What is the main story of punk? What does the ending mean?

The handsome Xu Zi A Fei (Leslie Cheung) is an immigrant from Shanghai. He has never met his birth mother, and was raised by his adoptive mother (Pan Dihua) since childhood. Therefore, when he grows up, he is heartless to every woman he meets in his life. Bohemian, he lived with Su Lizhen (Maggie Cheung), the conductor of South China Athletics Association, and Mimi (Carina Lau), a dancer, but later abandoned them one after another.

Xu Zi learned from his adoptive mother that he was the illegitimate child of Spanish and Filipino nobles. Xu Zi was determined to find his birth mother, so he went to the Philippines alone, but her birth mother refused to see him and left with resentment. Before leaving Hong Kong, Xu Zi gave his car to Puzi (Jacky Cheung). Mimi found that Xu Zi had gone, so she asked Puzi if she knew where he was. Puzi told her that Xu Zi went to the Philippines, sold Xu Zi's car and gave her money to go to the Philippines to find Xu Zi.

Super Boy (Andy Lau), a policeman who has always had a crush on Su Lizhen, witnessed the breakup between Su Lizhen and Xu Zi. After his mother died, he decided to switch to running boats. Chaozai met Xuzai again in Chinatown, Philippines, but he pretended not to know him. Soon, Xu Zi was seriously injured in a fight for buying and selling fake passports. Chaozai asked him if he remembered what he was doing at 3 pm on April 16. Xu Zi said that he would always remember what he wanted to remember, but he asked Chaozi to tell Su Lizhen that he had forgotten it. Finally, he was with Xu Zi who died on a foreign train. At the same time, another punk (Tony Leung Chiu Wai) carefully prepares himself to go out and continues to stage the story of sleeping in the wind.

The end: Xu Zi was beaten in the car and then died. The appearance of Tony Leung Chiu Wai means that one punk is dead and another punk stands up.

The True Story of Teddy Boy is a classic literary film invested and produced by Yingdi Production Co., Ltd., directed by Wong Kar-wai and starring Leslie Cheung, Maggie Cheung, Jacky Cheung, Carina Lau and Andy Lau. It was released in Hong Kong on June 5438+0990+February 65438+May.

Based on Hong Kong in the early 1960s, the film tells the inner world and emotional entanglements of an aloof and rebellious young man, and truly reproduces the living environment and social conditions of ordinary young people in Hong Kong.

199 1 The film won five awards, including best film and best director, at the 10 Hong Kong Film Awards, and Leslie Cheung won the best actor award at the 10 Hong Kong Film Awards for "The True Story of Teddy Boy". In 2005, the Hong Kong Film Awards selected "100 most representative China films", and The True Story of Teddy Boy ranked third. In 2008, The True Story of Teddy Boy was re-released in South Korea.

The True Story of Teddy Boy is regarded as a classic by Hong Kong film critics. In the history of Hong Kong movies, The True Story of Teddy Boy has a high status. It is a famous work by Wong Kar-wai, and it is also a milestone for Leslie Cheung to truly discover himself for the first time and consciously call himself an artist. However, for all Hong Kong people, the true story of A Fei is of far-reaching significance. This is a spiritual journey about Hong Kong people's sense of belonging and wandering.

The True Story of Teddy Boy is Wong Kar-wai's masterpiece of reaching the peak of literary films, and it is also the pioneering work of Leslie Cheung's retirement from music. From 65438 to 0990, Leslie Cheung was invited by Wong Kar-wai to star in The True Story of Teddy Boy, which made him one of the best in Hong Kong films. In Xu's films, he successfully created a lonely and rebellious prodigal son, and his wonderful and vivid performance won him the title of Best Actor in the Hong Kong Film Awards. Xu Zi's monologue and solo in the film is a milestone in The True Story of Teddy Boy, and it is also one of the most classic fragments in the history of China movies.

In The True Story of Teddy Boy, although Leslie Cheung was very strong, he still showed strong self-control and left enough room for others to play. The whole story of The True Story of Teddy Boy used a lot of pen and ink to describe Xu Zi's sexiness. The director's photography and editing, especially Leslie Cheung's own interpretation, make the camera look like a pair of admiring eyes, reflecting a sexy man who is rare in China's films. The setting of Xu Zi's Looking for Mom seems to be a ritual metaphor, and Leslie Cheung's performance is a profound portrayal of this theme.

Judging from the artistic contribution of the film, The True Story of Teddy Boy shows people different vision, MTV-style lens language, strange lens trajectory, unconventional composition ratio, heavy and gloomy colors and post-modern dialogue style, which have deeply influenced Hong Kong films and made Wong Kar-wai's unique film style. None of the characters in The True Story of Teddy Boy are fictional and useless. Each character represents an emotion, and the director can handle the emotion of each character well. In other words, if there is a degree of relaxation, the exaggerated should be interpreted as much as possible. Implicit may be only a few short shots, a few seemingly dispensable dialogues, but the forbearing emotions are expressed incisively and vividly.

Refer to Baidu Encyclopedia-The True Story of Teddy Boy