Words describing the stage movements of Sichuan opera actors

1. What words are used to describe "the face of Sichuan Opera"? 1. Unpredictable Pinyin: biàn huàn mò cè Explanation: Change: Change is immeasurable. It changes a lot and is unpredictable.

2. ever-changing pinyin: qiān biàn wàn huà explanation: the description has changed a lot.

3. Fantasy Pinyin: Shé n hqí j ? Explanation: The description technique or technique is very clever.

4. A variety of pinyin: biàn Huàdus duān Explanation: The description has changed a lot. It also means a lot of changes.

5. Ingenious pinyin: shén gōng guǐ fǔ ǔ Explanation: It seems that ghosts and gods did it. Describing superb artistic skills is beyond the reach of human beings.

2. The phrase "Dou Erdun with blue face steals the royal horse, Guan Gong with red face fights Changsha ..." in Sichuan Opera, students must.

Is the song "Speaking of Singing Face" familiar to everyone? Yes, this is a face change. I came here today.

The birthplace of changing face-Sichuan.

At 7 o'clock in the evening, the party officially started, and every program was wonderful, but I still

Looking forward to the finale-changing face. Magic, tea art, martial arts and sketch performances all make everyone

I am full of personal praise, especially the performance of the sketch "On my Ear", which makes people laugh.

He was so afraid of his wife that he never dared not do what she asked him to do.

Yes, I was fined another oil lamp to drill the bench. After watching the sketch for about 30 minutes,

Face-changing is finally about to begin. First, a group of beautifully dressed dancers were divided into left and right groups.

Doing graceful movements, three face-changing masters suddenly appeared from the background. they

Some are wearing rockhoppers, some are wearing robes, and some are holding fans. Everyone is different.

Features, the master on the left began to change his face! I saw him turn around quickly and wave gently.

I slapped a few times, and then when I turned around, my green face suddenly turned yellow.

Unconsciously, he turned his face away again, and his face changed again with a wave of his fan.

Blue, in just a few seconds, has changed three colors, which is incredible! The one on the right is very big.

The teacher shook his sleeves, but his face changed from black to red, and then shook his sleeves and changed from red to red.

It turned white, and in the blink of an eye, it turned into a big face. I can't believe my eyes.

! A master in the middle walked around the stage first, then waved his sleeves and strode away.

He walked to the center of the stage, then turned his head, and his purple face turned into gold.

I turned my head again, and instantly my golden face turned green again, and then the master simply walked off the dance floor.

Taiwan Province, coming to the audience, turned around and changed several times in a row, almost only.

In ten seconds, the master changed his face seven or eight times, which surprised everyone present.

My mouth is Zhang Kaicheng "O"-shaped, and I applaud one after another. The first time I saw my face change at zero distance,

It's no exaggeration to describe it as flawless. I haven't come up with a clue after thinking for a long time.

Changing face is a treasure created and inherited by Sichuan opera artists in past dynasties. we must

Protect and spread well, so as not to lose our culture!

3. There are three ways to describe "Sichuan Opera changing face": wiping face, blowing face and pulling. In addition, there is a kind of "luck" face change.

"Wipe your face" is to apply makeup paint to a specific part of your face, and then wipe it on your face with your hands to become another face. If you want to change everything, draw it on your forehead or eyebrows. If you just want to change the lower part of your face, draw them on your face or nose. If you only need to change one part, you can only paint the part to be changed. For example, in The Legend of the White Snake, the old ghosts in Pei Li and Fei Yunjian all use the technique of "wiping their faces".

"Face Blowing" is only suitable for powdered cosmetics, such as gold powder, toner and silver powder. Some put a small box on the floor of the stage, which contains powder. When the actor danced on the floor, he took the opportunity to blow his face close to the box, and the powder was sprinkled on his face, which immediately turned into a face of another color. Be sure to pay attention: close your eyes, shut your mouth and hold your breath when blowing. Zizi in Capturing Zizi alive and Le Yangzi in Treating Zhongshan were all transformed by blowing their faces.

