What are the famous long shots in film history?

As a person who likes watching movies, let me answer this question for you. What are the famous long shots in film history? Let me give you an answer with my experience.

Occupation: reporter

His ending scene is a classic scene, and the scene of 6 minutes 17 seconds left a deep impression on me. In the movie "Profession: Reporter", he subverted the traditional dramatic expression with a quiet and steady long shot. Jay's camera

After lying down, Dick Nicholson shook it off and approached the iron fence on one side of the window. The camera moved slowly until it finally crossed the iron fence, turned around and aimed at the window. Passing through the window is cleaner and neater, and the space integrity is maintained in the overall pattern of indoor and outdoor.

Atonement?

The beach scene in Atonement, which lasts for 4 minutes and 52 seconds, has been incorporated into the photography textbook. In the whole scene, the movement of the seat is incredibly complicated, the shooting angle is changeable and natural, and the camera slowly pulls open, showing the whole picture of the decline of Dunkirk beach, as well as the extraordinary grandeur and atmosphere. In order to achieve the effect of the camera walking around, this part of the scene shooting cost about one million pounds. Its shocking effect is absolutely extraordinary.

Boy?

A nightclub shot that lasts about 3 minutes and 2 seconds. This shot is basically based on the protagonist and will be completed later. This scene was changed from indoor to outdoor, all the way through the winding alley, during which people kept passing behind the characters and in front of the camera. There are many and miscellaneous extras, but they are handled in an orderly way, and it is difficult for the camera to go far. Martin? This photo shows his handwriting.

Hugo

Opening shot: 50 seconds. Closing shot: 2 minutes 13 seconds.

At the beginning, the long lens overlooks the panoramic view of Paris in the early 1930s, then the lens descends, drills into the station, marches side by side with the train, passes through the crowd, and finally comes to the front of the big clock, aiming at the protagonist hiding behind. The length is 50 seconds-exactly the length of the "train entering the station". A long shot of 2 minutes 13 seconds at the end of the film is even more rare. This is a mirror!

Big game

Director: Du Qifeng Photography: Siu-keung Cheng

Opening shot: 6 minutes and 47 seconds.

The opening of "The Big Event" has a sense of integrity and realism, with a long shot of 6 minutes and 47 seconds.

The police, gangsters and reporters are organically intertwined in the whole paragraph, and there is no dryness in one go.

The story of rain and the moon

Director: Kenji Mizoguchi Photography: Kazuo Miyagawa

Resurrection mirror: duration 1 min

"A scene has only one shot" is an aesthetic principle insisted by Japanese movie master Kenji Mizoguchi.

An unfettered night

Director: paul thomas anderson Photography: Robert Elswaite

Opening shot: 2 minutes and 50 seconds.

The camera starts with a close-up of a plaque. The camera follows the two protagonists into the nightclub, switches from the front to the back, and then follows, because the nightclub has a better view.

Wide, more people get into the lens, and the scheduling difficulty of the whole scene is actually stronger than that of Teenager.

a city with lights turned on all night -- a big city with gay night life

Director: Li Chi Ngai Photography: Arthur Wong

Street shot: 3 minutes and 47 seconds.

The camera follows Takeshi Kaneshiro's back through the kabuki hall in Shinjuku, Tokyo, sometimes stopping and sometimes winding.

Forced to enter, and sometimes ruthlessly filtered, in the space of 3 minutes and 47 seconds, kabukicho's whole prosperous and troubled times, and Liu Jianyi's gangster career have a panoramic view.

Children of Men

Director: Alfonso Cuarón Photography: Emmanuel Lubetzki

Internal lens: 4 minutes and 4 seconds.

In this shot, there are five people in the car. This operation can be said to be ingenious. The lens swims freely in a narrow space, which makes the scene look clean and neat, and it has also become one of the successful cases of long lens exploration in closed space.

Dongyin Palace

Director: Prachya Pinkaew Photography: Natawu Kidikun

Stair shot: 3 minutes and 45 seconds.

Action movies rarely seem to involve "long shots", and the theme requires them to use fast clips to create dazzling sparring scenes. Tony Jaa, a Thai movie star, uncharacteristically designed a stair fight in the movie Winter Shadow Gong.

Long shot, 3 minutes and 45 seconds, he hit the fourth floor from the first floor, and the camera followed up synchronously. This is an exhausting attempt.

Old boys.

Director: Park Chan-wook Photography: Zheng Zhengxun

Photo gallery shooting: 3 minutes 1 1 sec.

Fundamentally speaking, old boys pursues a fighting mood, not a fighting pleasure. It captures the montage effect and feeling in a long shot, making the whole shot feel much longer than the actual time. This external "simple" and internal "rough" method strengthens the power of this lens and makes it have the due impact as the climax of the curtain.