What do you think of Douban's 8.4-point touching movie "20 17 Love and Kill"?

The movie "Love and Kill" scored 8.4 points in Douban, which is also a very highly rated drama in recent years. This film is directed and starred by Zhang Aijia. The most intuitive feeling of this film is just the right comfort. Director Zhang Aijia is like a master of internal boxing. He is not obvious, but he can be soft. As the saying goes, love each other, the older generation are the people who first become relatives and then have sex. But Zhang Aijia said: Love each other, learn to love first, and you will be closer. This film "Love and Kill" is similar in style to previous films. The film tells the story of a woman in love, but this time it is more calm than before.

This film tells an ordinary family story, the simplest narrative clue, and three generations of women who have been alive. A daughter who wants to get rid of family bondage, a mother who talks about life, and a grandmother who lives alone and can only guard her husband's grave. In the narrative clues of these three generations of women, the conflicts and dialogues connected with each other make the film Love and Kill each other more vivid. The comfort of watching movies is the biggest experience in the process. Now everyone knows it's a family conflict, but the audience laughed when they watched it. In fact, re-examining yourself is a knowing smile. There is really no reason for mother and daughter to quarrel in the movie. The persistent old lady in the movie seems a little cute. This kind of comfort in the movie actually extends from the play to the outside.

The film "Love" is full of the most authentic life texture, just like a feeling of water. Zhang Aijia made every shot, every line and every character in Love so appropriate and comfortable. The film has no complicated narrative means and no prominent emotional explosion point. Director Zhang Aijia quietly tells an ordinary story of an ordinary family, but it can arouse the audience's strong * * *. When the movie was released, many viewers cried after kissing each other after watching Love, but I knew my tears were not "fanned". As the saying goes, movies can make people cry, but it doesn't mean that movies are excellent. Cheap grandstanding will only rashly overdraw the mood of the audience.

The film "Love and Kill" touched the audience bit by bit. Through the details, characters and the overall rhythm of the film, the audience can find a certain feeling, and in that feeling, they begin to associate with their family and their lives, thus producing a feeling of warmth or sadness. I have to say that this is a very excellent film.

Tell me about my views and feelings about the movie "Love and Kill"?

The film was not deliberately torn, but it was easily captured by the emotional contagion inside. There are several emotional flashpoints that are really sour. One old man was chaste all his life, and the other was in love all his life but failed to be buried with his wife. Together, it is not necessarily love. Not together, not necessarily love. Waiting is not necessarily love. Therefore, the complexity of emotion endows this film with a very philosophical meaning. It is complex, tangled and emotional, but it is also dialectical. The performance is also sincere. Great, I think this is the best movie I have seen this year.

Works of absolute conscience point directly at people's hearts. Every actor's performance was just right, especially the director Tian Zhuangzhuang, which is why the film Douban scored so high.

What's your different opinion? We can discuss it together.

My opinion is; Wear sunglasses to see!

The movie "Love and Kill" tells us: No matter dream or love, we should take it early! ! ! !

Touched and poked, tears and laughter Qi Fei. Is my most intuitive feeling.

Although the film has a warm and peaceful title, it begins with a death. When my grandmother died, my mother insisted on moving my grandfather's grave to the city and burying it with my grandmother.

Grandpa died many years ago and was buried in his hometown. An old lady from the countryside guarded his grave. The old lady (Joe) is my grandfather's original match. She was at home when my grandfather was alive, and she was still watching after he died. The old lady didn't agree to move the grave. This leads to a story about persistence and freedom, generation gap and understanding.

Taking a family event as a fuse, it triggered a series of chain reactions, uncovered the inner secrets of family members, and then explored the emotional world of three generations, touching the inner ice and fire under the surface of plain life. I have to say that this kind of literary film is my dish. I like this movie better than The Master. The story is very good, and it was told by the director through the lens.

As a director, Zhang Aijia always pays attention to women. The three women in this film, Asu, mother Yue Huiying and daughter Wei Wei, can be said to be the representatives of three generations of women.

