Immigrant song guitar

James Rodgers is a mixture of many musical styles, the popular music style of Dalhart. This is the culture between these country music.

Their talents benefit from the atmosphere of the times: if a large number of broadcasting and recording products are abandoned, American-style music will be locked up and unable to spread, and country music will not be created in the 1920s.

Dalhart may have been forgotten by most people, but he is really the biggest star in country music.

He was born in Marion, eastern Texas, and tried the massacre. He came to new york in 19 10 and got a job singing at the funeral. Then he took part in the operetta. His recording career began when 1924 released "Song of Prisoners" and "The Remnants of Old 97" on B. His unique way of singing southern mountain songs won the public's love and made him the first singer in the history of country music to win millions of sales.

In order to seek greater success, record companies began to send talent scouts to the south. Ralph Peel of Victor Records discovered James Rodgers and the Carter family and recorded 1927 in Bristol and Virginia respectively. "These records are of unique importance in the history of country music." Senior country artist JohnnyCash said this. Rogers and Carter's family include A.P., his wife Sarah with pure timbre, and guitarist Maybelle (Sarah's cousin), who played a very important role in the formation of two different styles of music. Rogers combined blues, folk songs and Falk tunes to sing tramps and dockers. The Carter family, on the other hand, focuses on family, God, mother, family and faith. It is a comfortable and harmonious style.

Maybelle's Carter Lick became the most influential work in the history of country music.

1920s: the birth of country music

Rogers was very popular in his time. Even though tuberculosis made him weak, he still refused to slow down.

Crazy movie production speed. He said to his wife, "I want to die in my shoes." For most people,

Artists like the Carter family, singing is only an amateur. In the recording, Sarah said, "We will go home and grow cotton.

Flowers. "In order to save money, A.P. uniformly printed their names and a promise on their performance posters.

The words "the program is guaranteed to be wonderful", and then there are many horizontal lines below to fill in the date and place of the performance.

Dalhart's popularity is declining. In the 1940s, he was just a guest in Bridgeport, Connecticut.

He worked as a night attendant in the museum until his death in 1948.

On behalf of:

James Rodgers (8 September1897-26 May 1933)

Classic songs: "T for Texas" and "Blue Jodl" are now in prison. "

Vernon Dalhart (April 6, 1883-September18, 1948)

Classic songs: Song of the Prisoner, The Remnants of Old 97

Carter family Alvin plesent Carter (15 years1February, 189310/July 7,1960);

Sarah Carter (July 2 1, 1899- 1 August 81979);

Maybelle Carter (May 10,1909-1October 23rd, 1978)

Classic songs: "Will the Circle Be Broken" and "Wild Forest Flowers"

The road of country music

Today, country music has swept the world. Nashville-style singers enjoy a high reputation in Africa, bluegrass musicians are famous in Japan, and the traditional country musicians market is in Europe. This world craze should be said to be an extension of the American craze in the 1950s. Since then, music that only attracts local audiences has become popular all over the country. Country musicians and lovers used to listen to music only for country people, but now their music also has an audience in the city.

One explanation for the charm of country music lies in its roots. Country music was founded by rural residents in the mountainous areas of Apara, who were isolated from most industrialized and urbanized areas in the United States. Their music was developed on the basis of their ancestors' English and Scottish immigrant songs. Accompanied by homemade musical instruments, they often sing what touches them most: their poverty, their god, their crops, their families, and they seek comfort and openness from music.

The recording of the first country music song is 1922, "Sally Goodin" written by violinist Eck Roberston. From 65438 to 0925, a radio station in Nashville, Tennessee began to broadcast live performances of country violinists every week, which later developed into the famous "Grand Ole Opry" and made Nashville the capital of country music recording industry. Although the performance began to be broadcast nationwide at 194 1, the audience of country music is still the original south and southwest. In the late 1950s, rock music rose and traditional country music was at a low ebb. At this moment, chet atkins, an innovative guitarist and recording producer, appeared. What he has done shows that if music is modified more beautifully on the basis of public hearing, its original charm will win new audiences. He added background chorus to the recording, set up strings, and recorded some strings and vocal music in stages, creating a new audience.

Although this kind of music tends to be commercialized to adapt to survival, its core is always to express the basic life of rural people. Making a living, finding a partner, and even personal gains and losses, these common themes of human beings have worldwide appeal.

The problem with Nashville style is that it attracts a large audience for country music, but it adds a layer of ostentation and extravagance between real country music and the audience. Because the country music industry "produces" a large number of records and actors, just like a factory continuously produces finished products, and for many people, real country music was and will always be "local".

In the following article, John Moslan, a country music expert, analyzes the rise of the "New Tradition School". These young country music artists write songs in different ways, but they have the same pursuit: to make their music closer to its rural roots, even if it doesn't sound so much like Nashville today, it is more like the so-called "good old days when current affairs were difficult."

Moslan was originally the editor of Rolling Stone magazine, but now he is a full-time editor of Country Music magazine, and he is the author of The Essence of Country Music.

The most powerful country music today is the "New Traditional Movement". That sounds contradictory. Why does music sound both "new" and "traditional"? This somewhat reflects the changes in American English vocabulary. )

The new traditional movement, like most coined words in the music industry, is a description of music by market words, not a concept or a special style. Here, it means that a new generation of rural artists are committed to returning to the basics of music and getting rid of the already formed Hollywood-style splendor and carving.

In the past year, neo-traditionalists began to dominate country music stations. Country music is not based on various clubs, record companies and radio stations like rock music, which brings prestige to artists and makes personal works popular. Country musicians have to make a living by broadcasting, and broadcasting on the radio is their only chance to become famous. Selling recorded records and giving special concerts must be broadcast on the radio, which has made songs, once a popular form of folk music in the United States, the largest kind of country music now, and singers have changed from generation to generation. With the rise of radio, neotraditionalists began to change the face of music, almost as fast as all the changes in the previous 10 years.

