Is Wang Fuzhi a representative of Taoist culture?

Wang Fuzhi is not a representative of Taoist culture.

Wang Fuzhi (16191October 7-1692 February 18) was born in Hengyang County, Huguang (now Hengyang City, Hunan Province). The thinkers of Ming adherents in the late Ming and early Qing dynasties, together with Gu, Huang Zongxi and Tang Zhen, are called "four great enlightenment thinkers in the late Ming and early Qing dynasties" and the sons of scholar Wang Chao.

In the fifth year of Chongzhen (1632), he was admitted as a scholar and organized a "Travel Society" and a "Kuangshe Society". In the fifteenth year of Chongzhen, he entered the provincial examination. In the early years of Shunzhi, he took refuge in Li Yong Emperor Zhu Youlang and took part in the anti-Qing struggle. In March of the 17th year of Kangxi (1678), he refused to write a surrender letter for Wu Sangui.

In the 31st year of Kangxi, he died in Xiangxi Caotang, and was buried in Luoda Mountain (now Tiger Mountain of Luoda Mountain, Laowu Formation, Chuanshan Village, Qulan Town, Hengyang County). He is the author of Zhouyi Zhuan, Uncle Huang, Shangshu Yi Yin, Li Yong's Record, Chunqiu Shilun, Nightmare, Zi Zhi Tong Jian and Song Lun.

Wang Fuzhi inherited and developed the fine tradition of expressing one's will and expressing one's feelings in classical poetic theory, and put forward "the voice of one's heart" as the poem to express one's will. Poetry is based on Tao, and Tao is also a way of speaking. No matter where you are sad, you will find poetry. Where poetry goes, love goes.

Emotion and poetry are inseparable: "Literature is born of emotion, and those with deep feelings are not shallow" (comment on Zhang Xun's "Smelling the flute"); "Affection is deep and civilized" (comment on Liu Zongyuan's "Farewell to Zong Yi"), but not all emotions can be poetic. Confucius said, "Poetry can be complicated.

You can watch, you can group, you can complain. As an outstanding patriotic thinker, Wang Fuzhi attaches great importance to the social role of literature. After the poet's feelings are injected into his works, he should have the function of "moving people to enjoy the scenery and complaining", and these four elements should be closely related and complementary, "taking pictures in a Shanghai to enjoy the scenery and complaining" (comment on Du Fu's Wild Hope).