The most important key word for Azu's generation of women is persistence. Azu has kept a man who doesn't love himself all his life, and she can almost be ignored in grandpa's life. Even so, she retired her grandfather's parents. After his death, she kept his lonely grave and even made a coffin early, waiting to be buried with him.

She won the respect of the whole village, but she couldn't win a man's heart. She is like a chastity archway standing at the entrance of the village, which is not only the glory of the past, but also futile.

The end of the movie is about missing. A rain made the photos of Azu and Grandpa synthesized by AdaPS wet and blurred. God doesn't seem to want them to be together, even in photos. Azu asked the villagers to dig out his grandfather's bones and move them to the grave, while his mother went to the countryside with grandma's urn.

The ending is not happy, but the truth has its own power. Just like people in movies, we spend most of our time "loving and killing each other" with people around us, but the background color is "loving and killing each other" after all.

Go and have a look at it right away

be deeply attached to each other

Love education

Its poster reads:

She believes in life.

I believe a word.

You just believe it for a moment.

This passage sums up three states of three women in thirty years. They are similar in many places, but different in nuances.

Anthropologist Ruth Benedict said: The individual is the epitome of culture.

In my opinion, the three women in the film also symbolize the epitome of three cultures.

Feudal ethical culture

In the film, there are three old people:

Grandpa, Grandma, Grandma (Wu Yanshu).

At the beginning of the film, grandma was dying, and a beautiful image of grandpa flashed in her mind. Later, grandma saw the light again and went to heaven with grandpa.

They go to heaven because they love each other.

Many years ago, grandpa and grandma were arranged to get married.

It didn't take long for grandpa to go to town alone and form another family with grandma.

He replaced his responsibility to his grandmother with sending money and never returned to the village.

Grandma closed her heart and volunteered to stay in the rural grass widow until 40 years later, when her husband's body grave was ushered in.

Looking at the corpse grave and the "sacred" chastity memorial archway, she mistakenly thought that she had won.

In fact, she just lived a miserable life unconsciously.

Such stories of China were not uncommon in those days.

After the Revolution of 1911, influenced by the western wave, the feudal ethical culture suffered an unprecedented impact, and many new youths began to pursue freedom and vowed to get rid of the shackles of tradition.

Historically, the relationship between grandparents and grandparents is actually the relationship between Lu Xun, Xu Guangping and Zhu An, or the relationship between Chiang Kai-shek and He Mao.

In the movie, grandma drew grandpa's name with ancient Chinese characters and mounted it on the wall.

Psychologically, this is called: our children can't sacrifice syndrome in vain.

Into adult language, which means-

Grandma, Zhu An and Mao injected meaning into their wrong marriage. "I can't be widowed for so many years." . So as to get deeper and deeper, and stick to your stupidity all your life.

It was Yue Huiying (Zhang Aijia) who broke into grandma's door and disturbed the meaning symbol.

Social humanistic culture

Yue Huiying is the daughter of her grandparents. She was born in New China where men and women are equal, and she has a strong personality.

After grandma died, she fantasized about a set of happy visions and imposed them on others:

"I know what my mother means. She wants me to move my father's grave and bury it with her. "

This extreme and wishful thinking of "I know" and "for your own good" is one of the characteristics of women in socialist China.

Social humanists usually work hard, have clear thinking and are efficient.

In his early years, Yue Huiying fell in love with Yin Xiaoping (Tian Zhuangzhuang) and took a strong offensive to sweep the floor and wash dishes for his parents, so as to help each other and win each other.

Captured people, but not necessarily tied to the heart.

Many years later, in the hotel, there was this conversation-

Wei Wei: After waiting for Grandpa for so many years, Grandma must love Grandpa very much.

Yue Huiying: Do you love it or not? We haven't lived together for long.

Yin Xiaoping: Even if you live together for a lifetime, you can't say you are in love.

Three people, because of family ties, got together, each holding a mobile phone, and their thoughts drifted away.

It is a common fault of China to have affection but not understand love.

It's hard for Yue Huiying to understand why Yin Xiaoping, who is senile, can regain her vitality around Mrs. Wang (Rene Liu), just like a state of youth with still years.

