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The first generation of writers of ancient Bashu literature is
Sima Xiangru 1
Sima Xiangru was a famous poet in the Western Han Dynasty. He comes from Chengdu, Sichuan Province. There are 29 Sima Xiangru Ci poems recorded in History of Han Art and Literature. It can be seen that his literary achievements are mainly manifested in Ci and Fu. Tian Zi's Ghosts Fu is the most representative fu literary creation of Sima Xiangru, and it can be called the first great fu in the history of China literature that fully embodies the characteristics of Han Fu.
In addition, his representative essays "Backbone Bashu" and "Old Man in Difficult Shu" not only reflect Sima Xiangru's keen insight as a writer, but also his foresight as a politician. Sima Xiangru's innovative spirit and writing have more widely influenced generations of Bashu children. Today, Chengdu still retains the place names of Sima Xiangru.
2. Yang Xiong
Yang Xiong liked Ci Fu in his early years and imitated Sima Xiangru in his creation, so later generations called it raising horses, such as Ganquan Fu, Hunting Feather Fu and Changyang Fu.
3. Yan Junping
Yan Junping is Yang Xiong's teacher. Yang Xiong studied the theory of aging with Yan Junping at an early age. After Yang Xiong became famous, due to the admiration of Yang Xiong, Yan Junping's theory began to spread throughout China, and even influenced the later Taoism. Yan Junping wrote two volumes of Laozi's Notes, fourteen volumes of Laozi's Gui Zhi and Yijing Bone Marrow, which made Laozi's Taoist thoughts more systematic and developed.
Development characteristics of Bashu culture
1, compatibility
The ethnic origin of Bashu has the characteristics of diversification. Bashu culture should belong to immigrant culture in essence. Bashu has been inhabited by many ethnic groups since ancient times. For example, Can Cong, Guan Bai, Yu Fu, Kaiming and Tu Yu, the main nationalities in the Five Dynasties of ancient Shu, all came from five different regions. In addition, there are several important immigration behaviors in history. Since the Warring States Period, many foreigners have entered Sichuan.
After Qin and Han Dynasties, he moved to Qin Wanjia. During the Han and Tang dynasties, immigration activities became more frequent. Liu Zhang of the Han Dynasty entered Shu first, and then Liu Bei and Zhuge Liang ruled Shu. It is impossible for such a large-scale immigration activity not to affect the local culture of Bashu. In the early Qing Dynasty, the so-called Huguang filled Sichuan with more immigrants than the local indigenous population. Today, there are still more than a dozen nationalities in Bashu, such as Han, Yi, Tibetan, Qiang, Tujia, Miao and Hui, which shows that Bashu culture is extremely inclusive.
Step 2 make it public
Sima Qian said: the plank road is a thousand miles away, and everything is impassable. With a resolute and persistent spirit, the ancestors of Bashu opened a dangerous passage through the mountainous areas around the basin and had extensive and frequent exchanges with the outside world. The culture of North and Central Plains is integrated, the culture of West and Qin is exchanged, and the culture of South and Chu and Yunnan and Guizhou meet. For example, the bronze wares of Sanxingdui culture can not only feel the obvious imprint of Central Plains bronze culture, but also copy many gifts from Central Plains bronze wares.
The archaeological discoveries of the tomb of Chu in Badiduo, East Sichuan, and the doba artifacts in Chudi, West Hubei, all show that Bashu culture is closely related to Chu culture and has far-reaching influence on each other. Another example is the seashells and golden staff unearthed from the famous Sanxingdui site, which bear the imprint of Central Asia, West Asia and marine civilization. The winged beast on the portrait brick in Xindu and the image of the stone lion in front of Gaoyi Que in Ya 'an are undoubtedly influenced by the art of rest. Third, the region is clear. As a regional culture, Bashu culture is very unique.
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