Who knows the characteristics of good people in the Three Gorges?

Good life of tobacco, alcohol, sugar and tea

_ Movie Three Gorges Good Man Review

The film Good Man in Three Gorges directed by Jia pays attention to the people's life in the process of demolition from a unique perspective, and conveys a desire to live hard with simple performances and novel artistic techniques. As Gefei said when commenting on Kafka: If you read with the desire to listen to stories, you will be disappointed. The film directed by Jia didn't win by plot. The whole film tells the story of Han Sanming's remarriage after he came to the Three Gorges to find his runaway wife, and Shen Hong's divorce after he found a husband he hadn't seen for years. Paying attention to the details of life and restoring the true colors of the characters in the shooting is a "documentary with stories and a feature film with documentary characteristics". What really touches people is that the deep layer of the film exudes humanistic care, and the director and actor * * * just hit the social reality with shallow brushstrokes. I think this is also a good film with the most humanistic temperament in recent years.

Smoke: Chinese and English characters who first appeared in the film and faded out of the dim picture. At this time, cigarettes were a tool used by Han Sanming to befriend Ma's mail family. Boss Ma is ungrateful to the person who abducted his sister. It is common sense to show indifference and impatience in his words. Even a young man got angry and kicked Han with a bowl of noodles, which was in sharp contrast to Han's longing for his wife and daughter whom he hadn't seen for 16 years. In recent years, couples have been grateful for a hundred days. They have already rushed out of the feudal meaning of "buying wives" and opened a different kind of romantic love flower on the moral and ethical bottom line.

Han Sanming often pulls out a mango brand cigarette in the film, which was a good cigarette twenty years ago. After many years, he still kept his old habits. The actions of smoking, lighting and smoking again and again all reflect the complicated and contradictory heart of South Korea. This inarticulate Shanxi man uses simple words and often uses "oh" and "um" instead of answers. Whether things are human or solo depends on how the rising smoke circle spits out the answer.

Sugar: white rabbit toffee, which is the sweetness of childhood in every child's memory, can't help but make the audience think in the film.

Mark and his friends went to Yunyang to settle down alone. Before he left, he was in high spirits and distributed candy to his brothers and Han in the car. It seems that the road ahead is too beautiful. Han has the candy, and he is worried. He is older and more thoughtful. Maybe he knows that his trip has run out, but looking at the excited and eager faces, he can only silently express his concern. Unexpectedly, a piece of candy became the difference between two people. When Han lit three cigarettes and stood in front of his photo, the bell rang and the audience finally shed bitter tears. Mark died with only a friend he met by chance, making people feel that life is like dirt, in this chaotic and crowded county.

Another candy appeared in the conversation between Han and his wife in the unfinished upstairs. Han took the candy, naturally bit half, and sent half to his wife's mouth. A building collapsed in the distance, and two people were startled. Han held his wife in his arms. A piece of candy and a few simple actions convey rich emotions. I remember the conversation between two people under the shed on the shore:

"I am so good to you, you still have to run."

"At that time, he was young and ignorant."

"You are out of the month, and my mother won't let you work."

The dialogue is not as intensive as I wrote, and the silence is almost unbearable. The film didn't use background music to stir up feelings, and completely restored the essence of life. In a few words, a woman's mental journey of more than ten years was outlined. From fleeing to suffering from life, she wanted to go back to a quiet life. Eating candy here and the collapse of buildings have a feeling of wanting to say goodbye, which makes people look forward to a new life in the future.

Just as poets like to set simulacra in their works, several props in daily life can be said to be simulacra in addition to their inherent functions. Its symbolic significance lies in the true reflection of the people's life in the Three Gorges reservoir area, raising the trivial life of tobacco, alcohol, sugar and tea to the artistic level, and even understanding the beginning of the film as living quietly and living artistic temperament. That is, Jia's video art is different from other directors. He is a responsible film, not made by nobles for awarding prizes.

This responsibility has become more and more important because of the realization of the dream of "going out of the gorge and out of Pinghu". In the film, someone painted the words "Phase III water level 156.5 meters" on the wall, and the speaker of the tour guide said, "The small houses on both sides of the strait that you see now will be completely submerged by then, and the city of more than 2,000 years will be demolished two years later. The struggle in this life cannot be stopped. Flood, migration, making money, subsidy.

The title of "Good Man in Three Gorges" makes us think. Who is the good guy in the film? What does Mark's phrase "What good guys are there on the dock now" mean? I think this is what the film really wants to tell us: narrow streets, crowded houses, broken walls and ruins everywhere, people's stable life for hundreds of years is broken, and people's values fluctuate in the rush of relocation, immigration and work. They are more active and understand better than before. The value of living. Although the means are different, the heart to win the initiative in life is the same. It can be seen from a 16-year-old girl chasing Shen Hong as a nanny, and the injured workers went south to dig coal with their Korean friends. They are all good people who live well by themselves, helping and supporting others to live well.

People don't care which is more important, they can all be the protagonists of works of art. Everything around you has symbolic meanings that you can't imagine, which needs keen people to explore. This film about the fate of little people under special circumstances really made me realize the beautiful life of tobacco, alcohol, sugar and tea. After watching this pan-documentary feature film, I vaguely feel that the characters are still living behind a mountain and a river in China. May the good people in the Three Gorges live tenaciously in live high.