At night, she touched Yin Xiaoping's face, and Yin Xiaoping dodged.

Suddenly, she was so sad that she began to cry, as if she understood a true meaning-

It is years of calculation and cold pragmatism that make them lack romantic atmosphere and make family a dogmatic system. The husband is lying in bed, just like a breathing corpse grave.

After Grandpa and Yin Xiaoping, Ada (Song) was the third to be buried in the grave.

Ada is Vivian's boyfriend.

Free humanistic culture

Yue Huiying's daughter Wei Wei (Lang Yueting) is a continuation of Chinese samsara.

Like her predecessors, Vivian dreams of nesting in her hometown and spending the rest of her life with Ada.

Ada, like grandpa, yearns for the big city of Beijing and loves to sing:

Forgive my unruly life, unrestrained love and freedom.

Just as they were struggling to spend the rest of their lives for each other, Ada found a coffin at her grandmother's house.

He tried to lie in the coffin, dreaming of burying his ideals and pursuits, and dreaming of entering a marriage that might turn himself into a corpse grave.

In fantasy, numbness and fear enveloped him deeply. So he cried and let go, and decided to fly away like grandpa.

Unlike their predecessors, liberal humanists pay more attention to their own feelings.

Therefore, after Ada went to Beijing, Vivian didn't choose to be widowed.

She said:

I really won't wait for you.

Director Zhang Aijia personally expressed his love view:

A lot of good love often brings negative things in the end.

And those negative things will ruin a good love.

But it doesn't matter, even if a love doesn't blossom and bear fruit.

It is still a part of your life.

Even if it is regret, I feel regret, and it is still beautiful.

This is certainly a better view of love than grandma.

Wei Wei, who pursues freedom and humanity, actually understands this when she grows up.

But before that, she still lacks one thing (to be said later). Therefore, her freedom, in our view, is somewhat selfish.

Let's get back to the main line

Yue Huiying moved grandpa's grave as she wished, but grandma vowed to die, and the two sides got into a fight.

She came to the countryside to live with her grandmother. Her original intention was to find materials, but she inadvertently developed another emotion.

This kind of emotion that the three heroines don't quite understand and lack is also the core driving force that can make them grow up and change their lives.

Love.

Although there is no blood relationship, through delicate and intimate communication, there is a kind of love between Weiwei and grandma that is better than blood relatives.

She gradually walked into grandma's heart and realized her loneliness. Grandma is no longer a symbol and chip in her eyes, but a person with real flesh and blood, a story and a soul.

From then on, she was no longer so selfish, no longer forced her grandmother to help her shoot news materials, and no longer tried her best to restrain Ada.

She really understood: if you love someone, you must respect his freedom and humanity.

On the other hand, she also helped her grandmother and opened the locked heart door.

She took Ada to the countryside, and they were very happy together, which showed her true love.

Not sending money home, not making your own coat.

I can't see each other's photos, but I can't recognize each other's looks.

The English name of "love each other" is Love Education.

It taught three heroines, and also taught us how to distinguish love, feel love and express love.

When she found out that she didn't recognize her husband, grandma suddenly felt lost and questioned the "meaning" she insisted on.

Later, Ada took a photo of her and grandpa PS.

The rain outside the door wet the photo and exposed the illusion. She finally began to understand that the meaning of false concepts is so fragile.

The tomb raiding team came again, and this time she didn't stop it. She said to the corpse grave-

I don't want you anymore.

You see, growth has nothing to do with age, and it is always so cruel.

Let's go back to the Chinese name of the movie.

When I went to the cinema, almost everyone, whether the conductor or the ticket buyer, misread the title of the film as Love.

Why?

In our country, "love each other" is a common idiom. There are TV dramas, variety shows and even more than a dozen songs of the same name.

However, from another perspective, "loving each other" is actually a feature of our traditional national culture.

Blind date comes first, love comes last.

In my opinion, Zhang Aijia named the film "Love each other" just to break our traditional thinking.

She tried to express a point:

Many times, blood relationship and family constraints can't really connect people.

