet led a friend of Maggie Cheung to reveal that she ate salads, was vegetarian and smoked. She only stayed in Hong Kong for a few days, and then she will visit Sichuan with a charity. "Maggie Cheung is learning to slice. She is very active and always wants to hide behind the scenes. After breaking up, watch her slim down. She only eats salads and smokes. She said she wanted to get back together, but she was in a bad mood and couldn't eat. We are worried that she will be anorexic, so this time her sister asked her to go back to Hong Kong to meet her anyway. " After breaking up, Maggie Cheung would go back to Hong Kong to play alone from time to time. In June this year, she appeared at the airport, covered her "root neck" with a silk scarf, and her sternum suddenly appeared. Her arm is as young as a stick, and she ignores the fading of old nail polish. After a generation of film, beauty is greatly reduced. At 6 o'clock in the morning on the 24th of last month, she returned to Hong Kong from England alone, dressed in black, white and gray, with her hair tied up at will, and her figure remained the same. Unfortunately, her figure is thin, and she has obviously lost a lot of weight in a few months. She walked more wobbly, like a "paper man", paler and more like dying embers. Maggie Cheung's sister was waiting at the airport. When she came out, she couldn't wait to bring coffee. The two sisters chatted for a while. There were not many people at the airport at that time, and Maggie Cheung and his sister were not recognized when they went to the parking lot to get the car. Maggie Cheung, 47, and German architect ole scheeren, 7 years younger than him, have been in love for 5 years. 20 1 1 In September, it was reported that he had left and Maggie Cheung returned to Hong Kong for healing. Unexpectedly, the plot was full of twists and turns. The latest issue of Hong Kong's "3 Weekly" directly hit the couple on a mountain climbing date. They clasped their fingers, and the man kissed Maggie Cheung's forehead romantically. It is reported that their relationship has warmed up after the storm. She is expected to wear a wedding dress again this year and become the bride of the Year of the Loong. Editing this screen career, Maggie Cheung first appeared on the big screen with the frog prince (1984), and then starred in the movies such as Christmas Adventure (1985) and Modern Fairy Descent (1985). During this period, she didn't need much acting skills, but her outstanding appearance and unique temperament made people shine, attracting the attention of a large number of audiences and film critics. Among them, the film "Fate" (1984) made her known as "the most promising actress" by film critics, and she was nominated for the Best Newcomer Award in the Hong Kong Academy Awards the following year. What really made Maggie Cheung famous was the girlfriend of detective Chen Jiaju (played by Jackie Chan) who she played in Jackie Chan's series Never Say Never (1985). This pure and lovely role made Maggie Cheung look particularly fresh and eye-catching in Jackie Chan's martial arts style. Later, she also participated in Police Story 2 (1988) and Police Story 3 Super Police (6544). Because of this, her series of films are widely known. However, she did not continue to participate in the shooting of the sequels of this series, The Simple Mission of Never Say Never (1996) and Never Say Never (2004). Before 1988, Maggie Cheung's roles were mostly defined as "attractive roles" or "vases". It was not until 1989 that she performed Wong Kar-wai's film "Tears Like Rain" for the first time (1989). In this film, she began to show her acting skills and tried to get rid of the cuteness and beauty left to the audience in the past. Maggie Cheung himself was deeply impressed by Tears Like Rain (1989) and regarded it as a turning point in his career. Whenever she is interviewed, she often talks about her cooperation with Wong Kar-wai. She thought this was the starting point for her real serious performance, and it was also from this film that her acting career was full of holes. Wong Kar-wai was satisfied with Maggie Cheung's performance in Tears Running (1989) and kept cooperation with her for many years, so Maggie Cheung was called one of the special actors in Wong Kar-wai. Wong Kar-wai and Maggie Cheung collaborated on 2046 (2004), In the Mood for Love (2000), Ashes of Time (1994), The Story of Teddy Boy (199 1) and Tears (650). At the same time, she is also one of the actresses who cooperated most with Tony Leung Chiu Wai, another special actor in Wong Kar-wai, because she studied at tvbi from 65438 to 0984 and participated in shooting TV series. She and Tony Leung Chiu Wai started to cooperate, so there was a tacit understanding. Maggie Cheung was also called his "confidante" by Tony Leung Chiu Wai. Their films include: 2046 (2004), In the Mood for Love (2000), Hero (2002), Ashes of Time (1994) and Legend of the Condor Heroes (65438+. * * * Co-starred in the TV series Brother Xinzha (1984). Excellent works began with Tears Like Rain (1988). Maggie Cheung pays more attention to the self-expression in the role when choosing the script, which also makes the excellent works continue in her works. 