Who will immigrate to the mountains and seas?

As a main melody drama that promotes positive energy, it does not rely on slogans to enhance the theme, nor does it rely on grandstanding to attract attention. On the contrary, it tells us the real situation of East-West cooperation to help the poor.

It is not particularly exaggerated, and there is not much fiction. Instead, it sincerely showed us the performance of a group of people such as Ma Defu, Ma Shoushui, Director Zhang, and others on the road to poverty alleviation.

The reason why this drama has just been broadcast for six episodes has become an explosion. I think the most important reason for this is actually two words, that is sincerity.

The drama of midday sunshine is always made by conscience. It can be seen that the creative attitude of the crew is very rigorous. Whether it is the director or the service, we sincerely admire the Excellence reflected by various departments. The handling of many details is particularly touching.

For example, the makeup of the actors in the play is so detailed that even the sunburn on the face in strong sunlight and the particles on the skin after the wind are so clearly visible.

There are flying sand and stones on the Gobi desert, the afterglow of the sunset in the vast desert, and the vicissitudes of the faces of the villagers who earn food in a difficult environment, all of which are so real and particularly vivid.

There is no deliberate emotion in the play, but many scenes make us cry.

Many netizens said: This drama is so beautiful that it cries!

Yes, in the process of watching the drama, in many places, we all burst into tears unconsciously.

Are you like us?

There is not only the credit of the screenwriter and director, but also the joint efforts of all creators such as photography, music, dance beauty and actors. I think we should pay tribute to them.

Today, let's talk about seven tearful scenes presented in the play. We were deeply impressed by the performance of Li.

The first scene that made us cry unconsciously was that Ma Defu, who had just graduated from agricultural school, returned to Yongquan Village with Director Zhang to work as a villager who escaped from Yuquanying.

On the way from the county seat to Yongquan village, we saw endless mountains, as if there was no end in sight. The diffuse yellow sand covers most of the sky, and a thin narrow road is timidly connected with the outside world. ...

In a place like this, people seem too small.

Zhang Shucheng, director Zhang, stood on a hill and looked at all the hopeless things in front of him. He couldn't help saying that it was too difficult for people in this place to plan food.

Seeing this, our eyes are moist.

I have been to many places in Ningxia, Qinghai and Gansu, where the harsh environment, like what we saw in Ningmin Town, is not suitable for human survival at all. But people still live there. From them, we feel that they are as strong as mountains and as tenacious as barren land.

Where there is grass, there are people.

Tears filled our eyes because we were moved by their tenacious vitality. At the same time, in our hearts, there is a hope that if there is a better place to choose from, their lives will definitely change dramatically, right?

And this better place is Yuquanying, which is Suining Town.

The second place that makes me sad in the play is that Ma Defu and Director Zhang went to Yongquan Village to visit the villagers who fled back. One of the three brothers has only one pair of trousers to wear, and whoever goes out to do business will wear his. Seeing this, many people laughed. I smiled too, but there were tears in my eyes. This situation was common in some extremely poor and backward areas of China in 1980s and 1990s. I think this is also the most important reason why the government must increase its efforts to help the poor.

And the third place that makes us cry is the splash of running away from marriage and the deep feeling of finding them.

Rayza's eyes, too many.

Through this look, she let us see the past life between Shuihua and Fu, the feeling that she was constantly being unreasonable, the grievance that Shuihua didn't get any assistance in the most difficult time, and the helplessness and sadness that a weak woman could only try to change her fate by escaping marriage.

Ma defu squandered all his money. However, he clearly knows that what Huashui needs most at this time is not money, but his words, a word he once said: I will give you a beautiful day. But he didn't. From this point, we can see that Ma Defu is noble, but he also has his timid side. And an imperfect person is more real, right?

This scene, Rayza's performance, is too compelling.

The fourth place that makes people cry is that they have successfully escaped from the splash of marriage and come back because they are worried about their father who is in debt collection. Why is the splash back? The director didn't specify here, only weakened it, but in fact we all know that she didn't wait for the promise of being blessed, so she gave up.

As she later told Mai Miao, things in this world are not as simple as you think. You think you can get along well with anyone.

So she went back to Yongquan village and said to her father, I will listen to you and get married.

At this time, her eyes looked at the blessing of her childhood friends again, and she had the blessing of missing. There are sadness in the eyes, complaints about being blessed and blessings for the future. Actor Rayza once again demonstrated his profound performance skills, which is accurate.

The so-called acting skills are bursting, and the so-called acting skills are amazing. I think it should be like this.

The fifth place that makes people cry in the play happened to Grandpa Wang Shui. He was the leader of Diaozhuang immigrants in Yongquan village, but in the end he fell ill because of planting trees in Yuquanying, so he had to return to Yongquan village to recuperate. But when he left, the only thing he couldn't forget was the saplings he planted. Because, with these saplings, there can be a barrier to stop the wind and sand, and there can be a good day for the Gobi Desert to become a treasure beach in the future.

In this scene, the actor who plays grandpa Wang Shui does not appear. It was expressed through the story of Ma Shoushui played by Zhang Jiayi, but it also touched the audience. Let us truly feel the ordinary and great of an old party member.

The sixth place that makes people cry in the play is that Director Zhang is going to study in the Party School, and he is invited to bless and eat the best mutton. Defu told Zhang the truth. He said: it is too difficult to immigrate to the countryside. From the first day he started this job, every day was easy, with difficulties one after another and things one after another, but he didn't give up because he firmly believed that the party's poverty alleviation policy was right.

The seventh place that makes us cry is also the splash played by Rayza.

In order to find a way out, she took her paralyzed husband, a young doll and a woman, dragged a wooden unicycle, walked 400 kilometers on foot, walked for seven days and seven nights, and finally came to Yuquanying.

When she saw Fu Fu, who had become the head of the Diaozhuang office again, she smiled. But as an audience, we cried.

Boo-boom, it's really a woman with bad karma. I really love Telford, but we can't be together. I am destined to get married and want to live a good life. However, my husband was paralyzed with distress because of repairing the water cellar. I can't even find food at home, so I have to think about emigrating to the village.

From the splash, we see a woman's tenacity and infinite possibilities. She was not hard at all, but tolerant as water, and quickly adapted to the environment, standing in the wind and born in the sun.

Seeing the splash made many strong men secretly wipe their tears.

I even think that in Ningmin Town, the splash played by Rezai is the real hero.

In fact, in Ningmin Town, there are many such scenes that people can't help but move.

It always makes us feel * * * unconsciously.