How to evaluate the film Sweet Honey

Personally, I think Sweet Honey is one of Chen Kexin's best movies and one of my ten favorite movies.

In my opinion, the most successful thing of Sweet Honey is not to build that love-but to live much stronger than this.

Chen Kexin accurately showed the words "stranger" and "wandering" in the camera.

I want to talk about my favorite in two points.

First of all, the details of Sweet Honey are really awesome.

What is the texture of life?

"Sweet honey" is the quality of life.

You would never expect that there are domestic directors who can portray life so vividly, which was later done by Peng Haoxiang in Zhi Ming and Chun Jiao, and in this case, Sweet Honey is higher than Zhi Ming and Chun Jiao-so many streets.

Chen Kexin's ability to capture details is so poor that he is too strong as a role. Through a few strokes and strangers with different expressions, he suddenly appeared on the paper, which made people unforgettable.

Letters, chefs, broken English, all these details let Li Xiaojun gain a firm foothold, part-time job, McDonald's, deposit machine, buying a house, all these details let Li Qiao gain a firm foothold, and then, when Li Xiaojun rode his bike through the streets of Hong Kong, a strong sense of the times came to his face.

I can't deny that I was in a trance. I thought of my parents. They immigrated to Canada, Boston and Hong Kong decades ago, and their days were the same.

It's really amazing.

What scares me most, however, is not the love it describes-it is a movie about strangers and vagrancy.

In the film, regardless of Li Xiaojun, the leading actor, Li Qiao, the "Guangzhou girl", Yang Xiaoting, the wife of Li Xiaojun played by Dawn, and even Brother Leopard, the only one who didn't belong to the role of "drifter", were finally labeled as strangers.