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Classic lines from The Pianist on the Sea

All that city. You just couldn't see the end to it. The end? Please? You please just show me where it ends? It was all very fine on that gangway. And I was grand too, in my overcoat. I cut quite a figure. And I was getting off. Guaranteed. There was no problem. It wasn't what I saw that stopped me, Max. It was what I didn't see. You understand that? What I didn't see. In all that sprawling city there was everything except an end. There was no end. What I did not see was where the whole thing came to an end . The end of the world...

Take a piano. The keys begin, the keys end. You know there are eighty-eight of them, nobody can tell you any different. They are not infinite. You are infinite. And on these keys the music that you can make is infinite. I like that. That I can live by.

You get me up on that gangway and you're rolling out in front of me a keyboard of millions of keys, millions and billions of keys that never end, and that's the truth, Max. That they never end. That keyboard is infinite. And if that keyboard is infinite, then on that keyboard there is no music you can play. You're sitting on the wrong bench. That's God's piano.

Christ! Did, did you see the streets? Just the streets… There were thousands of them! And how do you do it down there? How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one way to die...

All that world is weighing

down on me, you don't even know where it comes to an end, and aren't you ever just scared of breaking apart at the thought of it? The enormity of living it?

I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here, but never more than fit between prow and stern. You played out your happiness, but on a piano that was not infinite. I learned to live that way.

Land? Land is a ship too big for me. It's a woman too beautiful; it's a voyage too long, a perfume too strong. It's a music I don't know how to make. I could never get off this ship. At best, I can step off my life. After all, I don't exist for anyone. You're an exception, Max, you're the only one who knows I 'm here. You're a minority, and you better get used to it. Forgive me, my friend, but I'm not getting off.

This is the way the world ends

Not with a bang but a whimper

——T·S·Eliot

All those cities you just can’t see The end. The end? Please! Please show me where it ends? At that time, it was okay to stand on the gangway and look out. I was wearing my coat, and I felt great. I felt like I had a bright future, and then I was about to get off the boat. rest assured! No problem at all! However, what stopped me was not what I saw, but what I could not see. Do you understand? The ones I can’t see. In that infinitely spreading city, there is everything, but there is no end. There is no end at all. What I can’t see is the end of it all, the end of the world.

Take a piano as an example. It starts with the keys and ends again. You know that the piano only has 88 keys, so any piano is fine. They are not infinite. You are infinite, and the music you can make on the keys is infinite. I like this, I'm used to it.

You push me up the gangway and throw me a piano with millions of keys, millions and millions of keys with no end, that's the truth, max, they have no end. That keyboard is infinitely extendable. But if the keys are infinite, then there is no music you can play on that piano. You are sitting in the wrong place. It is God's piano.

Oh my God! Have you...have you seen those streets? There are thousands of streets alone! What should you do if you go down? How do you choose which way to go? How to choose a woman, a house, a piece of land that is "your own", or choose a landscape to enjoy, or choose a way to die.

That world is so heavy, it weighs on me.

You don't even know where it ends. Have you never been so scared that you're living with endless choices?

I was born on this ship, and the whole world walks side by side with me, but I only carry two thousand people at a time. There is desire here too, but it is not so vain that it goes beyond the bow and the stern. You express your happiness on the piano, but the notes are not infinite. I'm used to living like this.

Land? Land is a ship too big for me, a woman too beautiful, a journey too long, a perfume too pungent, a music I cannot compose. I could never abandon the ship, but thankfully, I could abandon my life. No one remembers that I existed anyway, except you, Max, you're the only one who knows that I'm here. You're the only one, and you'd better get used to it. Forgive me, friend, but I will not disembark.

(Piano sounds)

Max: I still asked myself if I did the right thing when I abandoned the floating city. I don't mean only for the work. The fact is a friend like that, a real friend… We won't meet one again.

