When I was a child, there was an animation that said singing and gymnastics.

1994 10 10 The Time and Space Fortress 7, which was released in October, was produced by Tetsuro Naito, telling the story of the time and space fortress Macross 7 of the immigrant ship group. In the fortress of time and space, singing represents the positive symbol of culture; In Fortress of Time and Space II, singing represents emotional relaxation; In "Time and Space Fortress PLUS", the temptation to charm people is sung; In Fortress of Time and Space 7, singing has become a direct expression of the heart and a symbol of the strength of the human heart. In order to express this view, Fortress 7 gave up the gorgeous and exciting air combat and the lingering love.

The original work of Fortress 7, Ishikawa Mori, said that the movie version of Fortress 7, which was boiling for a while 10 years ago, was over. Although the play emphasizes "songs" to move the enemy, it is always a pity to defeat the enemy's mother ship with "missiles" in the end. This is the beginning of the birth of Fortress 7. Time and Space Fortress 7 can be said to be a work that completely breaks the traditional pattern of robot animation. It created the first protagonist in animation history to sing and drive bulkeley machines without using machine guns, missiles, magic or killer skills. In terms of creative policy, it is to try to create works that are "completely different" from the previous animation, except for the three-stage deformed bulkeley machine, because this is the traditional skill of hyperspace fortress. At the same time, the purpose of basara's singing is not to "defeat" the enemy, but to convey his own songs to them. On one occasion, when a monster manipulated by a primitive demon attacked, basara's singing energy suddenly exploded and disappeared. Everyone else happily celebrated that basara had "knocked down" the enemy again, but basara said angrily, "Are you kidding? My song is not a murder weapon! " This incident led him to leave the seventh city later to look for "what on earth is he singing?"

"Time and Space Fortress 7" does not emphasize the gorgeous air combat and how pilots avoid a large number of missiles launched by the enemy, because it is a bad story that has been used by various mecha animations. From the very beginning, focusing on the singer basara, I emphasized the position of "Song", making "Song" truly the protagonist of this work, and made this unique animation. The key to this work is that basara always says, "Listen to my song!" Being treated as a fool, but insisting on his own ideals, basara, who kept singing, finally touched everyone, and even the indifferent primitive demon could not help singing, and the song echoed in the Milky Way. ...

The starting point of this work comes from the introspection of the original fortress in time and space. He questioned the end of a generation: "Is it really the power of songs that touched the zentraedi?" Or is "Song" just a tool used by the military to use violence more conveniently (referring to bombing the other mother ship with missiles)? Although the importance of "Song" (emotion and culture) was emphasized in the original work, it is really contradictory to use missiles to solve the war in the end. Therefore, in this work, Kawamori Ishiguro insists that the protagonist is a person who only sings without fighting, and the producer Naito insists on this as he expected, and solves everything with singing. In some ways, Battlestar 7 is a work full of experimental spirit. For example, this work has no background music, and all the music comes from the natural music in the play. Basara, he didn't play handsome, nor did he drive away the original demon (in fact, he was very dissatisfied with the fact that the original demon quit halfway every time he heard it). He sings on the battlefield because he believes that singing can touch people and resolve anger (whether to aliens or people on earth)! No matter whether others regard him as a madman or a great hero, his singing concept will never change: "convey your heart to others through songs." Basara doesn't care whether the enemy fighters are on the earth. For Bassala, the life of aliens is as important as the life of people on earth. Even if he is facing a primitive demon, he will not use violence against others. This is his belief. What he wants to do is to convey his ideas to others by singing! His persistence and persistence are not comparable to those of ordinary people (perhaps only Yokoshima Tadao and Zhu Xingdang can compare with him in their persistence in beauty). And as Kawamori said before, this work is a supplement to the previous Fortress of Time and Space. "Violence is by no means the best way to solve problems" is the thought that Kawamori Xiuzhi wants to express, and he shows this thought by the fact that "the joint forces that think violence can solve everything are powerless in the face of primitive demons".

7OVA DYNAMAITE, hyperspace fortress

1994 "MACROSS7" is the story of MACROSS7, an immigrant ship group. It revolved around the singing career of Bashana, the lead singer of the "Flame Bomb" band, and Mirena, the daughter of Max, and later produced a theatrical version. I'm afraid everyone is familiar with the OVA version of MACROSS7. It tells the story that Bashana, the lead singer of the "Fire Bomber" band, left MACROSS 7 without saying goodbye and wanted to give herself a relaxed holiday.

At the edge of the Milky Way, there are small comb stars in 67 star fields. At a fixed time every year, "Galaxy Whales" will swim back here in droves and become a famous landscape. The so-called "whale" does not