How do you evaluate the finale of "Mountains and Seas"?

In terms of text structure, the finale of "Love between Mountains and Seas" corresponds to the beginning. At the beginning of the play, the protagonists "Immigration to Gudiaozhuang in Xihai" ran out of the mountains, saw the railway, and wanted to go to the city and leave the countryside. . The ending is to start from the city and look back at the ecological greening restoration of "Xihaigu", completing a circular narrative structure.

Generally in popular film and television works or novels, if you want to pay attention to elegance and taste, the "life and death" of minor characters are usually used to show the ruthless changes in fate in order to elevate their philosophy. depth.

The main characters are often "golden fingers" to improve the comfort level of readers or viewers when they are involved, so that more people can pay attention to this work.

Extended information:

"Mountains and Seas" takes as its creative proposition the "Minning Model" of East-West collaboration in poverty alleviation. The "Minning Model" is a microcosm of the Chinese miracle and a creative proposition with practical significance. The poverty alleviation story shown in the play not only elaborates on the material and spiritual development of a region, but also focuses on amplifying the stories of the "people" within it.

In the play, major propositions are constructed through the stories of ordinary characters, and great construction is closely related to personal destiny. Taking individual miniatures as the basis of narrative, using the changes of the times as the narrative context, and expressing the aspirations of the family and country through the depiction of group portraits has always been the creative mode that the Noon Sunshine team is good at.

The drama adopts a creative approach of "going deep into life and getting close to the people" in the script creation process. The producers' various efforts to restore the temperament of the era have added real power to the drama and aroused the emotions of the audience* **Ming.