To this day I am still asking whether it is right to leave that floating city on the sea. I don't just mean work...in fact, I mean that kind of friendship, that kind of true confidant...we never met again.

If you decide to hang up your sea legs, if you just want to feel something more solid beneath your feet, and then you no longer hear the music of God's around you.

If you decide to leave the bumps of the sea, if you want to feel something more solid beneath your feet, you will no longer hear the music of God around you...

But, like he used to say, "you never really died off, as long as you got good story and someone to tell to."

But, as he once said, "as long as you got good story and someone to tell to." You're not really finished."

Henn, the trouble is nobody believes a single word of my story.

Well, the trouble is, no one believes the story I tell. .

(The trumpet sounds and the camera turns to the deck)

Max: It happened every time, someone would look up and see her. It's difficult to understand, maybe more than a thousand of us on that ship, traveling rich folks, immigrants and strange people and us, there's always one, one guy alone, who will see her first.

Every time it happens, there's always one guy who will see her first. It's puzzling. On that ship, there were probably thousands of traveling people - rich people, immigrants, weird people, and us (the crew). There was always one person who saw it first. she.

Maybe he was just sitting there eating, or walking on the deck, maybe he was just fixing his pants. He looked up for a second, a quick glance out of the scene, and he'd see her . Then he just stand there,his heart beat raising. Every time ! Every damn time! I swear!

Maybe he was just sitting there eating, or strolling on the deck, or maybe he was just tidying up his Pants, he looked casually into the distance, and then he saw her. He stood there, his heart racing. Every time! I swear it happens every time!

He turned to us. He turns to the ship,turns to everybody and scream ---- "AMERICA!"

He turned to us. people, and then shouted loudly-"America!"

(The crowd began to cheer, subtitles appeared: The Legend of 1900, and magnificent music played)

Max: The one who sees America first is the one on every ship. And don't be thinking that's an accident or some optical delusion. It's destiny!

First is the one on every ship. And don't be thinking that's an accident or some optical delusion. Just an accident, or a visual illusion. That's fate!

Those people who always have that precise, instant stabilized on their life. And they were kids.

Those people will engraved that moment deeply into his life. They are some kids.

You can look into their eyes. If you look carefully enough, there's a goddess there--America.

(The camera penetrates the young man's clear eyes full of hope and passion, turning to the fog Max; And I see a few Americas, six years on that ship, five across the year. Europe and America and back. Always on the ocean.

When you stand on the land, you could even pee straight in a jar. It was steady, the jar I mean. But you keep bob like an idiot, or you can get off the ship all right.

But off the ocean…

--------------------------------- -

The movie "The Pianist on the Sea"

Original title La Laggenda del pianista sull ' oceano (Italian)

Series Introduction

Three works by Italian director Tornatore - "Cinema Paradiso" (also translated as Starlight Accompanying My Heart), "The Pianist on the Sea" (also translated as Sound and Light Accompany Me Flying), "The Beautiful Legend of Sicily" (also translated True Love Is With Me), we can define them as the "Time and Space Trilogy" or the "Searching Trilogy". The director uses the same narrative structure - "return".

[Edit this paragraph] 1. Basic information

More Chinese titles 1900 The Pianist on the Sea Accompany me with sound and light to fly the legend of 1900

More foreign film titles The Legend of the Pianist on the Ocean .....(USA) The Legend of 1900

Movie genre: Fantasy/Drama/Music

The film length is 160 minutes /France: 120 minutes

Country/Region Italy

Dialogue Language English French

Color Color Mix Dolby Digital Surround

RatingRated R for language.

