How to evaluate the TV series "Go to the East"?

First of all, from the perspective of starting a business, Lao Zhujia experienced a three-step process from agricultural economy to commercial economy, and finally to industrial economy, but the premise was that Zhu Kaishan dug up the first bucket of gold when he was panning for gold: he bought land to build a house, which was probably the most traditional way for China farmers to preserve their assets.

What are the highlights of this play? I think the gold rush is the most exciting part, full of ups and downs, suspense and murder. The other part of the main line, biography and Xianer, seems unreasonable and is handled very rudely. The emotional part is originally a serious injury to the drama! But in the end, the entrepreneurial part began to become boring.

To say that Zhujiajian can gain a foothold in Kanto is nothing more than because Zhu Kaishan is not the kind of farmer who "digs for food in the soil", but a cynical and slow "operatives". It is impossible to get rich by hard work, and it needs "gold panning"!

It is inconceivable that Zhujiajian Island opened a restaurant in Harbin, especially since he started as a beggar. That article only opened the eyes of Wang, but how can a young lady know how to cook? How did you learn to pass on the text? How did Zhu Kaishan know how to fry an ice gourd? Can't stand scrutiny.

Moreover, the whole drama is creating a competitive life-and-death, especially the fight with Master Pan when opening a restaurant, which is almost equal. Why did Master Pan sign the death certificate? Is this what businessmen do? Jia Zhu won such confidence? As far as I'm concerned, the Pan family has only one son, and Zhu Jiasan's son is related.

Finally, the plot of mining is even more nonsense. Chuan Jie, the warehouse owner who runs in mountain products, discovered the coal mine, but can it be mined? Where did you get the financial strength and technical strength? Although participating in it under the banner of patriotism, this change seems too fast and unreasonable.

I think the reason is that the screenwriter lacks a real source of life and "designed" a great hero with distinctive national integrity for himself, rather than an entrepreneur who struggled hard in real life! Although entrepreneurs need social responsibility, you can get it by doing things seriously, instead of just relying on patriotism to solve all problems.

My hometown is the capital of steel, and during the Russo-Japanese War, the Japanese discovered iron ore and then set up a steel company. Coal mine is also the basic industry of the national economy and people's livelihood, and it is definitely a capital technology and even labor-intensive industry, which is far from being competent by the family business of the owner of the restaurant.

After talking about entrepreneurship in male dramas, let's talk about emotional processing in female dramas.

This play has a moral concept: repay kindness! Gratitude of the same sex means death, gratitude of the opposite sex means you have to get married or you have to get married!

No matter how inhuman Xiuer and Chuanwu have been "widowed" for 20 years, isn't Xianer and Zhenjiang a perfect match? This emotional entanglement seems so pale and unreal. Do you have to reject others if you love someone? What life needs is to compromise and let nature take its course. I think, as a princess, Wen can live in Zhujiajian for so many years before she really knows how to live and cherish the blessings. In a cornfield, you can also sing "Under the hedge of picking chrysanthemums, see Nanshan leisurely". What a free and easy thing it is!

However, it is a miracle that such an elegant aristocratic lady and Wen Chuan seldom speak the same language, but they can live together.

The only thing that makes people feel gratified is Sister Chuan and Yushu, which is also the most perfect marriage mode in China. They are childhood friends, but Yushu's actors seem to have poor lines. It's true that she is telling the truth.

I heard that Gao Mantang, the screenwriter, is going to write a sequel to "Going to the East". I hope he can go deep into life and stop making up a so-called "national hero". As a soldier, martial arts seems credible, while as a civilian, Zhu Kaishan is too arrogant.

Art can be higher than life, but it can't be divorced from life, can it? I think the hero we need in this era is not an empty slogan, but more forbearance and persistence in life. Even if he has no great achievements, he still has a full and regretless life!