199 1 year, starring Guan Ruan (199 1), won her the best actress in Berlin International Film Festival (1992), and she became the first person to win the title at three international film festivals. After Ruan, Sweet Honey (1996) was directed by, which ushered in another peak of acting career. This literary film once again proved her acting strength. The film successfully quoted Teresa Teng's famous song "Sweet Honey", which tells the story of wandering people in China. It is also one of the classic films in the history of China films and has been widely praised. In In the Mood for Love (2000) in 2000, Maggie Cheung's beauty of modernity, elegance and maturity was once again affirmed. This unique nostalgic old Shanghai style also highlights Wong Kar-wai's personal characteristics as a whole. The film was nominated for the Best Film Palme d 'Or Award at the 200 1 Cannes Film Festival and won the Hong Kong Golden Bauhinia Award that year. Because of this, Maggie Cheung has won the Golden Horse Award and the Hong Kong Academy Award for Best Actress for many years in a row. Four years later, she appeared in Wong Kar-wai's 2046 (2004). In a few seconds, she played the same role as Su Lizhen in In the Mood for Love (2000). In 2004, she starred in olivier assayas's Clean (2004) and won the best actress in the 57th Cannes International Film Festival. Careful Choice With years of struggle in the film industry, Maggie Cheung has gained more opportunities to participate in international film production, but she has high requirements for scripts and is quite cautious in her choice. At first, she took part in the international film irma Whip by French director Olivier Assaia (1996). This cooperation is quite pleasant. From 1998, Maggie Cheung married Olivier Assaia, and this marriage lasted for three years. After the separation, Olivier Assaia still liked Maggie Cheung's acting skills, and in 2004, she tailored the script "What if I miss it" (Clean, 2004). This film was praised by western media as Maggie Cheung's transformational work. In the film, Emily Wang, a rock singer, tries to get rid of the shadow of drug abuse and get her son back. There are many indie rock works in the film, among which Maggie Cheung personally sang the psychedelic rock songs created by David roebuck in "The Star of Maze". Previously, mainstream western film critics only knew that she was an Asian beauty in IrmaVEP (1996), In the Mood for Love (2000) and Hero (2002), and the excellent performance of this film made them know Maggie Cheung again. After Clean (2004), Maggie Cheung hasn't made a film for four years. Maggie Cheung is demanding more and more roles and scripts. She said that although she is not afraid of any kind of roles, she would rather live a quiet and leisure life if she didn't impress her roles and scripts. It is said that after 2004, she has rejected nearly 40 scripts for this reason. At the end of 2007, it was reported that Maggie Cheung would take part in Cai Mingliang's film Face (also known as Salome, 2009). This film is the first important plan for the Louvre in Paris, France to actively participate in film investment. The Louvre will open the cellar and roof for the film for the first time, and Cai Mingliang's basic cast Li Kangsheng, Chen Xiangqi and others will also participate in the performance. Cai Mingliang also said that the script was "tailored" for Maggie Cheung, and Maggie Cheung would play multiple roles in the film in the form of a play, echoing her status as a well-known actress outside the play, but in the end Maggie Cheung could not cooperate because of "time". In addition, Jia Zhangke invited Maggie Cheung to play "Two Heroes" and play a stewardess in the film. Jia said, "Maggie Cheung is a acting genius, very sensitive and can help me shape the role I need." I also like Jia's film style very much. When Ren Xiaoyao and the world premiered in Cannes and Venice, Maggie Cheung went to support them. She once said that if she wanted to cooperate with young directors in China, she would choose Jia first. However, due to various reasons, the two still failed to cooperate and the shooting plan was forced to run aground. However, in June 5438+February, 2007, she participated in the advertising campaign of the TV program "China Beauty" (2008) directed by Jia, which was her first cooperation with Jia. Other performances that Maggie Cheung refused included Lu Chuan's "Nanjing! Nanjing! "(2008), Diary of Tang Jili, etc. After declining a large number of movie invitations, Maggie Cheung moved in with her boyfriend ole scheeren, an architect, and actively participated in some charity activities and brand endorsements. After the Sichuan earthquake in May 2008, she donated 2 million yuan to the disaster area. Besides, after filming How to Clean up after Missing, Maggie Cheung contacted some independent musicians and began to try music creation. At the end of 2008, Maggie Cheung announced that she would be a guest star in quentin tarantino's film Inglourious Basterds. She admitted that it was reasonable for her to hesitate to play the proprietress of the French theater. But under the director's repeated persuasion, she finally agreed to play, which is her first new film in five years. However, limited by the length of the film, Maggie Cheung's plays failed to appear in the end. At the end of 2009, Maggie Cheung attended the 46th Golden Horse Awards Ceremony and talked about her love triangle with Tony Leung Chiu Wai and Carina Lau.