RatingSingapore:PG Argentina:Atp Portugal:M/12 Australia:M UK:15 Finland:S France:U USA:R Italy:T Germany:6 Netherlands:AL Hong Kong:IIA Switzerland:7

Production cost 9,000,000 (estimated)

Copyright Medusa, 1999 (on print)

Production date July 1997

[Edit this paragraph] 2. Plot

The first day of 1900. The oil tanker Virginia docks in New York Harbor carrying a bustling cheering crowd. Encouraged by their dreams, the crowds of people poured out of the boat to welcome a bright future full of possibilities. After the commotion, there was not much left on board except the crew. Coal-tanking worker Danny Boodman then sneaked into the restaurant to search for valuables left behind by the guests, but found nothing. Disappointed, he found a beautiful baby on the piano stand. He picked up the baby and saw his clear eyes and fair skin. Danny Boodman was very surprised by this unexpected gain, so he adopted the child and named him 1900 to commemorate the child being adopted by him on the first day of the new century.

The kind-hearted Danny Boodman loves little 1900 very much, teaches him to read and does not let him suffer. But because he did not have any documents such as a birth certificate, Danny Boodman was afraid that 1900 would be snatched away by others, and he was not allowed to leave the cabin.

When 1900 was eight years old, Danny Boodman died. When the ignorant 1900 was confused before his death, he suddenly heard a beautiful and moving voice coming from the distance. He turned around and an Asian woman next to him told him, This is music.

A few days later, 1900 sneaked into the restaurant at night, came to the piano where the ship's musicians entertained the upper-class passengers during the day, and played his own improvised music. The singing woke up many passengers. They were curious to find out what was going on, but they were all intoxicated by the little guy's music, which was like the sounds of nature. It wasn't until the music stopped that the captain went over and said to him, "1900, you can't play the piano. This is completely against the rules." The young 1900 replied willfully: "Get rid of all the rules."

A few times Years later, the adult 1900 became the pianist of the Virginia band. Although he never got off the ship, he was already famous. During a storm, he happened to meet Max who was seasick, and the two of them fell in love. From then on, Max became his lifelong confidant.

Max admires his musical talent very much, but at the same time he is confused by his stubborn refusal to get off the boat and wait for land. He hopes that 1900 can show his talent to the world, be recognized by the world, gain fame and wealth, and live a good life. But for 1900, the life that the world longs for is too far away for him to understand, and therefore not attractive at all.

Even though he played the piano better than Jelly Roll Morto, the ancestor of jazz, which made 1900 famous, record publishers wanted to record for him and guaranteed that he would gain both fame and fortune, but his heart was still peaceful and he was content with life. and the joy that music brings him. Until he meets a simple and charming girl. That day he was recording a record. The girl looked in through the window and met his eyes. He immediately fell in love with her. I spontaneously played a tender song about love. (That woman was the accordion maker’s daughter. The old man walked out of his own world and came to the United States. He opened a fish shop and built a new world of his own. But 1900 could never let go. Until the last moment.)

A few weeks after the girl disembarked, 1900 was in so much pain that he wanted to find her. Max's persuasion and longing for love life moved him, and he finally decided to get off the ship and land on a strange land. All the crew members waved goodbye to him that day. He wore the coat that Max gave him and slowly walked down the ship's ladder. When he walked to the side, he looked blankly at the big city of New York. After staring for a while, he suddenly picked up his top hat. Throw it far away, then turn around and return to the ship. He said to Max, I will never get off the boat again.

It was not until many years later that the war ended. Max, who had already left the Virginia, accidentally discovered that the dilapidated Virginia was about to be blown up. He firmly believed that 1900 was on the ship. After many twists and turns, he finally found Got him. But 1900 refused to get off the ship. The world was too vast and strange to him, and this ship meant everything to him. Max finally left sadly, watching the Virginia and 1900 being shattered by bombs from a distance.

That day he told the owner of the musical instrument store to whom he had mentioned the legendary story of 1900 that 1900 had died. The boss also felt sorry for him, so he returned the trumpet that Max had bought out of embarrassment and said to him , a good story is worth more than an old trumpet. With the story of 1900, which was only worth an old trumpet, Max left. From then on, few people will remember the talented pianist who will never set foot on land in his life and his legendary life.