"Face-pulling" is a complicated face-changing method. It is to draw a face on a piece of silk in advance, cut it open, tie a silk thread to each face, and then stick it on the face one by one. The silk thread is tied in a convenient and inconspicuous place (such as a belt) in the clothes. As the story progressed, under the cover of dance movements, they were torn down one by one. For example, the bowl in The Legend of the White Snake (Zijin Bowl) can turn seven or eight different faces, such as green, red, white and black. Another example is the thief in The Old Main Building, and Nie Long in Watching Niang Beach. It's hard to pull a face. First, don't have too much glue on your face, lest you tear it off at that time or tear off all the faces at once. Second, the action should be clean and neat, and the fake action should be clever, which can deceive the eyes of the audience.

The face-changing of Sichuan Opera has become a hot topic in recent years because of its novelty, strangeness, swiftness and coolness. Then, how did the face-changing stunt appear and how rich it was?

At the end of the Qing Dynasty and the beginning of the Republic of China, Sichuan Opera entered a prosperous period with many famous actors. Among them, Kang Zilin (A.D. 1870~ 1930) and Cao Junchen (A.D. 1882 ~ 1946) are famous for being both civil and military. Looking back, the stunt of "pulling the wire and changing face" popular in the entertainment circle today was born in the artistic competition and exchange between them.

The incarnation of Sanbian, also known as Guizhenlou, is a high-pitched Sichuan opera. Describe Qiu Yuanshun, a rich boy, smoking opium and gambling, and selling his possessions. When cornered, he forced his wife Su Yueniang to take guests into prostitution. Su Yueniang was lucky enough to meet the chivalrous Bei Rong to save her. She married her brother and sister and fled the bitter sea ... Bei Rong played by Wu Sheng is not only good at martial arts, but also good at makeup. He changed his face three times in the play, which is very mysterious.

According to Liu Zonglin, Kang Zilin's apprentice, in the past, to play Bei Rong, you had to bring a paper shell prepared in advance, go out, tear off the shell and sing, which was the initial bud of "incarnation". Later, Cao Junchen covered his face with toilet paper and painted it with color. When performing, sprinkle powder fire (made of rosin, etc.). ), wipe your face with your hands, erase the paper face, show your true colors, and then start singing. This is a great progress.

Kang Zilin is an open-minded person. Inspired by Cao Junchen, he first gave up the paper shell and didn't have to sprinkle powder fire. He just pulled the toilet paper to change his face. Then after repeated pondering, the method of covering your face with toilet paper was improved. Change the toilet paper into sandwich paper with good toughness, change one layer into three layers, and open it three times to change the appearance. In actual operation, paper uncovering errors often occur, and they are not easy. Later, suddenly inspired by "film pulling", I began to design thread ends, and as soon as I pulled the thread ends, I uncovered a layer of facial makeup. He succeeded: with a little string, he received an ever-changing effect.

There is also a kind of face-rubbing discoloration, which is commonly used on stage. There is a prominent example: in the 1930s, Yuelai Tea Garden performed The Legend of the White Snake? "Broken Bridge" is played by Xiao (the chairman of the "Three Celebrations" after Kang Zilin), Zhou Mulian plays the white snake and Xie Guoxiang plays it.

In Sichuan Opera, the story of White Snake tells that Qing Er was originally a man, but she was comforted by White Snake and became a handmaid. She wanted to show her true colors in a rage, so the broken bridge was played by a male martial artist. Xie Guoxiang used the stunt of "playing fangs" and "changing face" in this play. Qing Er meets treacherous Xu Xian head-on, and suddenly shows a ghost image with blue face and fangs and an open mouth. Xie Guoxiang has to prepare to "wipe his face" before the performance. He wrapped three groups of pigeon eggs-sized white, red and black glazes with the tin foil in the cigarette case at that time, and the openings were in one direction.