In fact, before 1975, the reform of country music had been carried out slowly but steadily. The earliest country music is the "angor Scots" country folk song brought from the other side of the Atlantic and Americanized, which is mainly confined to the southern countryside, especially the mountainous areas. When American society began to change from rural to urban, from agriculture to industry and technology, the change of country music came into being. In order to play natural sounding instruments, such as guitar, banjo and violin, country music began to use electroacoustic amplification instruments after World War II.

From 1950s to 1960s, country music followed its audience into the city. Traditional musical instruments still appear in music, but their status has plummeted and they are rarely sung with southern accents. Violin and horn were added to the band to make the music smooth, and vocal chorus replaced the "high-pitched, lonely" singing in previous music. This new form, known as Nashville style, is the creation of record producers. Many times, they have deprived those creative artists of their status, and the recording is launched in the name of the singer, but usually his or her voice is added to the product only at the end of the recording production process. This kind of music emphasizes that the sound is complex but not rustic, and emphasizes the effect of grasping the sense of the times and grasping the broad audience.

Facts have proved that this system is very effective and has not encountered real challenges for more than 20 years. At this stage, country music has really improved its acceptance and attracted more listeners of other pop music. Then came the "banning" movement in the mid-1970s. It is believed that in Austin, Texas, this new movement was initiated by a three-person team, namely Wayne Jennings, Willie Nelson and Tom Pearl Gretel. This kind of music, known as "rebellion", replaces the formulaic Nashville style in a way that is more suitable for the singer's personality, abandons the redundant gorgeous performances such as string configuration, and prefers the country music style before Nashville style. Kris Christophe, the earliest "rebel" school, used a soft and moving acoustic guitar to make this song return to the style of words and concepts such as "Sunday morning arrival" and "help me through the night". This style is very similar to the urban folk music movement in the early 1960 s. Willie Nelson and Willon Jennings wrote a more westernized song. For example, the electroacoustic and nostalgic flavor in Jennings' Rockabilly is like the combination of southern country music and rock music in the 1950s. Both of them record with their own bands, unlike the usual "special musicians" group, which is stylized in Nashville style. They are more international than previous country singers, with long hair and dirty clothes. For the first time since the appearance of rock country music 20 years ago, they attracted a large number of young people influenced by rock to return to country music. These "rebels" creatively broke through the stereotype, as if they had the charm of the deified "old west", and they also became the first artists who devoted themselves to records rather than personal tours.

1980, john Travolta, a youth idol, starred in a film called "Urban Cowboy", which brought the classic rural theme into the city. At one time, Americans living in big cities or towns began to parade in cities wearing cowboy boots and "ten gallon" hats. The omen of the huge music market is more obvious than before, because since the 1930s, pop culture has been pursuing the countryside for the first time, instead of the countryside being influenced by pop culture. In fact, the number of radio stations that only play country music has increased from 1.543 in 1980 to 21.654,38+0.4 in two years, and music has undoubtedly been pushed to a climax. This means that a large number of violins, horns and choirs will be relocated.

Over the years, some superficial country music artists, such as kenny rogers, dolly parton and Oak Ridge Boys, have introduced a little country flavor. However, since 1984, the momentum of urban cowboys has passed, and the record market occupied by country music has therefore decreased by one third compared with the peak period of 198 1. To make matters worse, the real rural voice disappeared from the radio station under the impact of popularity. In this situation, the "new tradition" school appeared.

Like the "rebellious" school 10 years ago, the neo-traditional school satisfied the faithful with its unadorned country music, unlike the music products launched on the production lines in new york or Los Angeles. They changed everything so that anything new can appear in country music. At this time, the craze for country music came back.

Looking back on the development of the new tradition, it is worth mentioning that emmylou harris, a girl born in a military family in Alabama, is twice as outsider as Nashville. Harris was a young singer in new york folk music circle in 1960s. Later, she played a leading role in the vibrant bluegrass music activities in Washington, and helped launch the country rock movement in Los Angeles in 1970s. Harris was not born in the environment of country music, but in the environment where she grew up, she was more interested in country music than pop and rock.

Julius stands out as a star in the country rock circle. Her slender trembling voice implies that society is full of attacks and injuries. In fact, her first album, Fragments of the Sky (1975), gained more than any country rocker: the trust of the country. As her fame grew, her music became more and more rustic, completely deviating from the usual road to success. In the end, she didn't become enough pop stars, but became enough followers of country music, combining the two styles.

1980, she released a bluegrass music record "Rose in the Snow". Bluegrass music is a unique form of early mountain music, which was founded and popularized by Bill Monroe. Other founders include Lester Flat, Earl Scruggs and the Stanley brothers. Originally limited to Tennessee, North Carolina, Virginia and Kentucky mountains, it was mostly played by acoustic violin, guitar, mandolin, bass and banjo, accompanied by complex vocal harmony. Bluegrass music was originally a response to the increasing commercialization of country music and an effort to turn back the clock, but it never showed fanatical charm in the United States, even at the peak of its popularity. But in the early 1960s, it was adapted by urban folk singers and regarded by fans as the essence of southern white spiritual music, but its enthusiasm lasted for a long time. Harrison's record Rose in the Snow was produced by another veteran bluegrass musician, Ricky Scaggs. After Rose, he recorded and released Waiting for the Sunshine, which is a movie similar to Rose and based on bluegrass. Because Scaggs inherited bluegrass music with orthodox pop rock roots, he made Rose the most flexible and extensive record, which combined natural sound with electroacoustic, tradition and modernity, and was a simple and gorgeous unity.