Film recommendation-Rona's Silence directed by luc dardenne

Lorna's Silence is a film about immigrants. The film was shot by Belgian director luc dardenne and won the Best Screenplay Award in 6 1 Cannes main competition unit in 2008. The story takes place in Liege, Belgium. It tells the story that Lorna Rolna, an Albanian woman, pretended to be married to Clandy Claudius, a local drug addict, through the introduction of Fabio, a local ruffian agent, in order to obtain a Belgian hukou, and tried to divorce Claudius after obtaining the hukou. In order to get a divorce, she went to court to sue Claudia for her tendency to domestic violence when she was addicted to drugs, and hit her head against the wall to create the illusion of domestic violence.

The mastermind behind this marriage scam is the intermediary Fabio, who pretended to give Claudia a part of the divorce fee, but secretly killed him. The direct purpose of his doing this is to quickly marry Rolna to Andrei, the boss of Russian underworld, hoping to get a local hukou through marriage and quickly solve the troubles in Europe at a high price.

Why is Rona involved in this marriage scam? Dobrosi, Rona's actor, said at the press conference of the premiere of Rona's Silence in Cannes that immigrants from Albania, Serbia and Turkey have a hard life in developed European countries, and their purpose in life is "just to live". She and her boyfriend Sokol Sokol, who is also Algerian, have a hard life. Sokol traveled all over Europe for a living, and once met, he experienced 1000 kilometers. ? After a while, he said, "This is 1200 yuan. How much is it now? " "Nearly twenty thousand yuan,,,, will soon be able to open a fast food restaurant".

They went to the street to see the rental shops. One by one, they looked through the door and stopped in front of a shop covered with newspapers. Sokol was carrying Rolna, and Rolna said, "I saw it. There are three rooms with a garden in the middle. In summer, you can put some tables in it for use as an open-air cafe. " Later, she went to see the Russian underworld boss and received a wedding deposit. She took the money and rented the shop. Moved, I quickly called my boyfriend, from the first floor to the second floor and from the second floor to the third floor. This kind of joy has appeared once before. Claudia is riding a newly bought bicycle and Rona is jogging beside her.

Then there was an accident on the stairs leading to the third floor.

The story doesn't end here.

Luc dardenne instilled the story into the audience bit by bit, and slowly told Rona about the new dilemma. Rona found out she was pregnant. She took out the money buried in the backyard and went to the bank to find a way to save it for future children. In this "critical" period of signing an engagement with the black boss, this new situation is not allowed in the multi-interest relationship. The firm attitude of the intermediary, boyfriend and black boss forced her to make a choice. A contest of humanity has begun. The intermediary grabbed Rona by the collar and roared, "It won't happen again. You got it? Do as I say! " Black boss said coldly, "I can't give money to my children." I only do what I promise. " Her boyfriend will send her back to Gramsh's hometown at this time.

On the way to see her boyfriend off to catch the bus, they had a short talk. Rona: Sokol. Sokol: "Huh?" . Rona: "…". Sokol: "I will stay in Milan for a month, and then we will meet in Gramsh." Rona: "…".

Sokol got out of the car ... Lorna escaped. The movie is over, but the dilemma of life seems to continue.

The film discusses many issues, such as marriage and immigration, gender relations (emotion and reason), social system and so on. This is a film that reflects the social reality, and it is also the theme that luc dardenne has been paying attention to. As a filmmaker, luc dardenne said, "We want to know people from other places. We want to show how they came here and how they will arrange their lives." Alban Ukaj, who plays Sokol in the film, was born in Pristina. After the Kosovo war, he once became a refugee. He said at the press conference that the life of emigrating to other countries is "a great insult" and "it is better to die". The story in the movie shocked him very much. However, as a filmmaker, we can only ask questions. The film still ends in luc dardenne style, and the problems continue to exist.

The film begins with the sound of high heels, and then Rona deposits money in the bank window. A tall and capable man, with short hair, wearing tight jeans and a short coat, his face was solemn and silent. If he is worried, it is more accurate to say that he is holding a big stone psychologically. Say, some words such as Belgian hukou, loan, account manager, etc. Her existence has a strong purpose.

Rona was silent.

There are many forms of silence, and Rona is one of them. If you want to stay abroad, there are many things you must do. Marry Claudia, a drug addict, in exchange for a Belgian hukou, marry a black Russian boss and get the capital to open a fast food restaurant. Moreover, she is not a person who gets something for nothing, and she works hard in the laundry. Suppressing the id and narrowing the ego will lead to unhappiness and silence. Just a frown, warm mood. Living with a strange man, manipulated by an underground agent, performing a purposeful play. She doesn't even know where her boyfriend is. Germany? Belgium? Farther away, and there is only one reason for wandering like this: survival. In other words, it is the construction of a better life in the future.

Rona woke up again.

When she found out that she had a child one day, she realized that it was so absurd to play someone else, be arranged, shelved and separated. She said, "They tried to kill us. Don't be afraid. I will protect you. " ? This is for future children, just like telling yourself when you wake up. This scene made me cry. Then, she picked up a driver who knocked her hand out and ran desperately to the depths of the forest.

If we run farther, we will be safer. Like all the desperate heroes in the movie, in a deserted forest, you will meet a deserted hut. So is Rona. She pried open the door lock, looked for branches to make a fire, looked for food and drink, slept and talked to herself until the music started. The power that was once suppressed is as great as the power that exists now. Now that she is awake, she proves that she is no longer silent with her actions.

Can she really find what she wants in an abandoned wooden house with no country, no cultural imprint and no language? Can a woman completely forget her mistakes or crimes in the name of love, life, happiness and children? Still no answer.