How to evaluate Wang Shuo's books

Wang Shuo's works are by no means monuments of vernacular Chinese. Wang Shuo himself deserves respect, but he doesn't need worship. After being bombarded for a long time by countless information from the literary, art, music and dance circles, I prefer to boil everything down to a "phenomenon", a phenomenon that will inevitably appear in a specific era without people and things. It is independent of human will, and it will not make the people and things related to it great. Because only the phenomenon itself is great, just like without Copernicus and Galileo, people on earth will know that the earth is round sooner or later. Without Newton, there will always be mutton powder. Without Einstein, there will be two Einstein. The great phenomenon is unique, so-called great men must have a lot of substitutes.

After careful study, we will find that Wang Shuo's works are not great, but also fall into various stereotypes, whether they are adapted from TV series Addicted to Death, Nobody Cheers and Never Lose My Love, or Half the Sea and Half the Flame, Air Stewardess and Out of the Sea, where the protagonists swim in the same color. And women must be a pure mess, not stewardesses or nurses, playing the flute or dancing ballet, or at most, student union cadres at universities. She fell in love with a bad guy who was arranged by fate, knowing that the bad guy was biased towards the bad guy, and finally she was scarred, dead or injured, even if she survived at most. However, stereotypes are also about a set of methods. Wang Shuo is the one who often puts us in a condom.