Mountain climbing tune is mainly popular in China () area.

Mountain climbing tune is mainly popular in Inner Mongolia.

Mountaineering tune, also known as mountaineering song, folk song, ditty, qu qu, etc. , a short-tune folk song popular in agricultural and semi-agricultural and semi-pastoral areas in central and western Inner Mongolia, is divided into Houshan tune, Qianshan tune and Hetao tune. Houshan tune is popular at the northern foot of Yinshan Mountain, with long melody and great interval jump.

Hetao tune is popular in Hetao area of Bayannaoer League, with beautiful melody and delicate feelings. Qianshan tune is mainly popular in Tumote plain, with the characteristics of Houshan tune and Hetao tune. The structure of "Mountaineering Tune" is similar to that of "Xintianyou" and "Qu Shan", and it is mostly a two-stage single paragraph, while "Mountaineering Tune" has the factors of blending Chinese and Mongolian.

Mountain climbing tune is mainly popular in the western Inner Mongolia Autonomous Region and Zhangjiakou, Hebei Province. Because the west of Inner Mongolia is adjacent to the northwest of Shanxi, the mountain climbing movement popular in the west of Inner Mongolia is closely related to the folk songs popular in the northwest of Shanxi. In this area, the tone of Mongolian folk songs is often contained in the mountaineering tone of Mongolian-Chinese mixed areas. Singers, or shepherds, or foot catchers, or village girls, or farmers all like singing and worrying, and each has his own strengths.

Brief introduction of Climbing Mountain Tune;

Mountaineering Tune is a traditional short-tune folk song popular in agricultural and semi-agricultural and semi-pastoral areas in central and western Inner Mongolia, and it is one of the national intangible cultural heritages.

Mountain climbing songs can be traced back to the time when a large number of people were recruited from Shanxi, Hebei, Shaanxi, Henan and other places. During the Xianfeng period, successive years of famine and war prompted a large number of Han people from Shanxi and Shaanxi to move to Daqingshan for settlement. Immigrants brought folk songs from their hometown to Inner Mongolia. After long-term exchanges and collisions, they finally formed a climbing tune that integrated the characteristics of folk songs in Hebei, Shanxi, Shaanxi, Shandong and other places and absorbed the elements of Mongolian national music.

It is based on the simple Chinese dialect and the musical elements of Mongolian long tune, and its creative process is collective and belongs to oral singing, so it is variable, circulated locally and sung for a long time.