During the performance, Qing Er came down from the gate and stood on the tripod. In the face of ungrateful Xu Xian, his left hand swung, his sleeve shook, and suddenly he wiped it down from his forehead with his right hand-"white color" had been sandwiched under the "bag", his face was painted white, and his mouth was facing down, meaning "face turned white with anger". Then, Qing Er and the white snake "clash", and the white snake begged her not to act rashly to protect Xu Xian. Qing Er waited for an opportunity to paint "red color" on his face with his left hand, so red covered white. Qing Er drove Xu Xian away again. Xie Guoxiang quickly washed his hands in the basin, began to dry, and chased the game with "black color". When he jumped on Xu Xian and grabbed it, he got his face dirty; At the same time, the fangs in the mouth stick out and turn left and right, showing the ferocity of their blue fangs.

When people suddenly encounter unexpected and thrilling changes, they tend to be "pale" and "so angry". Art reflects life. Sichuan opera is one of Sichuan opera stunts, which refines exaggeration from real life and creates a unique face change.

4. What are the unpredictable pinyin of the words that describe "Sichuan Opera's face changing": biàn huàn mò cè Explanation: Change: Change is immeasurable.

It changes a lot and is unpredictable. Ever-changing pinyin: qiān biàn wàn huà explanation: the description has changed a lot.

Fantasy Pinyin: shén HQíjì Explanation: The description technique or technique is very clever. A variety of pinyin: biàn Huàdus duān explanation: the description has changed a lot.

It also means a lot of changes. Ingenious pinyin: shén gōng guǐ fǔ ǔ ǔ Explanation: It seems that ghosts and gods did it.

Describing superb artistic skills is beyond the reach of human beings.

5. The action description of traditional skills is a stunt used to shape characters in Sichuan Opera. Revealing the inner thoughts and feelings of the characters in the play is a romantic technique.

Chinese traditional folk skills changed face (9 photos)

According to legend, "changing face" means that in order to survive, ancient humans sketched their faces in different ways to scare off the invading beasts. Sichuan Opera puts "changing face" on the stage, making it a unique art with wonderful skills.

Emotional composition of China's traditional operas. Face changing was first used for supernatural figures and existed in the Ming Dynasty. There is a record of "changing face" in Ming Dynasty's zaju "Jiro Guan Kou Chops Jiao Jian". The change of face at that time was that the actors went backstage to change clothes. Later generations changed their faces on the spot and became stunts, which were found in many local operas, with Sichuan Opera being the most famous. Face changing can be divided into big face changing and small face changing. Full face changes, including 3 changes, 5 changes, and even 9 changes; A small face change is a partial face change. There are three main ways to change your face: wiping your eyes, blowing powder and pulling your face. The first two are painted makeup, such as popping eyes, which means that the actor's fingers are painted with dark blue pre-stored in the brow or temple, and it changes immediately; Blowing powder is rougher, that is, the actor blows toner to change his face; The latter adds a mask, which is attached to the face layer by layer. It is elastic and life-threatening, and it is torn off one by one when it is changed. There are also torn noodles and sticky noodles, which are no longer used. Changing faces requires quick action and no trace. It is mainly used for sudden changes in the mood of characters, such as panic, despair, anger, etc.

6. Composition describing Sichuan Opera-Sichuan Opera, a local opera in my hometown.

My hometown is also famous in China, which is the birthplace of Sichuan cuisine. This Sichuan has not only delicious Sichuan cuisine, beautiful scenery, but also our unique Sichuan opera.

Sichuan Opera has a long history. According to records, in the late Ming and early Qing dynasties, due to the immigrants from all over the country and the establishment of local guilds, a variety of North and South operas were also spread all over Sichuan, and in the long-term development and evolution, Sichuan dialect, folk customs, folk music, dance, rap and folk songs were integrated, gradually forming a vocal art with Sichuan characteristics, thus promoting the development of local operas in Sichuan.