Our nation always cares about the superficial "pro", but often ignores the "love" in the bones.

Many years later, although Yue Huiying made her family rich in material things, she inadvertently turned her lover into a relative.

Yin Xiaoping said-

In the past, I was poor and always expected a better life.

Now the days are getting better and the feelings are weak.

In an accident, Yue Huiying was hit on the head by a ball.

In a coma, she dreamed that she was in danger.

A man as beautiful as an angel reached out and saved her.

But when she woke up, she couldn't remember the man's face anyway.

Until later, Yin Xiaoping suddenly bought a car and played "The Girl in the Flower House" in the car.

Yin Xiaoping said:

You said that after we retired,

Buy a car of your own

Let's go for a ride together

Now that we have a car, we have a song.

You are not in the mood.

At this time, Yue Huiying finally remembered that the man in the dream was Yin Xiaoping.

It's not that they haven't loved before, but the mundane triviality makes them deviate from the direction and gradually forget how to love.

We don't know whether Yue Huiying can regain the ability to love and go to the sea and far away with her lover.

I can only say:

Kissing because of love is the best way for human beings to communicate at present. Therefore, as far as love is concerned, no matter what age, we should put down our posture and always be a learner.

Only in this way can we see the essence of things through phenomena.

I don't know what I am doing, but it has disappeared.

If cooking is taken as an example, "Love each other" is like casserole porridge cooked with slow fire on the stove in my hometown.

Light and pleasant, dense and mellow.

After all, in the current China movies, there are not many movies that are willing to take the time to weave details and express the emotional fetters in the world.

Because it is rare, it becomes expensive, not to mention the excellent quality of the film.

An ordinary family, three generations of women, and a move to be buried in the grave lead to empathy and mixed emotional stories.

How to write "emotion" in emotional stories is the key to the success or failure of the film. Accustomed to describing women's troubles, Zhang Aijia naturally understood the mysterious feelings and the charming charm of ignorance.

It is most useless to find reasons for love.

This is a very clever way to find a mark for deep feelings.

In the story, Joe in the country waited for his grandfather all his life. Her persistence in this love stems from her firmness in her in-laws status.

Father Yin Xiaoping recalled the moment when he fell in love with his mother Yue Huiying. It was an era of material scarcity, and the two sides stood together and supported each other.

Love for her daughter Weiwei is a fatal attraction between two individuals with different backgrounds and personalities.

The emotional problems created by the times have to be left to time to solve.

Azu finally brushed the dust off grandpa's bones with his hand and said, "I don't want you." The coffin was covered and carried away.

This kind of affection, love and pity ended with the coffin.

In addition to feelings, there are also deaths and dreams in the film. Come to think of it, these two topics are not easy.

Grandma Weiwei's death is the beginning of the whole story, while her boyfriend Ada lingers between dreams and realistic emotional choices.

Fortunately, Zhang Aijia is good at dealing with serious life problems in a relaxed and humorous way.

Death and dreams were crushed into bits and pieces of life flow by her, picked up heavily and put down gently.

In [20, 30, 40], Lily accompanied the turmoil of the earthquake, from panic to calmly and gracefully shaving her armpits in front of the mirror.

In a few strokes, the inner transformation of the characters is outlined in front of the camera, and the transformation is highlighted from the nuances.

Similarly, in love, death and dreams have the same meaning.

Ada lay in the coffin symbolizing death, and found the courage to pursue her dream from the unknown fear of death.

Zhang Aijia, 64, tells the story of life with a plain image, and discusses emotions.

The fullness of life details makes people close, and the emotional depth between the characters in the story makes people move.

After all, the world is still the same, and the biggest enemy is inner turmoil.

Time goes on and life goes on.

The emotional storm and chicken flying and dog jumping caused by this grave sweeping action ended with both Azu and Huiying letting go of their inner obsession.

What will happen next?

Zhang Aijia used blank space to show the fuzziness and complexity of emotion in reality.

In this super cold late autumn, it is a wonderful experience to drink this bowl of porridge, keep healthy and soothe the nerves, and cry and detoxify.