Works of love

Love has been engaged in poetry writing, translation, teaching and editing for more than 50 years, and his works are rich. His published poems include Time Wound, Linghe (1957), Death of a Stone Chamber (1965), Magic Song (1974) and The Noise of the Crowd (1976). There are 6 prose collections such as A Lotus at Noon, Fallen Leaves Meditate in the Fire, 5 critical collections such as The Poet's Mirror and Selected Poems on Love, and 8 translated versions of Hugo Biography.

1942 began to write poetry, 1943 published the first article in Hengyang Power Daily (now Hengyang Daily)-the prose Autumn Courtyard. His masterpiece "Death of a Stone Chamber" has been widely valued by the poetry circle and has been criticized for more than 30 years. The English version was published by Dao Lang Publishing House in San Francisco on 1994. Many of these works were included in Selected Works of China Literature edited by Professor Cyril Burch, an American sinologist. 1996 emigrating to Canada with his wife, missing the motherland and expressing homesickness has been one of the themes of writing for more than ten years. Poems such as Not Sent, Maybe Homesickness and Moxiao are representative works in this respect. Before Hong Kong returned to China, I had been to Lok Ma Chau. Looking at my hometown from the south, I felt as if I smelled the partridge singing in my hometown Hengyang. When I went to Korea to give a lecture, I climbed to the top of Panmunjom and looked at Baishan Blackwater from the north. "I looked up and wiped my eyes, but my handkerchief was actually wet by homesickness." In autumn 2009, Heshan 2 1 Century International Forum published The Complete Poems of Love.

Love is the most outstanding and powerful poet in modern poetry circles in Taiwan Province Province. He is the representative of surrealism in China's poetic circles. Because of its almost magical expression, it is known as the "poet demon" in poetry. The Selected Works of Ten Contemporary Poets in China published by Taiwan Province Province commented as follows: "From bright to difficult, from difficult to bright, love shows amazing resilience in the pursuit of self-denial and affirmation. His tempering of language, the creation of images and the exploration of realistic surreal poetry have laid his unique style. His world is vast, his thoughts are profound, and his expression is complex and changeable, which may be unparalleled. Wu Sanlian's comments on the literary award even affirmed him: "From the beginning of magic music, the style gradually changed, from complex to concise, from lively to calm, and mature art became a situation suitable for reality and activities. His poems directly explore the essence of all things and study the meaning of life, which is helpful to the tempering of China's characters. "

Love and Yu Guangzhong have always been regarded as the twin stars in the world of Chinese poetry. Love's Nostalgia on the Border is as popular as Yu Guangzhong's Nostalgia. Although his fame in Chinese mainland is not as loud as Yu Guangzhong's, his fame in Taiwan Province's poetry world is above Yu Guangzhong's. 1979 In March, when I was playing in Hong Kong, I wrote "Looking at My Hometown at the Border". Yu Guangzhong, a poet, accompanied him to the border of Lok Ma Chau to see the mainland through a telescope. Love has been away from home for 30 years, but he can't get by. He can't go home and is homesick. So he wrote a shocking poem-"Looking at Hometown on the Border", which vividly expressed the pain, loneliness and helplessness of a homesick wanderer.

There are many monographs on love works at home and abroad, including The Transformation of Poets: Comments on Love Poems, Love and Modern Poetry in China, Biography of Love, Love of a Generation of Poets, Wandering Upanishads, Love: Poetry, Fantasy, Zen, Ten Comments on Love Poems, and Eloquence of Rivers-Comments on Love Poems (Part Two). Love has been immersed in the exploration of calligraphy for 50 years. He is not only good at Wei Bei and Han Li, but also good at cursive writing. His calligraphy style is flexible and easy to escape, and his realm is high. He has been invited to hold exhibitions in Taipei, Taichung, the Philippines, Malaysia, Vancouver, new york, Beijing, Hengyang, Xi, Jinan, Nanning, Shenzhen, Hangzhou, Guangzhou, Shanghai, Shijiazhuang and Taiyuan.