There are many kinds of Sichuan operas. There are five tunes in Sichuan Opera: Kunqu Opera, Gaoqiang Opera, Huqin Opera, Tanxi Opera and Dengdiao, as well as music forms such as gongs, drums, suona, piano score and flute. Sichuan opera music is eclectic. It absorbed the nutrition of the big cavity system of Chinese opera, merged with Sichuan local language, phonology and music, and evolved into local opera music with diverse forms, rich tunes, rigorous structure and different styles.

Besides, Kunqu Opera was written by many scholars. The words are white and elegant, and the rules are strict. When singing, pay special attention to clear pronunciation and mellow voice, plus the twists and turns of qupai, the rhythm is slow; Gao Qiang is the most important vocal cavity in Sichuan Opera, which combines Sichuan dialect, folk songs, labor songs, hair rap and other forms. After several processing and refining, vocal music with local characteristics has gradually formed; Huqin in Sichuan Opera is a combination of Xipi and Huanger. Because its main accompaniment instrument is Xiao Huqin, it is collectively called Huqin. Huang Er should express deep, serious, euphemistic and light emotions in the positive tone, while Huang Er should express desolation, bitterness and indignation in the negative tone. The old tune is mostly used for high-pitched and passionate emotions. Contrary to Huang Er's drama, Xipi Opera in Sichuan Opera is bright, unique, intense, concise and fluent. ...

There are too many kinds of Sichuan operas to introduce. You may not know much about these things, but there is one thing you must have seen, and that is the face change of our Sichuan opera. That dazzling face, that speed, that magic, people can remember at a glance. There are three ways to change the face shape, namely "wiping face", "blowing face" and "pulling face".

Wipe the face, that is, the actor applies makeup paint to a specific part of the face in advance, and then touches it with his hands to make the face turn into another color;

Face-blowing means that an actor puts powdered cosmetics (gold powder, pink powder and silver powder) in a container at a specific position on the stage or in a wine glass and other utensils used by the characters, then closes his eyes, breathes and blows with his mouth to make his face discolored;

Face-pulling means that an actor covers his face with several faces painted on silk, and each face has a specific silk thread and is fixed in a specific position. With the needs of the performance, under the cover of the performance, it was quickly dismantled one by one. This method is ingenious and neat;

Luck changes face, that is, the actor uses qigong to change the face of the characters in the play; Face-changing of masks means that actors draw different faces on different materials, such as wood, paper, cloth, silk and rubber, according to actual needs, that is, the face shell changes.

In addition, there are many unique skills in our Sichuan Opera, such as spitting fire, hiding knives and lighting oil lamps ... There are many famous plays in our Sichuan Opera, such as Wusanhuna, Sanniang Jiaozi and Legend of the White Snake ... I like Sichuan Opera because of its interesting Sichuan dialect, which makes people never tire of listening to it.

Well, now you know something about Sichuan opera. Opera is a characteristic of our country. We can learn a lot from it. I hope students can listen to more operas and learn more about them.

7. The idiom describing an actor's performance is gag: expressions and movements in classical operas; Humorous words.

Actors in traditional dramas and folk arts in China use funny actions or language in their performances. Source: Ming Gaoming's "The Story of the Pipa": "Don't talk about gags, don't look for maids, just look at filial piety."

Stick and cajole, but talk and gag. Actors in traditional dramas and folk arts in China use funny actions or language in their performances.

Source: Tang Mingzu's Conan Ji Manqian: "The famous one in Yangzhou is Liu Er. A lifetime of idleness, a lifetime of romance.

But the unlucky people let me trick them; No matter how interesting the child is, he is too lazy to be with him. "A handful of family gags.

Actors in traditional dramas and folk arts in China use funny actions or language in their performances. Why, with "coax", noisy.

Gag: a punch line. Paragraph: refers to the expressions and movements in classical operas; Actors in traditional dramas and folk arts in China use funny actions or language in their performances.

Use "gag". BLACKPINK debut: facial and thrush cosmetics.

Originally, it meant that actors put on makeup to perform on stage. It's a metaphor for bad guys to dress up.

Source: Zang Maoxun's "Preface to Yuan Qu": "Guan Hanqing went to bow practice, but Fu Fenmo." .